Menu

Items where Division is "Visual Cultures"

Up a level
Export as [feed] Atom [feed] RSS
Group by: Date | Creators | Item Type | No Grouping
Jump to: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | V | W | Z
Number of items at this level: 2231.

A

[img]
Preview
Adams, Tristam. 2019. Vox-Exo: Horrors of a Voice. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Afi, Bruno Drumond. 2023. Spaced Out in Paradise: Post-Punk Futurities, Politics, Transitions, and Other Voices in Brazil. Doctoral thesis, Goldsmiths, University of London [Thesis]

Akomfrah, John and Eshun, Kodwo. 2019. The Secessionist Manifestos of Certain Received Wisdoms. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 363-370. ISBN 9783837646016 [Book Section]

[img]
Aloi, Giovanni. 2015. Botched Taxidermy: New Animal Bodies in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Amaro, Ramon. 2018. Afrofuturism. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 17-20. ISBN 978-1-350-03024-4 [Book Section]

[img]
Preview
Amaro, Ramon. 2019. Artificial Intelligence: warped, colorful forms and their unclear geometries. In: Danae Io and Callum Copley, eds. Schemas of Uncertainty: Soothsayers and Soft AI. Amsterdam: PUB/Sandberg Instituut, pp. 69-90. ISBN 9789090318431 [Book Section]

[img]
Amaro, Ramon. 2019. As If. e-flux architecture: Becoming Digital, [Article]

Amaro, Ramon. 2019. Darkness, as a first act of creation. In: "Darkness, as a first act of creation", XXII Triennale di Milano, Italy, 1 March - 1 September 2019. [Show/Exhibition]

Amaro, Ramon. 2016. Digital Hysteria: A proposal on violence and humanism. In: Collective Hysteria, ed. HSYREITA. (7) London: Hysteria Press, pp. 10-15. [Book Section]

[img]
Amaro, Ramon. 2020. Machine Diagnosis. Open! Journal, [Article]

Amaro, Ramon. 2018. 'Machine learning, surveillance, and the politics of visibility'. In: Belief in AI Conference, Dubai Design Week. Dubai, United Arab Emirates. [Conference or Workshop Item]

Amaro, Ramon. 2018. Precognition. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 365-368. ISBN 978-1-350-03024-4 [Book Section]

Amaro, Ramon. 2020. Threshold Value. e-flux architecture, [Article]

Amaro, Ramon. 2018. 'The archive as a space in-between history and the production of blackness'. In: The Joy in The Punch, Takeover of the National Maritime Museum. National Maritime Museum, United Kingdom. [Conference or Workshop Item]

Amaro, Ramon and Khan, Murad. 2020. Towards Black Individuation and a Calculus of Variations. e-flux journal, 109, ISSN 2164-1625 [Article]

Andrews, Alice. 2017. Articulating Pain: Writing the Autoimmune Self. In: EJ Gonzalez-Polledo and Jen Tarr, eds. Painscapes: Communicating Pain. London: Palgrave Macmillan, pp. 83-105. ISBN 9781349952717 [Book Section]

Andrews, Alice. 2010. 'The Autoimmune Death Drive: Freud, Derrida and the ethics of the biopolitical'. In: Freud After Derrida. University of Manitoba, Winnipeg, Canada 6 - 9 October 2010. [Conference or Workshop Item]

Andrews, Alice. 2011. Autoimmune Illness as a Death-drive: An Autobiography of Defence. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 189-203. [Article]

[img]
Preview
Andrews, Alice. 2020. Autoimmune actions in the ableist academy: A crip response. In: Nicole Brown and Jennifer Leigh, eds. Ableism in Academia: Theorising experiences of disabilities and chronic illnesses in higher education. London: UCL Press, pp. 103-123. ISBN 9781787354975 [Book Section]

Andrews, Alice. 2010. 'Autoimmunity, Illness and the Ethics of the New'. In: 2nd Derrida Today International Conference. Goodenough College, London, United Kingdom 19 - 21 July 2010. [Conference or Workshop Item]

[img]
Preview
Andrews, Alice. 2011. Autoimmunity: 
Deconstructing Fictions of Illness and the Terrible Future to Come. Doctoral thesis, Goldsmiths, University of London [Thesis]

Andrews, Alice. 2011. Book Review: Enduring Death: The Hauntings of Literature and Art. Parallax, 17(4), pp. 124-127. ISSN 1353-4645 [Article]

Andrews, Alice. 2010. 'Derrida, Autoimmunity and the Technical Animal'. In: Zoontotechnics (Animality/Technicity). Cardiff University, United Kingdom 12 - 14 May 2010. [Conference or Workshop Item]

Andrews, Alice. 2009. 'The Futures of Autoimmunity'. In: Literature, Art and Culture in an Age of Global Risk. Cardiff University, United Kingdom 2 - 3 July 2009. [Conference or Workshop Item]

Andrews, Alice. 2008. 'The Inscription of an Autoimmune Body'. In: Writing in a Post Derridean Era. Vaxjo University, Sweden 23 - 25 October 2008. [Conference or Workshop Item]

Andrews, Alice. 2009. 'Reading Derrida’s “No Apocalypse"'. In: Laboratory: Methods of Interart Studies. InterArt, Freie Universität Berlin, Germany 16 - 18 November 2009. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity'. In: Derrida Konferenz Frankfurt. Goethe-Universität Frankfurt am Main, Germany March 14-16 2012. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity II'. In: 3rd International Derrida Today Conference. University of California, Irvine, United States. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Abstraction'. In: Philosophy and Painting: Sharing Concepts. University of Tel Aviv, Israel 23 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Appearance is Everything: Phenomenology, art and critical enquiry'. In: Institut für Kultur und Kunstwissenschaften. Humboldt University, Berlin, Germany. [Conference or Workshop Item]

[img]
Andrews, Jorella G.. 2021. 'Art and Aesthetics in and after Phenomenology of Perception: Post-Launch Discussion'. In: Philosophy Video Premiere & Launch: Art and Aesthetics in and After Phenomenology of Perception (A Conversation in Five Parts). Concordia University, Canada 1 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Carrie Mae Weems and the Question of Criticism'. In: Presentation. Essex University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Challenging Identities'. In: Ways of Seeing 2018: Identities, Art and Architecture. National Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2020. 'Circling squares: Phenomenology, change-making, and the idea of the creation as theophany'. In: Religion & Art Symposium. Goldsmiths, University of London, United Kingdom 13 November 2020. [Conference or Workshop Item]

[img] [img]
Preview
Andrews, Jorella G.. 2022. A Close Encounter with Paul Cézanne. RA The Royal Academy of Arts Magazine(156), p. 23. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2023. Close Looking - Yuki Katsura. RA The Royal Academy of Arts Magazine(158), p. 21. ISSN 0956-9332 [Article]

[img]
Preview
[img]
Preview
Andrews, Jorella G.. 2023. 'Collaboration: Goldsmiths and Red Ribbon Living Well'. In: Waldron Health Centre: Launch of Community Health Hub. Waldron Health Centre, London, United Kingdom 20 September 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1 [Book Section]

[img]
Preview
Andrews, Jorella G.. 2018. 'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'. In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'The Creative Circuit: The Experience of Cultural Translation'. In: The Creative Circuit: The Experience of Cultural Translation. Victoria & Albert Museum. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036 [Book Section]

Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4 [Book Section]

Andrews, Jorella G.. 1995. 'Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective'. In: World Phenomenology Congress. Guadalajara, Mexico. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. ''The Dance of the Hand: The Material Space of Language''. In: Presentation. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'The Dance of the Hand: on gestural writing, epistemology and creativity'. In: Talk. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

[img]
Andrews, Jorella G.. 2018. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. SOAS, United Kingdom 22 November 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. University of Tel Aviv, Israel 25 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023'. In: Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023. National Maritime Museum, London, United Kingdom 23 August 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Description, the unorphaned eye, and the cultivation of care'. In: Visual Pedagogies: IAVC (International Association for Visual Culture) Conference, 2018. London College of Communication, University of the Arts London, United Kingdom 14 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. 'Dis-alienation and the Eye'. In: Exils/Exiles - 2001. Herstmonceux Castle, East Sussex, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7 [Book Section]

Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 2023. '“Extravagance, Liveliness, Livelihood: Intertwining Body, Materials, and Action: A Conversation with Leah Durner”'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 9 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Fashion: tissue, textile, toile'. In: CAA (College Art Association) Annual Conference, 2024. Hilton Chicago, United States 17 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2003. 'Field Work: Reports from the Field of Visual Culture'. In: Field Work: Reports from the Field of Visual Culture. Victoria Miro Gallery. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. ''The Forensic Aesthetic: Iconographies of Violence'. In: Presentation. . Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2016. The Forge of Vision: A Visual History of Modern Christianity David Morgan. Art and Christianity, 86, pp. 12-13. ISSN 1746-6229 [Article]

[img]
Preview
Andrews, Jorella G.. 2021. 'His Artistry; His Imagery: Visuality, spiritual formation, intercession'. In: Session 8 - Religion & Art Forum. Online, United Kingdom 13 December 2021. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Andrews, Jorella G.. 2023. Holdings (2020-23). [Art Object]

[img]
Preview
Andrews, Jorella G.. 2021. 'How can Objects and Images help us Reflect, Share and Educate?'. In: The New Cross Fire Collection at the Deptford People's Heritage Museum: Reflection and Planning. London, United Kingdom 27 March 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge. In: Jadwiga S. Smith and William S. Smith, eds. The Phenomenology of Individual Agency: Science, Technology, and the Human Condition. Amsterdam: Kluwer Academic. [Book Section] (Forthcoming)

Andrews, Jorella G.. 2018. 'How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,'. In: World Phenomenology Institute, 2018 Conference on Phenomenology and Aesthetics. Harvard University, United States 13-15 June 2018.. [Conference or Workshop Item]

Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]

Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2021. 'Identity as Openness'. In: Ways of Seeing 2021: Identities in Art and Architecture. National Gallery, London, United Kingdom 20 November 2021. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2023. In the Studio with Mary Abma. The Big Picture, 07, pp. 44-47. [Article]

[img]
Preview
Andrews, Jorella G.. 2022. In the Studio with Walter Hayn and Jorella Andrews. The Big Picture, 03, pp. 30-32. [Article]

Andrews, Jorella G.. 1997. 'Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security'. In: Presentation. University of Oslo, Ethnographic Museum, Norway. [Conference or Workshop Item]

Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2 [Book Section]

Andrews, Jorella G.. 2004. 'Intending objects and signs ”which have no meaning”'. In: Presentation. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Interviewing Images Workshop'. In: Interviewing Images Workshop Western Arts & Humanities, Western University. Western University, Canada 27 January 2021. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2020. 'Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling.'. In: 3rd International Conference on Dwelling Form (IDWELL 2020). Department of Architecture Universitas Indonesia, Indonesia 27 - 28 October 2020. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2019. '‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research.'. In: Pictures and words: combining verbal accounts and visual images within interpretative phenomenological analysis. Phenomenology of Health and Relationships Conference: Creativity and Affect. Aston University, Birmingham, United Kingdom 22-23 May 2019. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Andrews, Jorella G.. 2020. 'Labyrinth Walking/Labyrinth Walking Resources: Goldsmiths Mental Health Awareness Day Sessions'. In: Goldsmiths Mental Health Awareness Day Sessions. Goldsmiths, University of London, United Kingdom 4 - 5 March 2020. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771 [Book Section]

[img]
Preview
[img]
Preview
Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Mandy El-Sayegh in conversation with Jorella Andrews'. In: Tate Modern Lates / Art Chats on Capturing the Moment. Tate Modern, London, United Kingdom 30 June 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Collecting Metamorphosis'. In: Workshop: Sammeln und Ausstellen. Literatur- und kulturwissenschaftliche Perspektiven. University of Paderborn, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Painting the Microcosm'. In: Association of Art Historians 1999 Conference. Southampton, United Kingdom. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Andrews, Jorella G.. 2021. 'The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept'. In: Mark Fisher Memorial Lecture 2021 with Test Dept. Goldsmiths, University of London, United Kingdom 29 January 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Matisse, Merleau-Ponty and the Search for Depth'. In: Aesthetics: A Day School in Philosophy. Birkbeck College, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Merleau-Ponty, Phenomenology and Processes of Describing'. In: Presentation. Kingston University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Merleau-Ponty, non-philosophy and painting'. In: Talk. Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude.'. In: Geographies of Home Conference. University College London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. 'Of Ethics and Intermundane Space'. In: IAPL (International Association for Philosophy and Literature) Conference 2002 - Intermedialities. Erasmus University, Rotterdam, Netherlands 3-8 June 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Pacific Asia Cultural Studies Forum Conference'. In: Pacific Asia Cultural Studies Forum Conference. Goldsmiths, University of London. [Conference or Workshop Item]

Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]

Andrews, Jorella G.. 2002. 'Painterly Transubstantiations/Political Change'. In: Seventh Annual Meeting of the International Society for Phenomenology, Aesthetics and the Fine Arts. Harvard Divinity School, Cambridge, MA, United States 10-12 May 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Paul Cézanne: Drawing as Deep De-scription'. In: Royal Academy Short Course: Exploring Impressionism. The Royal Academy, London, United Kingdom 3 December 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. ''Performing Space''. In: Inhabiting Technology Conference,. ICA London. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. ''Phenomenological Orientations: Art/Perception/Ethics''. In: The Future Past of Visual Culture (Conference 1). Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Phenomenologies/Perceptions/Interpretations'. In: International Association for Philosophy and Literature Conference. University of Cyprus. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 15 June 2016 - Present Philosophy, Art and Religion. [Project]

Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]

Andrews, Jorella G.. 2022. Pictorial Rationalities and why they matter in our struggles for identity and community. In: Helen Fielding and Mariana Ortega, eds. Life in Art—Phenomenological Approaches to Aesthetics and World-Making. Bloomington: Indiana University Press. [Book Section] (In Press)

Andrews, Jorella G.. 2021. 'Pictorial Rationality, Trans-culturalism, and the Work of Art'. In: Critical Phenomenology & Merleau-Ponty’s Open Futures: 45th Annual Conference of the International Merleau-Ponty Circle. Western University, Canada 22 - 24 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506 [Book Section]

[img]
Preview
Andrews, Jorella G.. 2019. 'Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care'. In: Redesigning Stewardship. Goldsmiths, University of London, United Kingdom 16 September 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Public Art, Personal Depth'. In: Association for Art History: Art History Festival | Public Art, Personal Depth. National Gallery, London, United Kingdom 24 September 2021. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282 [Book]

Andrews, Jorella G.. 2023. Quodlibet and Cortesia: Alastair Gordon’s Painterly Debates with Art, Nature, and ‘the Real’. In: Jorella G. Andrews, ed. Alastair Gordon – Quodlibet. London: Anomie Publishing, pp. 13-23. ISBN 9781910221488 [Book Section]

Andrews, Jorella G.. 2024. 'Red Ribbon Living Well Sewing Workshops (March-May 2024)'. In: Red Ribbon Sewing Workshops. Metro, New Cross, United Kingdom 1 March 2024 - 3 May 2024. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2023. 'Red Ribbon Living Well: World AIDS Day 2023'. In: Red Ribbon Living Well: World AIDS Day 2023. The Somerville, New Cross, London, United Kingdom 8 December 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21. [Book Section]

[img]
Preview
Andrews, Jorella G.. 2021. 'Rights of Passage Session 2: Powerful Voices (Deptford Peoples Heritage Museum)'. In: Rights of Passage: Intergenerational Music and History Exchanges between London and Dakar. Pepys Resource Centre, London, United Kingdom 11 June 2021. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2014. Showing Off! A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781472531797 [Book]

Andrews, Jorella G.. 2005. ''Showing Off': A Merleau-Pontean Approach to the Ethical'. In: IAPL (International Association for Philosophy and Literature) Conference 2005. Chiasmatic Encounters. Special Panel: 'Bodily Écarts : Encountering Merleau-Ponty in the 21st Century'. University of Helsinki, Finland 2-8 June 2005. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. Slow looking: Frans Hals’s portrait of a newly-wed. RA The Royal Academy of Arts Magazine(160), p. 29. ISSN 0956-9332 [Article]

[img]
Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section]

[img] [img]
Preview
Andrews, Jorella G.. 2018. 'Starting from below: Phenomenological Interventions in Art History and Visual Culture'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures'. In: The 1999 International Conference of the Merleau-Ponty Circle. Wrexham, Wales, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Story-Time: An exhibition of artists living in Israel/Palestine'. In: Story-Time: An exhibition of artists living in Israel/Palestine. Candid Arts Gallery, London. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822 [Article]

[img]
Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

[img]
Preview
Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: PhD Workshop. SOAS London, United Kingdom 10 January 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: Test Lab Central St Martins. Central Saint Martins, University of the Arts London, United Kingdom 1 May 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop'. In: Using Phenomenology in Contemporary Arts Workshop: 2 Day Workshop. Goldsmiths, University of London, United Kingdom 19 and 26 October 2018. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.. 2021. 'Using “extreme list-making” to explore objects and images: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event'. In: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event. London, United Kingdom 20 February 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884 [Book Section]

Andrews, Jorella G.. 1998. 'The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard'. In: Secret Spaces, Forbidden Places (international colloquium). Herstmonceux Castle, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]

Andrews, Jorella G.. 2000. 'Vision, Violence and the Other: A Merleau-Pontean Ethics'. In: The 25th Annual Meeting of the International Merleau-Ponty Circle. Washington DC, United States. [Conference or Workshop Item]

[img] [img]
Preview
Andrews, Jorella G.. 2021. 'Visual Cultures Now - Field Reports, Public Programme Lecture Series, 2020-21'. In: Visual Cultures Public Programme: Field Reports 2020-21. Goldsmiths University of London, United Kingdom 8 October 2020 - 25 March 2021. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Andrews, Jorella G.. 2021. 'Welcome Home: Red Ribbon Living Well Support Group Celebrate World AIDS Day 2021 (plus preparatory workshops)'. In: Welcome Home. The Somerville, New Cross, London, United Kingdom 5 March - 1 December 2021 (and ongoing). [Conference or Workshop Item]

Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Working with resistance towards a non-dual “poetry” - and politics – “of truth"'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 8 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. '“Working with resistance – What can textiles teach us?”'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 12 February 2024. [Conference or Workshop Item]

Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner. [Book]

[img]
Preview
Andrews, Jorella G.; Gordon, Alastair and Smith, James K.A.. 2020. 'Material Thought - Make Good Lecture'. In: Make Good Lecture: Material Thought. Morphe Arts, Dundee, United Kingdom 7 December 2020. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G. and Martinon, Jean-Paul. 2018. 'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'. In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

[img]
Preview
Andrews, Jorella G., ed. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 9783943365382 [Edited Book]

Andrews, Jorella G. and Osborne, Peter. 2007. 'Critical Materialities'. In: Day Seminar: Research and the matter of art: ‘Thinking by Doing’ and a Materialist’s Method. Royal College of Art, London, United Kingdom 21 February 2007. [Conference or Workshop Item]

Andrews, Jorella G. and Red Ribbon Living Well Support Group. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3. Amersham Vale, London, United Kingdom 24 November 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Film and Photoshoot'. In: Cross Departmental Textiles Workshop. Deptford and New Cross, London, United Kingdom 9 June 2023. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. Goldsmiths, University of London, United Kingdom 1 September 2023. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 2'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. Goldsmiths, University of London, United Kingdom 1 September 2023. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G.; Say, Jeffrey and Veal, Clare. 2019. 'Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. Goldsmiths, University of London, United Kingdom 21-23 February 2019. [Conference or Workshop Item]

[img]
Preview
Andrews, Jorella G. and Smith, James K.A.. 2020. 'Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture'. In: Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture 5 October 2020. Morphe Arts, Dundee, United Kingdom 5 October 2020. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane. 2023. 'Cross-Departmental Textiles Workshop'. In: Cross Departmental Textiles Workshop. Constance Howard Gallery, Goldsmiths, University of London, United Kingdom 8 March 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Watson, Grant and Cameron, Jane. 2023. 'Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us?'. In: Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us?. Goldsmiths, University of London, United Kingdom 16 June 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Watson, Grant and Cameron, Jane. 2023. 'Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us?'. In: Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us?. Goldsmiths, University of London, United Kingdom 22 June 2023. [Conference or Workshop Item]

[img]
Preview
Arriola, Aimar Olabarria. 2020. Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Ascher, Ivan; Hardin, Carolyn; Klein, Steven; Montgomerie, Johnna and Rosamond, Emily. 2022. Finance and the Financialization of Capitalism. In: Albena Azmanova and James Chamberlain, eds. Capitalism, Democracy, Socialism: Critical Debates. Cham, Switzerland: Springer, pp. 71-97. ISBN 9783031084065 [Book Section]

Awan, Nishat. 2014. Agential Exchanges: Thinking the empirical in relation to productivity. In: André Viljoen and Katrin Bohn, eds. Second Nature Urban Agriculture: Designing Productive Cities. Abingdon, Oxon; New York: Routledge, pp. 108-113. ISBN 9780415540582 [Book Section]

Awan, Nishat. 2016. Diasporic Agencies: Mapping the City Otherwise. Abingdon: Routledge. ISBN 9781472433770 [Book]

Awan, Nishat. 2014. Diasporic experience and the need for topological methods. In: Peter Blundell Jones and Mark Meagher, eds. Architecture and Movement: The Dynamic Experience of Buildings and Landscapes. Abingdon, Oxon: Routledge. ISBN 9780415725354 [Book Section]

[img] [img]
Preview
Awan, Nishat. 2016. Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. Geohumanities, 2(2), pp. 311-330. ISSN 2373-566X [Article]

[img]
Preview
Awan, Nishat. 2016. Edges of Europe: Visuality, ethics and witnessing in social research. Working Paper. Independent Social Research Foundation, London. [Report]

Awan, Nishat. 2016. Introduction to Border Topologies. GeoHumanities, 2(2), pp. 279-283. ISSN 2373-566X [Article]

[img]
Preview
Awan, Nishat. 2017. Mapping Otherwise: Imagining other futures and other possibilities. In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds. Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections. Baunach: AADR, pp. 19-27. ISBN 9783887784898 [Book Section]

Awan, Nishat. 2016. Migrant Narratives of Citizenship: A Topological Atlas of European Belonging. In: "Migrant Narratives of Citizenship: A Topological Atlas of European Belonging", Yorkshire Sculpture Park, United Kingdom, 31 October – 27 November 2016. [Show/Exhibition]

[img]
Preview
Awan, Nishat. 2021. Performing on the streets: Infrastructures of subaltern resistance in Pakistan. Environment and Planning C: Politics and Space, 39(6), pp. 1274-1293. ISSN 2399-6544 [Article]

Awan, Nishat. 2012. Re-mapping Kurdistan. In: Renata Tyszczuk, ed. ATLAS: Geography, Architecture and Change. London: Black Dog Publishing. ISBN 9781907317392 [Book Section]

[img]
Preview
Awan, Nishat. 2008. Words and objects in transposing desire and making space. arq: Architectural Research Quarterly, 12, pp. 263-268. ISSN 1359-1355 [Article]

[img]
Preview
Awan, Nishat and Hoskyns, Teresa. 2015. Mapping Occupy. Architecture and Culture, 2(1), pp. 130-140. ISSN 2050-7828 [Article]

[img]
Preview
Awan, Nishat and Langley, Phil. 2013. Mapping Migrant Territories as Topological Deformations of Space. Space and Culture, 16(2), pp. 229-245. ISSN 1206-3312 [Article]

Awan, Nishat and Schneider, Tatjana. 2011. Other productions of space. In: Silvia Forlati; Anne Isopp and Astrid Piber, eds. Wonderland Manual for Emerging Architects. Vienna: Springer, pp. 330-335. ISBN 9783709108222 [Book Section]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Instances of ecological motivations in the production and use of space. Field: A Free Journal for Architecture, 4(1), pp. 219-226. ISSN 1755-068 [Article]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2013. The Institute of Radical Spatial Education. In: "Lisbon Architecture Triennale", Lisbon, Portugal, 17-20 Oct 2013. [Show/Exhibition]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Spatial Agency: Other ways of doing architecture. Abingdon, Oxon; New York: Routledge. ISBN 9780415571937 [Book]

B

[img]
Preview
[img]
Preview
Beasley, Becky. 2018. Depressive Alcoholic Mother. In: "Depressive Alcoholic Mother", Plan B Gallery, Germany, 27 April - 9 June 2018. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

[img]
Preview
Bella Piñeiro, María. 2019. Returning Life to Life: The Factory of Cine sin Autor. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bellini, Andrea; Dyangani Ose, Elvira; Bourgeois, Caroline and Alemani, Cecilia. 2016. Biennial of Moving Image. Geneva. 2016. In: "15th edition Biennial of Moving Image", Centre d'art Contemporain, Geneve, Switzerland. [Show/Exhibition]

Berger, Anne Emmanuelle and Vráblíková, Lenka. 2019. Live Body: An interview with Anne E. Berger. parallax, 25(2), pp. 119-136. ISSN 1353-4645 [Article]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

[img]
Preview
Birtwistle, Andrew Brian. 2006. Cinesonica: Sounding the Audiovisuality of Film and Video. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Blas, Zach. 2018. Body Horror. In: "Tentacular", Matadero Madrid, Spain. [Performance]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

Blas, Zach. 2018. Contra-Internet. [Art Object]

[img] [img]
Preview
Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, ISSN 2164-1625 [Article]

Blas, Zach. 12 May 2015 - 2018 Contra-Internet. [Project]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books, pp. 86-97. ISBN 9780956957177 [Book Section]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2013. Face Cages. [Art Object]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

[img]
Blas, Zach. 2019. Icosahedron. [Art Object]

[img]
Preview
Blas, Zach. 2018. Informatic Opacity. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic. ISBN 9781350030244 [Book Section]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

[img]
Blas, Zach. 2018. Is the internet a urinal?. In: "Is the internet a urinal?", MU, United Kingdom. [Performance]

[img] [img]
Preview
Blas, Zach. 2018. The Jubilee of 2033. GLQ: A Journal of Lesbian and Gay Studies, 24(4), ISSN 1064-2684 [Article]

Blas, Zach. 2017. Metric Mysticism. In: "Metric Mysticism", e-flux, United Kingdom. [Performance]

[img]
Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 149-153. ISSN 0270-5346 [Article]

Blas, Zach. 2007. Queer Technologies. [Art Object]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

Blas, Zach. 2018. SANCTUM. [Art Object]

[img]
Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

Blas, Zach and Cassils, Heather. 2015. “Queer Darkness”. Little Joe, No. 5. [Other]

[img]
Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant. 2015. “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. Mousse Magazine, Number 47. [Other]

Blas, Zach and O'Leary, Christopher. 2011. SPECULATIVE. [Exhibition Catalogue]

Blas, Zach and Satterwhite, Jacolby. 2014. “Adjust Opacity”. DIS Magazine. [Other]

[img]
Blas, Zach and Wyman, Jemima. 2017. im here to learn so :)))))). [Art Object]

Bogdan, Jolan. 2015. Performative Contradiction and Revolution: Reconsidering Romania. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

[img]
Preview
Bradley, Callum. 2023. Inhuman drag: Getting under the sk(e)ins of the posthuman in conversation with Charity Kase. Queer Studies in Media and Popular Culture, 8(1), pp. 31-46. ISSN 2055-5695 [Article]

[img]
Preview
Bradley, Callum and Perkins, Georgia. 2023. In-Human Appetites and Mineral Becomings: Earthly Wit(h)nessing in Caitlin Berrigan’s Imaginary Explosions. Antennae: The Journal of Nature in Visual Culture(61), pp. 133-148. ISSN 1756-9575 [Article]

Brar, Dhanveer Singh. 2019. 'Alien Sound: Ambient Music and the Limits of the Human'. In: Alien Sound: Ambient Music and the Limits of the Human. Tate Liverpool, United Kingdom 9 February 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. Amiri Baraka (1934 - 2014). In: Immanuel Ness and Zak Cope, eds. Palgrave Encyclopedia of Imperialism and Anti-Imperialism. UK: Palgrave-Macmillan. ISBN 978-0-230-39278-6 [Book Section]

Brar, Dhanveer Singh. 2016. 'Architektural Planning'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, University of London 12 May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Bass / Mascon'. In: Club Culture and the Politics of Bass. King's College London, United Kingdom. [Conference or Workshop Item]

[img]
Brar, Dhanveer Singh. 2020. Beefy's Tune (Dean Blunt Edit). London: 87 Press. ISBN 9781838069810 [Book]

[img]
Brar, Dhanveer Singh. 2015. Black Outbreak. In: Sophie Fuggle and Tom Henri, eds. Return to the Street. London: Pavement Books, pp. 117-132. ISBN 9780957147058 [Book Section]

Brar, Dhanveer Singh. 2016. 'Black Secret Technology'. In: Framing the Critical Decade: After the Black Arts Movement. University of Bristol. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Eddie George’s Fugitive Saturations'. In: Black Film, British Cinema.. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Gaze: Utterance'. In: Gaze: Utterance. ICA London, United Kingdom. [Conference or Workshop Item]

[img]
Brar, Dhanveer Singh. 2015. Ghetto Thermodynamics. Cesura // Acceso: Journal for Music, Politics and Poetics, 1, [Article]

Brar, Dhanveer Singh. 2016. 'Ghettoville'. In: Department of Geography Research Seminar. University College London. University College London, United Kingdom May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Introduction to performance by Larry Achiampong'. In: Techno Resistance and Black Futures. Goldsmiths College. University of London. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

[img]
Brar, Dhanveer Singh. 2015. 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN 0261-1430 [Article]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Crystal Clear Voices. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Cultural Studies Association Annual Conference. Carnegie Mellon University, Pittsburgh, PA, United States. [Conference or Workshop Item]

[img] [img]
Brar, Dhanveer Singh. 2019. No work. All Play. Propter Nos, 3, pp. 80-90. [Article]

Brar, Dhanveer Singh. 2016. 'Poverty, Abstraction, Debt: Actress’ Ghettoville'. In: Culture and Finance Capital Lecture Series. Department of Visual Cultures. Goldsmiths College, University of London.. Goldsmiths, University of London, United Kingdom October 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Runs Reprise'. In: Regenerative Feedback Noise/Human/Signal. Issue Project Room, Brooklyn, NY, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh and Moreno, Louis. 2018. 'At a Greater Distance than Sound: Wynter’s ‘new hypothesis’ and the ‘culture of dread’'. In: Genres of the Human: On Sylvia Wynter. Kings College London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Brar, Dhanveer Singh and Moreno, Louis. 2021. Notes on Listening and Hearing. In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Cambridge, Massachusetts: MIT Press. ISBN 9780262542500 [Book Section]

[img]
Preview
Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald. 2020. Music and Economic Planning. South Atlantic Quarterly, 119(1), pp. 133-151. ISSN 0038-2876 [Article]

Brar, Dhanveer Singh and Okiji, Fumi. 2016. 'Walking Bsss'. In: Marxism in Culture Seminar. University of London. University of London, United Kingdom June 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh and Rekret, Paul. 2019. 'The Power of Gods and the Forces of Nature - On Music and Popular Modernisms'. In: Marxism in Culture. Institute of Advanced Studies, UCL, United Kingdom 24 May 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul and Sandhu, Sukhdev. 2018. 'Time Let Me Play: Ideas of Childhood Innocence'. In: Time Let Me Play: Ideas of Childhood Innocence. UnionDocs: Center for Documentary Art, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul; Thompson, Marie and Sarkar, Ash. 2017. 'Down With Childhood'. In: Down With Childhood. Cafe Oto, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

[img]
Preview
Buden, Boris and Nowotny, Stefan. 2009. Übersetzung: Das Versprechen eines Begriffs. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-535-5 [Book]

[img]
Preview
[img]
Preview
Burns, David Benjamin. 2020. The Material-Media Histories of Maralinga. Doctoral thesis, Goldsmiths, University of London [Thesis]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

[img]
Preview
Burrows, David and O'Sullivan, Simon D.. 2019. Fictioning: The Myth-Functions of Contemporary Art and Philosophy. Edinburgh: Edinburgh University Press. ISBN 9781474432405 [Book]

Burrows, David and O'Sullivan, Simon D.. 2023. Science Fiction Devices. In: Bernd Herzogenarth, ed. New Perspectives on Academic Writing: The Thing That Wouldn't Die. London: Bloomsbury Academic, pp. 39-52. ISBN 9781350231535 [Book Section]

Burrows, David and O'Sullivan, Simon D.. 2014. The Sinthome/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury Academic, pp. 253-278. ISBN 9781472524621 [Book Section]

Butler, Judith and Ertür, Başak. 2017. In Turkey, academics asking for peace are accused of terrorism. The Guardian, London. [Other]

Butt, Gavin. 2006. "America" and its Discontents: Art and Politics 1945-1960. In: Amelia Jones, ed. A Companion to Contemporary Art Since 1945. Blackwell. ISBN 978-1-4051-0794-5 [Book Section]

Butt, Gavin. 2005. Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. In: Matthias Waschek and Veerle Thielemans, eds. L’Art Américain: Identités d’une Nation. Louvre/Terra Foundation, pp. 142-157. ISBN 978-2840561651 [Book Section]

Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

Butt, Gavin. 1999. The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. In: Amelia Jones and Andrew Stephenson, eds. Performing the Body/ Performing the Text. Routledge, pp. 107-126. ISBN 9780415190602 [Book Section]

Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]

Butt, Gavin. 2009. How I Died For Kiki and Herb. In: , ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]

Butt, Gavin. 2004. How New York Queered the Idea of Modern Art. In: Paul Wood, ed. Varieties of Modernism. Open University/Yale University Press. ISBN 9780300102963 [Book Section]

Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]

Butt, Gavin. 2006. Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. In: David Hopkins, ed. Neo-avant-garde (Avant Garde Critical Studies). Rodopi, pp. 277-297. ISBN 978-9042021259 [Book Section]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin. 2006. Scholarly Flirtations. In: Angelika Nollert; Irit Rogoff; Bart De Baere and Charles Esche, eds. A.C.A.D.E.M.Y. Berlin: Revolver, pp. 187-192. ISBN 3865883036 [Book Section]

Butt, Gavin. 2009. Should we take Performance Seriously? In: , ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]

Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]

Butt, Gavin and Cairns, Jon. 2000. Art: Steve Reinke's archival imaginary. Critical Quarterly, 42(3), pp. 93-101. ISSN 0011-1562 [Article]

Butt, Gavin; Heathfield, Adrian and Keidan, Lois. 2013. Performance Matters Archive. [Film/Video]

[img]
Preview
Butt, Gavin and Walters, Ben. 2013. This is Not a Dream. [Film/Video]

C

[img]
Preview
[img]
Preview
Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

[img]
Preview
Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

Cavallini, Roberto. 2010. Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chatziyannaki, Zoe. 2011. Fleeting Island: The Production of Space in Santorini. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

[img]
Preview
Cnaani-David, Ofri. 2023. Active Residues. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Collee, Lauren. 2024. From the bright world paradigm to shadow aesthetics: deconstructing visual metaphors of over-illumination. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Condorelli, Céline. 2014. In Support: A Theoretical and Practical Investigation into Forms of Display. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img] [img]
Preview
Crone, Bridget. 2014. Book Review: Pascal Gielen, Instituting Art in a Flat World. Journal of Curatorial Studies, 3(2-3), pp. 407-409. ISSN 2045-5836 [Article]

[img]
Preview
[img]
Crone, Bridget. 2017. 'CalArts WHAP! Lecture Series: Bridget Crone'. In: CalArts WHAP! Lecture Series. West Hollywood Public Library, United States October 6, 2017. [Conference or Workshop Item]

Crone, Bridget. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema in Regional Victoria. In: "The Cinemas Project", Bendigo Art Gallery, Australia, 12 April to 9 July 2014. [Show/Exhibition]

[img] [img]
, ed. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema. Melbourne, Australia: National Exhibitions Touring Support (Victoria). ISBN 9780980297706 [Edited Book]

[img]
Preview
Crone, Bridget. 2017. Comparative Monument (Shellal): Steadfastness and the Temporal Body. di'van: a journal of accounts, 1(2), pp. 54-80. ISSN 2207-1563 [Article]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut, pp. 220-230. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury, pp. 207-214. ISBN 9781472525604 [Book Section]

[img]
Preview
Crone, Bridget. 2012. Eye Music for Dancing. In: "Eye Music for Dancing", Flat Time House / The John Latham Foundation, United Kingdom. [Show/Exhibition]

[img]
Preview
Crone, Bridget. 2017. Flicker Time and Fabulation. In: G Gunkel; A Hameed and S O'Sullivan, eds. Futures and Fictions. London, UK: Repeater Books, pp. 268-294. ISBN 9781910924631 [Book Section]

Crone, Bridget. 2017. Image and the Appearance of the Image: Fear, Speed, Force. In: Evi D. Sampanikou, ed. Audio Visual Posthumanism. UK: Cambridge Scholars Press, pp. 337-342. ISBN 978-1-4438-8177-7 [Book Section]

[img]
Preview
Crone, Bridget. 2010. The Image: Disaffect in the theatre of representation. Journal of Visual Arts Practice, 9(2), pp. 123-198. ISSN 1470-2029 [Article]

Crone, Bridget. 2015. Liquid States and the Image. In: Charlotte Day, ed. Technologism. Melbourne, Australia: Monash University Museum of Art, pp. 79-87. ISBN 978-0-9923754-7-8 [Book Section]

[img]
Preview
[img]
Crone, Bridget. 2016. 'Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work'. In: Re-Visit: 1998 / Mona Hatoum. Modern Art Oxford, United Kingdom. [Conference or Workshop Item]

[img]
Crone, Bridget. 2021. Nancy Holt's Pine Barrens. In: Lisa Le Feuvre, ed. Art after Nature: Thinking Nancy Holt and Robert Smithson. Minneapolis: University of Minnesota Press. [Book Section] (Forthcoming)

[img]
Crone, Bridget. 2017. Notes Towards a Sensible Stage. In: Bridget Crone, ed. The Sensible Stage: Staging and the Moving Image. University of Chicago Press / Intellect Books. ISBN 978-1783207695 [Book Section]

[img]
Preview
Crone, Bridget. 2016. Opera as Method in the Work of Grace Schwindt. In: Agar Ledo, ed. Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161. ISBN 978-84-943529-1-2 [Book Section]

Crone, Bridget. 2003. Performancemaniac:The Work of Hayley Newman. Eyeline, 51, ISSN 0818-8734 [Article]

Crone, Bridget. 2009. Performing the Local in a Suburban Garage’. SUM Magazine for Contemporary Art, ISSN 1902-8970 [Article]

[img]
Preview
Crone, Bridget. 2017. Propositions for a stage: 24 frames of a beautiful heaven. In: "Propositions for a stage: 24 frames of a beautiful heaven", Institute for Contemporary Arts, Singapore, 29 July to 22 October 2017. [Show/Exhibition]

[img]
Preview
Crone, Bridget. 2005. The Ruined Body. In: Bridget Crone and Bala Starr, eds. The Body The Ruin. Melbourne, Australia: Ian Potter Museum of Art, University of Melbourne, pp. 9-25. ISBN 0 7340 3585 3 [Book Section]

[img]
Preview
Crone, Bridget. 2013. Seeing Red. In: Robin Mackay, ed. Final Machine. Falmouth, UK: Urbanomic, pp. 15-20. ISBN 9780957529502 [Book Section]

[img]
Crone, Bridget. 2013. The Sensible Stage : An encounter with bodies, images and other sensate materials. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Crone, Bridget. 2015. 'The Sensible Stage, Diagrams Symposium, GRADcam'. In: Diagrams symposium, GRADCam Dublin. Dublin Institute of Technology, Ireland. [Conference or Workshop Item]

[img]
Preview
Crone, Bridget. 2017. Spectral Ecologies. [Exhibition Catalogue]

[img]
Preview
Crone, Bridget. 2017. Spectral Ecologies. In: "Spectral Ecologies", Mildura Arts Centre, Australia, 6 April to 18 June 2017. [Show/Exhibition]

[img]
Crone, Bridget. 2015. 'Swamps and stages: affective immersion and strategic discontinuity in the films of Manuel de Landa and Ryan Trecartin'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

[img]
Preview
Crone, Bridget. 2020. Swampy Ecologies. Holt Smithson Foundation Scholarly Texts, [Article]

[img]
Preview
Crone, Bridget. 2013. Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds. Lizzie Fitch / Ryan Trecartin: Priority Innfield. London, UK: Zabludowicz Collection, pp. 119-124. ISBN 978-1-907921-16-2 [Book Section]

[img]
Preview
Crone, Bridget. 2013. Talking Squid. In: , ed. Not Tonight (Jellylike). London: Arcade. [Book Section]

[img]
Preview
Crone, Bridget. 2018. Time and Entanglement in Comparative Monument (Shellal). In: A Barikin and H Hughes, eds. Tom Nicholson: Lines towards Another. Berlin: Sternberg Press, pp. 131-136. ISBN 978-3-95679-397-4 [Book Section]

Crone, Bridget. 2009. Tom Nicholson’s Lines Towards Another Century. Eyeline, 68, ISSN 0818-8734 [Article]

[img]
Preview
Crone, Bridget. 2016. 'The Visitor Talks Plus One: Bridget Crone'. In: The Visitor Talks Plus One, CCS Bard. CCS, Bard, United States. [Conference or Workshop Item]

[img]
Crone, Bridget. 2019. Wounds of Unbecoming: an introduction to the work of Tai Shani. In: , ed. Our Fatal Magic. Cambridge, MA: Strange Attractor / The MIT Press, pp. 7-23. ISBN 9781907222818 [Book Section]

Crone, Bridget. 2005. The body. The ruin. [Exhibition Catalogue]

[img]
Crone, Bridget and Gunkel, Henriette. 2019. "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. In: Robin Truth Goodman, ed. The Bloomsbury Handbook of 21st Century Feminist Theory. London, UK: Bloomsbury Academic, pp. 481-490. ISBN 9781350032408 [Book Section]

D

Dadak, Zeynep; Ertür, Başak; Köstepen, Enis and Lebow, Alisa. 2007. For the record: The World Tribunal on Iraq. [Film/Video]

Daly, Ruth; Mitchell, Elspeth; Park, Gill; Vráblíková, Lenka and Zhao, Yelin. 2017. A Feminist Space at Leeds: collective reflections on an “Event”. Images: Journal of Visual and Cultural Studies, 7, pp. 261-272. ISSN 2247-7950 [Article]

[img]
Preview
Damaso, Mafaldo. 2017. Unstable Mediation – Regarding the United Nations as a Visual Entity. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Davies, Russell. 2011. The Enigma of Art in the Thought of Martin Heidegger. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Dimitriou, Orsalia. 2016. The Politics of Public Space and the Emergence of the Commons in Contemporary Athens. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Donnelly, Ryann. 2017. Radical Bodies in Music Video: Feminism, Queerness, and Subversive Performance of Gender. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Doussan, Jenny. 2024. Attestation 3. In: Sarah Wilson; Michaël La Chance; Jenny Doussan; Carrie Pilto and Boris Groys, eds. Une œuvre d’art face au tribunal: sur Pornopolitique de Piotr Pavlenski. Paris: Au Diable Vauvert, pp. 51-65. ISBN 9791030706680 [Book Section]

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

[img]
Doussan, Jenny. 2011. Intention and Exception: A Critique of the Work of Giorgio Agamben. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Doussan, Jenny. 2022. P. In: Pyotr Pavlensky, ed. Pornopolitics and Other Precedents. London: MOTHER, pp. 86-89. ISBN 9791041502981 [Book Section]

[img]
Preview
Doussan, Jenny. 2023. 'Protesting Law with the Law: The Case of Pyotr Pavlensky'. In: Critical Legal Conference 2023: Sanctuary. Durham University, United Kingdom 11-13 September 2023. [Conference or Workshop Item]

Doussan, Jenny. 2010. Recuperating the Platonic Idea. In: Rune Graulund, ed. Desperately Seeking Authenticity: Interdisciplinary Approaches. Copenhagen Doctoral School Press. [Book Section]

[img]
Doussan, Jenny. 2024. Redeeming Fashion: Between Benjamin and Agamben on Baudelaire. In: , ed. Baudelaire and Philosophy. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

[img]
Preview
Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

[img]
Preview
Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

[img]
Preview
Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

Dufour, Diane; Lebart, Luce; Delage, Christian and Weizman, Eyal. 2016. Crime Scenes | A Hundred Years of Photographic Evidence. In: "Crime Scenes | A Hundred Years of Photographic Evidence", Nederlands Fotomuseum, Rotterdam, Netherlands, 13 May - 21 August 2016. [Show/Exhibition]

Duncan, Ifor. 2022. Drought in the Rivers of Forgetting. In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona, pp. 140-147. ISBN 9788494938870 [Book Section]

[img]
Preview
Duncan, Ifor. 2023. Fugitive Rivers: Maroon Ecologies and Édouard Glissant’s La Lézarde. Green Letters: Studies in Ecocriticism, 27(1), pp. 92-108. ISSN 1468-8417 [Article]

[img]
Preview
Duncan, Ifor. 2021. The Meteorological Occult: Submergences in the Venetian Fog. Lagoonscapes. The Venice Journal of Environmental Humanities, 1(1), pp. 37-58. ISSN 2785-2709 [Article]

Duncan, Ifor. 2023. Necro-Hydrology. e-flux Architecture, [Article]

[img]
Preview
[img]
Preview
Duncan, Ifor. 2024. River Cinema I. In: "River Cinema I", Goldsmiths, University of London, United Kingdom, 14 March 2024. [Show/Exhibition]

Duncan, Ifor. 2019. Undercurrents: Submergence and the Hidroituango Megadam. In: Lindsay Bremner, ed. Monsoon [+ other] Waters. London: A Monsoon Assemblages Publication, pp. 19-27. ISBN 9780992965709 [Book Section]

Duncan, Ifor and Levidis, Stefanos. 2022. 'Arcifinious'. In: José Roca and Juan Francisco Salazar, eds. Rīvus: A Glossary of Water. Sydney, Australia: Biennale of Sydney Ltd 2022, pp. 47-48. ISBN 9780958040327 [Book Section]

[img]
Preview
[img]
Preview
Duncan, Ifor and Levidis, Stefanos. 2024. 'Weaponising a river / Median Line: a century of border violence and the alluvial geopolitics of the Evros/Meric/Maritsa River border'. In: War & Water: A seminar on toxicity, multispecies politics and waterways. Centre for Research in the Arts, Humanities and Social Sciences, University of Cambridge, United Kingdom 7 March 2024. [Conference or Workshop Item]

Duncan, Ifor and Levidis, Stefanos. 2020. Weaponizing a River. e-flux Architecture, [Article]

Dyangani Ose, Elvira. 2012. Across The Board. In: "Across The Board", London, United Kingdom, November 2012 – March 2014. [Show/Exhibition]

Dyangani Ose, Elvira. 2010. Arte Invisible (editor). [Exhibition Catalogue]

Dyangani Ose, Elvira. 2009. Arte Invisible (editor). [Exhibition Catalogue]

[img]
Preview
Dyangani Ose, Elvira. 2017. ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. In: , ed. Kemang Wa Lehulere. Bird Song. Berlin, Germany: Hatje Cantz Verlag. ISBN 978-3-7757-4280-1 [Book Section]

[img]
Preview
[img]
Preview
Dyangani Ose, Elvira. 2016. Betye Saar: Uneasy Dancer. In: "Betye Saar: Uneasy Dancer", Fondazione Prada Milan, Italy, 15 September 2016 – 8 January 2017. [Show/Exhibition]

Dyangani Ose, Elvira. 2009. Bienvenidos al Paraiso. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2017. How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. In: Magdalena Malm, ed. Curating Context: Beyond the Gallery and into Other Fields. Sweden: Art and Theory Publishing. ISBN 978-91-88031-45-7 [Book Section]

[img]
Dyangani Ose, Elvira. 2016. Hypothesis for an Institution. In: Mario Mainetti, ed. Recto Verso Quaderno. #4 Milano: Fondazione Prada. [Book Section]

[img]
Preview
Dyangani Ose, Elvira. 2013. Ibrahim El-Salahi: A Visionary Modernist. In: "Ibrahim El-Salahi: A Visionary Modernist", Tate Modern, London, United Kingdom, 3 July – 22 September 2013. [Show/Exhibition]

[img]
Preview
[img]
Preview
Dyangani Ose, Elvira. 2016. Nástio Mosquito: T.T.T.-Template Temples of Tenacity. In: "Nástio Mosquito: T.T.T.-Template Temples of Tenacity", Fondazione Prada Milan, Italy, 7 July – 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2012. '‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’'. In: Koyo Kouoh, Condition Report, Raw Material Company. Dakar, Senegal. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2013. Random Anecdotes. In: Madeleine Grynsztejn; Federica Martini and Vittoria Martini, eds. Alfredo Jaar Venezia Venezia, Pavilion of Chile 55 International Art Exhibition la Biennale di Venezia 2013. Barcelona; New York: Actar. ISBN 978-0-989331-73-9 [Book Section]

[img]
Preview
Dyangani Ose, Elvira. 2018. 'States of Opacity. Lahore Biennial'. In: States of Opacity. Lahore Biennial. Lahore, Pakistan March 18 to March 31 2018. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2015. A Story Within A Story. 8th edition of Göteborg International Biennial for Contemporary Art, GIBCA 2015. In: "GIBCA. Göthenburg Biennial 2015", Gothenburg, Sweden, September 12 - November 22 2015. [Show/Exhibition]

[img]
Preview
Dyangani Ose, Elvira. 12 September - 22 November 2015 A Story within A Story: GIBCA 2015. [Project]

Dyangani Ose, Elvira. 2004. Surrounding the Word: Towards an Aesthetic of Ritual. In: , ed. De Boca en Boca: Estudios de Literatura Oral de Guinea. Spain: Ceiba Ediciones. [Book Section]

[img]
Preview
[img]
Preview
Dyangani Ose, Elvira. 2015. 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. In: Ferreira de Carvalho Nuno, ed. NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas. Lisboa Portugal: Museu Coleção Berardo. ISBN 978-989-8239-46-4 [Book Section]

[img]
Preview
Dyangani Ose, Elvira. 2016. Theaster Gates - True Value. In: "True Value", Fondazione Prada Milano, Italy, 7 July - 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2005. Tres Escenarios. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

[img]
Preview
[img]
Preview
Dyangani Ose, Elvira and Ambrožič, Mara. 2016. 'States of Opacity. Art, Politics and New Social Imaginaries. International Symposium at Dakart 2016'. In: States of Opacity. 12th Dakart biennial. Dakar, Senegal. [Conference or Workshop Item]

[img]
Preview
[img]
Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

Dyangani Ose, Elvira; Bashar, Shumon; Roelstraete, Dieter and Liber, Cédric. 2016. Slight Agitation. 4/4 Laura Lima. In: "Slight Agitation Laura Lima", Fondazione Prada Milan, Italy, october 2016 - september 2018. [Show/Exhibition]

[img]
Dyangani Ose, Elvira and Mainetti, Mario. 2016. Betye Saar: Uneasy Dancer. [Exhibition Catalogue]

[img]
Preview
Dyangani Ose, Elvira and Mainetti, Mario. 2016. Quaderno: Template Temples of Tenacity: Nástio Mosquito. [Exhibition Catalogue]

E

[img]
Preview
El Baroni, Bassam. 2017. Post-Agonistics: Pluralism, Realism and the Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Elfving, Taru. 2009. THINKING ALOUD ON THE ADDRESS OF THE VIEWER. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Ellul, Hannah. 2017. Picturing Politics: Drawing Out the Histories of Collective Political Action in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Engel, Kathy; Marie, Maia; Nkomo, Refilwe; Vráblíková, Lenka; Moiloa Gapare, Molemo; Flores Garrido, Natalia; Masola, Athanbile; Moeketsi, Itumeleng; Moyo, Kundai; Slabbert, Annika; Sango, Anna; Itumeleng, Faith and Tshikalange, Lali. 2022. Collaborative Poetics: Conversations with Lalela I. [Artist's Book]

[img]
Preview
Ertür, Başak. 2016. Barricades: resources and residues of resistance. In: Judith Butler; Zeynep Gambetti and Leticia Sabsay, eds. Vulnerability in Resistance. Durham, North Carolina: Duke University Press, pp. 97-121. ISBN 9780822362906 [Book Section]

[img]
Preview
Ertür, Başak. 2019. Conscription and Critique. Critical Times, 2(2), pp. 270-284. ISSN 2641-0478 [Article]

[img]
Preview
Ertür, Başak. 2014. The Gezi Uprising and Particularities of Discontent. Law and Critique, 25(1), pp. 3-7. ISSN 0957-8536 [Article]

[img]
Preview
Ertür, Başak. 2020. La barricade. Techniques & Culture(74), pp. 72-73. ISSN 0248-6016 [Article]

[img]
Ertür, Başak. 2016. "Le Chevalier d'Éon": wagering in a wilderness of mirrors (English) / "Le Chevalier d'Éon": Aynaların Yabanında Bahse Tutuşmak (Turkish). In: Süreyyya Evren, ed. Nil Yalter: Off the Record. Istanbul, Turkey: Arter, pp. 92-105. ISBN 9786059606028 [Book Section]

[img]
Preview
Ertür, Başak. 2012. Plenty of History. Manifesta Journal #15, Amsterdam. [Other]

Ertür, Başak. 2009. Report on the First Ergenekon Indictment. Technical Report. Amnesty International. [Report] (Submitted)

Ertür, Başak. 2022. Spectacles and specters: a performative theory of political trials. New York: Fordham University Press. ISBN 9781531501877 [Book]

[img]
Preview
Ertür, Başak. 2016. The conspiracy archive: Turkey's deep state on trial. In: Stewart Motha and Honni van Rijswijk, eds. Law, Violence, Memory: Uncovering the Counter-Archive. Abingdon: Routledge, pp. 177-194. ISBN 9781138830639 [Book Section]

Ertür, Başak. 2017. The onus of thought in the War on Terror. Theory & Event, 20(1), pp. 66-75. ISSN 2572-6633 [Article]

[img]
Ertür, Başak; Butler, Judith and Athanasiou, Athena. 2017. Türkçe Basıma Sunuş: Çeviride Mülksüzleşme. In: Judith Butler and Athena Athanasiou, eds. Mülksüzleşme Siyasaldaki Performatif. Istanbul, Turkey: Metis, pp. 9-21. [Book Section]

[img]
Preview
Ertür, Başak and Lebow, Alisa. 2014. Coup de Genre: The Trials and Tribulations of Bülent Ersoy. Theory & Event, 17(1), ISSN 2572-6633 [Article]

Ertür, Başak and Martel, James. 2016. Introduction. Theory & Event, 19(1), ISSN 1092-311X [Article]

Eshun, Kodwo. 2018. '36 - '77: A Tremulous Temporal Entity. In: Dan Kidner, ed. Nightcleaners / '36 - '77. Raven Row and Lux. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2018. '36 to '77: A Tremulous Private Entity. In: Dan Kidner and Alex Sainsbury, eds. Nightcleaners and '36 to '77. London: Koenig Books, LUX and Raven Row, pp. 59-71. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2014. 'The Airstrip – Decampment of Modernism Part III and Two Museums'. In: Screening and Discussion with Heinz Emigholz. UNDEFINED 8 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Algorithmic Poetics'. In: Techno Resistance and Black Futures Festival. Goldsmiths, University of London, United Kingdom 27 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. The Algorithmic Poetics of @GlissantBot. In: Research Center for Proxy Politics, ed. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books. ISBN 978-3-943620-71-9 [Book Section]

Eshun, Kodwo. 2017. 'The Algorithmic Poetics of @GlissantBot'. In: The Proxy and Its Politics: On evasive objects in a Networked Age. Haus der Kulturen der Welt, Berlin, Germany 24 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2023. 'Aliens wherever they have to go': Friendship's Death. In: Oliver Fuke, ed. The Films of Laura Mulvey and Peter Wollen: Scripts, Working Documents, Interpretation. London: Bloomsbury on behalf of the British Film Institute, pp. 263-280. ISBN 9781839025242 [Book Section]

Eshun, Kodwo. 2011. Anathema. [Film/Video]

Eshun, Kodwo. 2015. 'Anathema, People to Be Resembling and In the Year of the Quiet Sun, Screening and Discussion'. In: Essay Film Festival. ICA, London, United Kingdom 27 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Artist Talk'. In: Reconstruction of Story 2. National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of 26 August 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Artists Moving Image Practice in Britain: From 1990 to today'. In: Artists Moving Image Practice in Britain. Whitechapel Gallery, London, United Kingdom 7 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Assembly: A Survey of Recent Artists Film and Video in Britain 2008 - 2013'. In: Questions of Progress I and II. Tate Britain, Clore Auditorium, United Kingdom 9 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Bad New Days: Discussion with Hal Foster and Alex Potts, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: . 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Between Times: Marc Karlin Weekend, Meanwhile'. In: What about Socialism AV Festival. Newcastle, United Kingdom. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Ceddo in the Future of 1976'. In: Angazi but I’m Sure. Raw Academy, Dakar, Senegal 21 April 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Circuit of Enslavement'. In: The Global Condition: Dispossession, Displacement and Death. Performing Arts Forum, St. Erme, United Kingdom 20 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Co-Op Dialogues 1996-2016'. In: In Conversation with Jean Matthee. Tate Britain, United Kingdom 14 November 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2021. '‘The Colony is a Prison’: The ‘Redemption of Africa’ in the Gold Coast of Richard Wright'. In: Beinecke Library at Yale. Yale University, United States 8 March 2021. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture One'. In: Laingian Science Fiction. The Showroom, United Kingdom 27 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture Two'. In: The Final Scene of Hyenas: A Fable of Fatal Incorporation. The Showroom, London, United Kingdom 11 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Conversation with Diedrich Diederichsen and Nina Montman'. In: Brave New Work: A Reader on Harun Farocki’s A New Product. The Showroom, United Kingdom 25 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2012. Corona: Reorientation Point for New Planetary Values. In: Okwui Enwezor and Markus Müller, eds. ECM: A Cultural Archaeology. Munich: Prestel, pp. 188-203. ISBN 9783791352855 [Book Section]

[img]
Preview
Eshun, Kodwo. 2012. Dan Graham: Rock My Religion. London: Afterall Books. ISBN 978-1-84638-085-3 [Book]

Eshun, Kodwo. 2016. 'Decolonizing Nature'. In: In Conversation with T. J. Demos and Ros Gray. The Showroom, United Kingdom 14 July 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2017. Drexciya as Spectre [Catalogue Essay]. In: Margarida Mendes, ed. Matter Fictions. Sternberg Press. ISBN 978-3-95679-303-5 [Book Section]

Eshun, Kodwo. 2015. 'Eadward Muybridge Zoopraxographer: Screening and Discussion with Thom Andersen'. In: Essay Film Festival. ICA, United Kingdom 28 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Eastman Complex'. In: I/mages of Tomorrow: Envisioning black, POC futures, disabled futures, queer & trans futures, feminist futures. Goldsmiths, University of London, United Kingdom 3 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'An Endless Suddenness'. In: Thinking with Fred Moten. Open School East, London, United Kingdom 12 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. The Energetic Impulse [Catalogue Essay]. In: , ed. L.A. Rebellion: Creating a New Black Cinema. Tate Modern. [Book Section]

Eshun, Kodwo. 2016. Fear of a Wet Planet. In: Nav Haq, ed. RAVE: Rave and its Influence on Art and Culture. M KHA Museum van Hedendaagse Kunst Antwerpen & Black Dog Publishing. ISBN 978-1910433874 [Book Section]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: A Parenthetical Incorporation'. In: Khiasma, Kinesis Exposition Arts Visuel. Paris, France 21 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: An Parenthetical Incorporation'. In: 23rd Image Symposium: Black or White Screen: The Power of Seeing Images Together. , CA2M Centro de Arte Dos de Mayo, Mosteles 27- 30 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Forgotten Space'. In: Lopud Seminar. Thyssen-Bornemisza Art Contemporary, Lopud, Croatia 8 - 11 September 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Forms of Discontent in Handsworth Songs The Eros Effect'. In: Art, Solidarity Movements and the Struggle for Social Justice. Tensta Konsthall, Sweden 17 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Forum: The Attraction of Representation'. In: The Attraction of Representation. NTU Centre for Contemporary Art, United Kingdom 21 June 2014. [Conference or Workshop Item]

[img]
Eshun, Kodwo. 2020. From 953 AD to 1 Gigayear: Cheikh Anta Diop's Future Vector of Energy. In: Eric C. H. de Bruyn and Sven Lütticken, eds. Futurity Report. 1 Berlin: Sternberg Press, pp. 217-237. ISBN 9783956794230 [Book Section]

Eshun, Kodwo. 2017. 'Fukushima Artists Films'. In: In Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 21 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Fukushima and Visual Inquiry'. In: Philippe Rouy Film Screening and Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 13 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2003. Further Considerations on Afrofuturism. CR The New Centennial Review, 3(2), pp. 287-302. ISSN 15396630 [Article]

Eshun, Kodwo. 2016. 'Genres of the Human'. In: In conversation with Louis Chude Sokei and Appau Junior Boakye-Yiadom. The Showroom, London, United Kingdom 12 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2018. Geomythologies. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury. ISBN 9781350030244 [Book Section]

Eshun, Kodwo. 2017. Glissantbot. In: Vera Tollman and Boaz Levin, eds. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books, pp. 93-103. ISBN 9783943620719 [Book Section]

Eshun, Kodwo. 2016. A Hunter Shooting Waterbirds. In: , ed. Studio for Propositional Cinema #2. [Book Section]

Eshun, Kodwo. 2010. Hydra Decapita. [Film/Video]

Eshun, Kodwo. 2016. 'In Conversation with Apitchatpong Weerasethakul'. In: Pan-African Space Station. Amsterdam Central Library, Netherlands 13 December 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In Conversation with Bonaventure Ndikung'. In: African Futures Festival. African Futures Festival, United Kingdom 28 - 31 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Green Gartside (Scritti Politti)'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Sue Clayton'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In conversation with Ursula Biemann'. In: CCC, HEAD,. Geneve, Switzerland 28 - 30 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "The Otolith Group: In the Year of the Quiet Sun", Casco – Office for Art, Design and Theory, Utrecht, Netherlands, 14 November 2014 - 25 January 2015. [Show/Exhibition]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Delfina Foundation, London, United Kingdom, 13 October - 8 November 2014. [Show/Exhibition]

Eshun, Kodwo. 2015. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Kunsthall, Bergen, Norway, 17 January - 9 March 2014. [Show/Exhibition]

[img]
Preview
Eshun, Kodwo. 2014-2015 In the Year of the Quiet Sun. [Project]

Eshun, Kodwo. 2014. 'In the Year of the Quiet Sun, Screening and Discussion'. In: Interdisciplinary Practices: FESTAC’ 77. Terra Kulture, Lagos, Nigeria 18 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Jet Propelled Take Off of the Black Star'. In: Future Caucus. Vanabbemuseum Eindhoven, Netherlands 20 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Keynote Lecture'. In: Public Assets: Small Scale Arts Organisations and the Production of Value. Platform Theatre, Central Saint Martins, United Kingdom 15 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Kodwo Eshun in conversation with Lucas van der Velden [Exhibition Catalogue]. In: Lucas van der Velden; Mirna Belina and Arie Altena, eds. The Geological Imagination. Sonic Acts. [Book Section]

Eshun, Kodwo. 2015. 'Leben BRD, Harun Farocki: Cinema and Speculation'. In: Padiglione Centrale Arena. Giardini, La Biennale di Venezia, United Kingdom 5 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to Dambudzo Marachera'. In: Pan-African Space Station. The Showroom 11 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to FESTAC ’77: In Conversation with Ntone Edjagbe'. In: Pan-African Space Station. The Showroom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Literal Technology of the Hartman Circuitry'. In: Intimate Trespass: Hapticality, Waywardness and the Practice of Entanglement. Cecil Sharp House, London, United Kingdom 8 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2018. Mais brillante que el sol: Incursiones en la Ficción Sónica. Buenos Aires: Caja Negra Editora. ISBN 9789871622634 [Book]

Eshun, Kodwo. 2016. 'The Many Lives of Peter Wollen Part 2'. In: Beyond the Scorched Earth of Counter Cinema. Whitechapel Gallery, London, United Kingdom 22 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2018. Marc Karlin’s Voyages around Susan Meiselas’ Nicaragua Photographs [Catalogue Essay]. In: Carles Guerra, ed. Susan Meiselas: Meditations. Bologna: Damiani. ISBN 9788862085687 [Book Section]

Eshun, Kodwo. 2014. Medium Earth. In: "Medium Earth", RedCat, Los Angeles, United States, 21 April-16 June. [Show/Exhibition]

Eshun, Kodwo. 2013. Medium Earth. [Film/Video]

Eshun, Kodwo. 2016. 'Methods of Animating the Second Wars of Existence in Kojo Laing’s Achimota City'. In: We Hold This Myth to be Potential. Trondheim Academy of Fine Art, Norway 17 March 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Modernization Theories and Modernist Poetics in Transition Magazine'. In: Podium. KurzfilmTage Oberhausen, Netherlands 17 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2025. More Brilliant than the Sun: Adventures in Sonic Fiction (2nd edition). London: Verso. ISBN 9781784786724 [Book] (Forthcoming)

Eshun, Kodwo. 2014. Narcissus in Uniform [Catalogue Essay]. In: Elvira Dyangani Ose, ed. Uses of Memory: Caderno Sesc Videobrazil, 10 ed. [Book Section]

Eshun, Kodwo. 2016. 'Narrating the Race to Zero'. In: Haut ecole d’ art et design. Geneve, Swaziland 30 November 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Novaya Zemlya. In: "Novaya Zemlya", Museu de Serralves , Porto, Portugal, 1 November-11 January 2015. [Show/Exhibition]

Eshun, Kodwo. 2018. O Horizon. [Film/Video]

Eshun, Kodwo. 2003. OTOLITH 1. [Film/Video]

Eshun, Kodwo. 2017. On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. In: Sue Clayton and Laura Mulvey, eds. Other Cinemas : Politics, Culture and Experimental Film in the 1970s. London: I.B. Tauris, pp. 257-270. ISBN 9781784537180 [Book Section]

[img]
Preview
Eshun, Kodwo. 2016. 'On Opacity in Senghor and Glissant, States of Opacity: Art, Politics and New Social Imaginaries'. In: International Symposium. Dak’ Art, Dakar Biennial, Senegal 7 - 8 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2023. 'On the Aesthetic of Black Industrialism in the work of Trevor Mathison'. In: Echoes of Dissent Vol. 1. Beursschouburg, Brussels, Belgium 2 June 2023. [Conference or Workshop Item]

Eshun, Kodwo. 2023. 'On the Black Industrialism of Trevor Mathison of Black Audio Film Collective: A Lecture by Kodwo Eshun'. In: Birkbeck Institute of the Moving Image. Birkbeck, University of London, United Kingdom 28 April 2023. [Conference or Workshop Item]

Eshun, Kodwo. 2024. On the Implications of Black Studies for Counter-Forensics and Counter-Forensics for Black Studies. In: Ricardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Leipzig: Spector Books, pp. 23-38. ISBN 9783959056878 [Book Section]

Eshun, Kodwo. 2015. 'On the Use and Abuse of Youtube for Life'. In: Global Art Forum. Dubai, United Arab Emirates 19 March 2015. [Conference or Workshop Item]

[img]
Preview
Eshun, Kodwo. 2019. The Otolith Group: Xenogenesis Short Guide. [Exhibition Catalogue]

Eshun, Kodwo. 2014. 'Panel discussion with John Akomfrah, Mark Fisher and Bea Campbell'. In: The Unfinished Conversation. Tate Britain, United Kingdom 14 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2023. Plus Brilliant que le soleil: Aventures en fiction sonore. Paris: Philharmonie de Paris Editions. ISBN 9791094642627 [Book]

Eshun, Kodwo. 2016. Prolonging 1961: A Communique Sent to the Future [Catalogue Essay]. In: Armin Linke; Vaness Vasic-Janekovic and Sarah Poppel, eds. Travelling Communiqué. Leipzig: Spector Press. ISBN 9783944669922 [Book Section]

Eshun, Kodwo. 2012. The Radiant. [Film/Video]

Eshun, Kodwo. 2015. 'The Radiant'. In: The Radiant, Screening and Lecture. Everson Museum of Art, Syracuse University, New York, United States 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. The Radiant. In: "The Radiant", Art Gallery Miyauch, Japan, 11 March – 21 May 2017. [Show/Exhibition]

Eshun, Kodwo. 2014. Reconstructing the Methods for reformatting Oxygen Isotopes in nature and in the Laboratory as Oxygen Tops Nature Oratory for Optical Character Recognition Scanners. In: K. Klingan; A. Sepahvad; C. Rosol and B. Scherer, eds. Grain Vapor Ray: Textures of the Anthropocene. MIT, pp. 121-127. ISBN 9780262527415 [Book Section]

Eshun, Kodwo. 2023. Recursion, Interrupted. In: Tom Holert and Doreen Mende, eds. Navigation Beyond Vision. Berlin: Sternberg Press, pp. 148-152. ISBN 9783956795657 [Book Section]

Eshun, Kodwo. 2015. 'Rereading the African Writers Series: In Conversation with James Currey'. In: Pan-African Space Station. The, United Kingdom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Respondent to Tavia Nyong’o'. In: Tavia Nyong’o. Goldsmiths, University of London, United Kingdom 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Sci-fi futures and the production of subjectivities'. In: UNSPECIFIED. The Showroom, London, United Kingdom 7 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Medium Earth. Serralves Museum, Porto, United Kingdom 1 November 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Hydra Decapita and Medium Earth. Electricity Museum, Lisbon, Portugal 23 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening and Discussion, Song of Ceylon, Basil Wight, 1934'. In: About Basil Wright’s ‘Song of Ceylon’,. Harun Farocki, 1975, United Kingdom 26 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening of Anathema in conversation with Mark Fisher'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, London, United Kingdom 12 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2021. Signifying Deceit: Richard Wright's Anti- Colonial-Anti- Capitalist-Anti Communism. In: Anselm Franke; Nida Ghouse; Paz Guevera and Antonia Majaca, eds. Parapolitics: Cultural Freedom and the Cold War. Berlin: Sternberg Press/Haus der Kulturen der Welt, pp. 569-584. ISBN 9783956795084 [Book Section]

Eshun, Kodwo. 2014. 'The Sixth Side of the Pentagon and Far from Vietnam'. In: Chris Marker Screening and Introduction. The Barbican, London, United Kingdom 13 May 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Song of the Shirt'. In: The Song of the Shirt, Sue Clayton and Laura Mulvey. Tate Liverpool, United Kingdom 29 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'A Special Arrow was Shot in the Neck'. In: David Roberts Foundation, Medium Earth, Screening and Discussion. Rio Cinema, London, United Kingdom 22 July 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. Statecraft. [Art Object]

Eshun, Kodwo. 2015. Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction [Catalogue Essay]. In: Annett Busch and Anselm Franke, eds. After Year Zero: Geographies of Collaboration. Warsaw: Haus der Kulturen der Welt and Muzeum of Modern Art. [Book Section]

Eshun, Kodwo. 2014. Stealing one’s own corpse: Afrofuturism as Speculative Heresy. In: Naima J Keith and Zoe Whitley, eds. The Shadows Took Shape. The Studio Museum in Harlem. [Book Section]

Eshun, Kodwo. 2024. 'The Struggle Against This Colonial Barrage': Listening for Black Industrialism in the Theoretical Positions of Black Audio Film Collective circa 1986. In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through The Screen: Struggles Reverberation in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Eshun, Kodwo. 2017. 'Sunrise: A Song of Two Humans, Screening and Conversation with John Akomfrah'. In: Climates of Fiction: Cinemas from the Capitalocene. Institute of Light, Institute of Light, United Kingdom 6 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2020. That Person or Thing that Which Attains to the Ground of Anything. In: Federica Buetti; Antonia Alampi and Bonaventure Soh Bejeng Ndikung, eds. We Have Delivered Ourselves From the Tonal - Of, Towards, On, For Julius Eastman. Berlin: Archive Books in collaboration with Savvy Books, pp. 46-63. ISBN 9783948212117 [Book Section]

Eshun, Kodwo. 2018. 'Thinking with Mark Fisher'. In: Mark Fisher Memorial Lecture 2018. Goldsmiths, University of London, United Kingdom 19 January 2018. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Anthony Elms'. In: International House, Endless Shout. Institute of Contemporary Art at the University of Philadelphia, United States 16 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Boris Ondreicka'. In: The Question of Will. A4, Bratislava, Slovakia 24 May 2017. [Conference or Workshop Item]

[img]
Preview
Eshun, Kodwo. 2023. To Be Hoist by Your Own Petard: Studying the Study of Lynette Yiadom-Boakye. In: Lekha Hileman Waitoller, ed. Lynette Yiadom-Boakye: No Twilight Too Mighty. Bilbao: Guggenheim Museum Bilbao/La Fábrica, pp. 24-39. ISBN 9788418934490 [Book Section]

[img]
Preview
Eshun, Kodwo. 2019. To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 83-106. ISBN 9783837646016 [Book Section]

Eshun, Kodwo. 2021. The Transitional Coalition: Reciprocal Readings of Transition and the Congress for Cultural Freedom between 1962 and 1967. In: Anselm Franke; Nida Ghouse; Paz Guevera and Antonia Majaca, eds. Parapolitics: Cultural Freedom and the Cold War. Berlin: Sternberg Press/Haus der Kulturen der Welt, pp. 481-497. ISBN 9783956795084 [Book Section]

Eshun, Kodwo. 2016. 'Uski Roti, Mani Kaul'. In: Screening and Discussion with Sumesh Sharma. The Empire Remains Shop, United States 23 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Voyages: When Cinema tracks Photojournalism, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'We Are Methane'. In: Miracle Marathon. Serpentine Galleries, Second Home, Hanbury Street, United Kingdom 9 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. We Wanted This Sense of Fluxing In and Out of History: Kodwo Eshun in Conversation with Sue Clayton. In: Kodwo Eshun; Gavin Butt and Gavin Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2019. 'We are the Gods Trapped in Cocoons': Neural Entertainment in Get Out. In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic, pp. 275-278. ISBN 9781916405219 [Book Section]

Eshun, Kodwo. 2016. The Weakest Link in Every Chain I Always Want To Find It: Green Gartside in Conversation with Kodwo Eshun. In: Kodwo Eshun; Gavin Butt and Mark Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. 'The Weakest Link in Every Chain I Always Want to Find It': Green Gartside in conversation with Kodwo Eshun. In: Gavin Butt; Kodwo Eshun and Mark Fisher, eds. Post-Punk Then and Now. London: Repeater Books, pp. 166-196. ISBN 9781910924266 [Book Section]

[img]
Preview
Eshun, Kodwo. 2015. World 3. [Exhibition Catalogue]

Eshun, Kodwo. 2018. Xenogenesis. In: "Xenogenesis", VanabbeMuseum, Eindhoven, Netherlands. [Show/Exhibition]

Eshun, Kodwo. 2020. ZONE 2. [Film/Video]

Eshun, Kodwo. 2016. The object spoke to me but what it said I cannot say [Catalogue Essay]. In: Boris Ondreicka and Nadium Samman, eds. Rare Earth. Sternberg Press. [Book Section]

Eshun, Kodwo. 2015. 'with Billy Woodberry, Barbara McCullough and June'. In: LA Rebellion Seminar. Tate Modern, London, United Kingdom 12 April 2015. [Conference or Workshop Item]

Eshun, Kodwo and Biemann, Ursula. 2017. When Matter Thinks. In: Doreen Mende, ed. Thinking Under Turbulence. HEAD Geneve: Geneva Colloquium. ISBN 9782940524556 [Book Section]

Eshun, Kodwo and Cokes, Tony. 2019. 'Artist Talk: Tony Cokes and Kodwo Eshun'. In: Artist Talk: Tony Cokes and Kodwo Eshun. Centre for Contemporary Art, Goldsmiths, University of London, United Kingdom 28 September 2019. [Conference or Workshop Item]

Eshun, Kodwo; Goodman, Steve and Pethick, Emily. 2024. To Release the Unnameable. In: Justin Barton; Myra B. Kronic and Steve Goodman, eds. Sonic Faction: Audio Essay as Medium and Method. Falmouth: Urbanomic. ISBN 9781915103123 [Book Section] (In Press)

Eshun, Kodwo; Henderson, Louis and Denise, Lynee. 2024. 'Thinking with Dub Cinema: Echoes of Dissent Vol. 3'. In: Thinking with Dub Cinema: Echoes of Dissent Vol. 3. Courtisane Festival, Ghent, Belgium 27- 30 March 2024. [Conference or Workshop Item] (Forthcoming)

Eshun, Kodwo and Keating, Marianne. 2024. 'Kodwo Eshun in conversation with Marianne Keating.'. In: Kodwo Eshun in conversation with Marianne Keating. The Showroom, London, United Kingdom 10 January 2024. [Conference or Workshop Item]

[img]
Preview
Eshun, Kodwo; Mehretu, Julie; Dennis, Oswald Nolan; English, Darby; Ntombela, Nontobeko and Nasr, Edwin. 2021. 'Thinking with the Generative Capacities of a Black Aesthetics of Abstraction'. In: Blackness and Aesthetics of Abstraction: The Africa 2020 September Summit. Musee de Quai Branly, France 27 February 2021. [Conference or Workshop Item]

Eshun, Kodwo and Mende, Doreen. 2023. Pixelating Assembly: Not Sinking, Swarming. In: Corina Apostol; Marius Babias; Reinhard Braun; Pablo DeSoto; Gabriela Salgado and Leila Topic, eds. Oliver Ressler. Barricading the Ice Sheets. Berlin: n.b.k. Ausstellungen, pp. 54-65. ISBN 9783753304854 [Book Section]

Eshun, Kodwo; Moreno, Louis and Hameed, Ayesha. 2016. 'In conversation with Louis Moreno and Ayesha Hameed'. In: Stadtklang, Sonic Utopias, Utopia Treasury. Somerset House, United Kingdom 20 March 2016. [Conference or Workshop Item]

Eshun, Kodwo; Mulvey, Laura and Russell, Wendy. 2020. Peter Wollen - Writing, Politics, Film. [Film/Video]

[img]
Preview
Eshun, Kodwo and Sagar, A.. 2007. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press. ISBN 9781846310140 [Book]

Eshun, Kodwo and Sagar, Anjali. 2014. It may be useful to assume the policeman’s perspective now and then. Black Collectivities NKA: Journal of Contemporary African Art, ISSN 1075-7163x [Article]

Eshun, Kodwo and Sagar, Anjalika. 2023. ...But There are New Suns. In: "...But There Are New Suns.", Cooper Gallery, Duncan of Jordanstone College of Art and Design, United Kingdom, 13 October - 16 December 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2015. From Left to Night. [Art Object]

Eshun, Kodwo and Sagar, Anjalika. 2023. I See Infinite Distance Between Any Point and Another. In: "I See Infinite Distance Between Any Point and Another", greengrassi, London, United Kingdom, 5 September - 4 October 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2022. O Horizon. In: "O Horizon", Guggenheim Museum Bilbao, Spain, 23 June - 2 October 2022. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2019. The Otolith Group: Xenogenesis. In: "The Otolith Group: Xenogenesis", Van Abbemuseum, Eindhoven, Netherlands, 25 May 2019- 12 February 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2023. A Sphere of Water Orbiting a Star. In: "A Sphere of Water Orbiting a Star", HANGAR Centro de Investigacao Artistica, Lisbon, Portugal, 15 July 2023 - 23 September 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2023. A Sphere of Water Orbiting a Star. In: "A Sphere of Water Orbiting a Star", Galway Arts Centre, Ireland, 13 May - 1 July 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2022. Techno, Berlin und die grosse Freiheit. In: "Techno, Berlin und die grosse Freiheit", Tresor, Berlin, Germany, 8 July - 28 August 2022. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2024. We will move to the land of birds as a flock of previous humans. In: "We will move to the land of birds as a flock of previous humans", greengrassi, London, United Kingdom, 20 January - 2 March 2024. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2024. What the Owl Knows. In: "What the Owl Knows", Fondazione Sandretto Re Rebaudengo, Turin, Italy, 19 March - 2 June 2024. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2022. What the Owl Knows. In: "What the Owl Knows", The Association of Visual Artists Secession Vienna, Austria, 18 November - 5 February 2023. [Show/Exhibition]

Eshun, Kodwo; Sagar, Anjalika; Bradley, Rizvana and Campt, Tina. 2020. 'The Otolith Group: The Third Part of The Third Measure Film Screening and Conversation'. In: Black Visualities Initiative: “The Visual Frequency of Black Life”. Cogut Institute for the Humanities, Brown University, United States 5 March 2020. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika and Ferreira da Silva, Denise. 2023. 'The Otolith Group with Denise Ferreira da Silva'. In: The Franklin Humanities Institute Climate Change, Decolonisation and Global Blackness Lab. Nasher Museum of Art at Duke University, United States 14 September 2023. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika; Hisama, Elie; Jean- Francois, Isaac and Hartman, Saidiya. 2020. 'The Third Part of the Third Measure. A Film About Julius Eastman. Film Screening and Discussion'. In: The Third Part of the Third Measure. A Film About Julius Eastman. Film Screening and Discussion. 612 Schermerhorn Hall, Columbia University, United States 6 March 2020. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika and Morley, Megs. 2021. The Otolith Group. Xenogenesis. [Exhibition Catalogue]

Eshun, Kodwo; Sagar, Anjalika and Philips, Rasheedah. 2022. 'DXG: Octonionic Constellation: Thinking Octavia Butler with Rasheedah Phillips of Black Quantum Futurism.'. In: DXG: Octonionic Constellation: Thinking Octavia Butler with Rasheedah Phillips of Black Quantum Futurism.. Cafe OTO, London, United Kingdom 20 February 2022. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika; Wilson, Leslie M.; Getachew, Adom and Nsabimana, Natacha. 2023. 'Photo and Film: A Screening and Conversation with The Otolith Group'. In: Photo and Film: A Screening and Conversation with The Otolith Group. Smart Museum of Art, University of Chicago, United States 3 May 2023. [Conference or Workshop Item]

Eshun, Kodwo; Sepaka, Angiama; Eshun, Esi; da Silva Ferreira, Denise; Hassan, Salah and Sagar, Anjalika. 2022. Forms of Afterlife. In: Adrian Lahoud and Andrea Bagnato, eds. Rights of Future Generations: Propositions. Berlin: Hate Cantz Verlag, pp. 134-147. ISBN 9783775748728 [Book Section]

[img] [img]
Preview
Evans, Dave. 2022. Re-making Networked Platforms: A Practice Based Exploration of Networked Retreat. Doctoral thesis, Goldsmiths, University of London [Thesis]

F

[img]
Preview
Faramelli, Anthony. 2023. Crisis and Resistance: Institutional Psychotherapy and the Politics of Care. Deleuze and Guattari Studies, 17(2), pp. 196-216. ISSN 2398-9777 [Article]

[img]
Preview
Faramelli, Anthony. 2017. The Decolonised Clinic: Fanon with Foucault. London Journal of Critical Thought, 1(2), pp. 114-128. ISSN 2398-662X [Article]

Faramelli, Anthony. 2017. Glissant versus Fanon. Chimères. Revue des schizoanalyses(90), pp. 66-76. ISSN 0986-6035 [Article]

[img]
Preview
Faramelli, Anthony. 2023. Introduction: Why Institutional Analysis, Why Now? Deleuze and Guattari Studies, 17(2), pp. 161-168. ISSN 2398-9777 [Article]

Faramelli, Anthony. 2017. La réduction des risques au Royaume-Uni et le double diagnostic. Chimères. Revue des schizoanalyses(91), pp. 107-119. ISSN 0986-6035 [Article]

[img]
Preview
Faramelli, Anthony. 2019. Liberation On and Off Screen: Black Panther and Black Liberation Theory. Film Criticism, 43(2), ISSN 0163-5069 [Article]

Faramelli, Anthony. 2020. Mirrors and Masks: The Political Space of Zapatismo. In: David Hancock; Anthony Faramelli and Robert G. White, eds. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic, pp. 131-152. ISBN 9781350021129 [Book Section]

Faramelli, Anthony. 2018. Resistance, Revolution and Fascism: Zapatismo and Assemblage Politics. London: Bloomsbury Academic. ISBN 9781350050068 [Book]

[img]
Preview
Faramelli, Anthony and Piper, Imogen. 2022. Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism. CLCWeb: Comparative Literature and Culture, 24(4), 6. ISSN 1481-4374 [Article]

Hancock, David; Faramelli, Anthony and White, Robert G., eds. 2018. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic. ISBN 9781350021129 [Edited Book]

[img]
Preview
Faramelli, Anthony and Wilson, Rachel. 2022. Spaces of Refuge: The Clinical Practice of Félix Guattari and Institutional Psychotherapy. Deleuze and Guattari Studies, 16(4), pp. 623-641. ISSN 2398-9777 [Article]

[img] [img]
Preview
Fernandez Ayarzagoitia, Mercedes. 2024. Tracing violence and cruelty in Mexico’s visual culture. Images of violence and their effects on subjectivity and the social bond. Doctoral thesis, Goldsmiths, University of London [Thesis]

Ferreira da Silva, Denise; Hameed, Ayesha; Sharma, Ashwani; Sagar, Anjalika and Eshun, Kodwo. 2018. 'Study Group on Black Aesthetics'. In: In formation III. Institute for Contemporary Art, London, United Kingdom 26 August 2018. [Conference or Workshop Item]

[img] [img]
Preview
Finney, Rachael. 2024. Sounding Elsewhere, Sounding Everywhere: Listening to the Background from Motown and Beyond. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X [Article]

[img]
Fisher, Andrew. 2017. Imaginative Variation: Photographic Scale and Photographic Horizons. In: Florian Dombois and Julie Harboe, eds. Too Big to Scale: On Scaling Space, Number, Time and Energy. Zürich: Scheidegger & Spiess Verlag, pp. 17-31. ISBN 9783858817938 [Book Section]

[img]
Preview
Fisher, Andrew. 2009. The Involution of Photography. Radical Philosophy(157), ISSN 0300 211X [Article]

[img]
Preview
Fisher, Andrew. 2016. On the Scales of Photographic Abstraction. Photographies, 9(2), pp. 203-214. ISSN 1754-0763 [Article]

[img] [img]
Preview
Fisher, Andrew. 2014. Photo-surveillance and the emplaced déraciné. Photographies, 7(1), pp. 53-65. ISSN 1754-0763 [Article]

[img]
Preview
[img]
Preview
Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1 [Book Section]

[img]
Preview
Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

[img]
Fisher, Andrew. 2018. The Production of a Factographic Object. In: Rebecca Jagoe and Sharon Kivland, eds. On Violence. London: Ma Bibliotheque, pp. 139-148. ISBN 9781910055410 [Book Section]

Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682 [Article]

[img]
Preview
Fisher, Mark. 2009. Capitalist Realism: Is there no alternative? Ropley: Zero Books. ISBN 9781846943171 [Book]

Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Alresford: Zero Books. ISBN 9781780992266 [Book]

Fisher, Mark. 2001. Gothic Materialism. Pli Warwick Journal of Philosophy, 12, [Article]

[img]
Preview
Fisher, Mark. 2006. Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’. ImageTexT: Interdisciplinary Comics Studies, 2(2), ISSN 1549-6732 [Article]

[img]
Preview
Fisher, Mark. 2007. 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2. Film / Philosophy, 11(3), ISSN 1466-4615 [Article]

Fisher, Mark. 2013. Indirect Action: Some Misgivings About Horizontalism. In: Pascal Gielen, ed. Institutional Attitudes. Instituting Art in a Flat World. Amsterdam: Valiz. ISBN 978-90-78088-68-4 [Book Section]

Fisher, Mark. 2013. It’s easier to imagine the end of the world than the end of Capitalism. In: Nicholas Mirzoeff, ed. The Visual Culture Reader. Routledge. ISBN 9780415620550 [Book Section]

Fisher, Mark. 2009. Materialismo gótico (Extractos de Flatline Constructs: Gothic materialism and Cybernethic Theory-Fiction). In: Santiago Arcos, ed. Nosotros, los brujos. Santiago Arcos. ISBN 978-987-1240-34-0 [Book Section]

Fisher, Mark. 2010. Memorex for the Krakens: The Fall's Pulp Modernism. In: Michael Goddard and Benjamin Halligan, eds. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate, pp. 95-110. ISBN 978-0-7546-6867-1 [Book Section]

Fisher, Mark. 2012. Postcapitalist Desire. In: Federico Campagna and Emanuele Campiglio, eds. What We Are Fighting For: A Radical Collective Manifesto. Pluto Press. ISBN 9780745332857 [Book Section]

Fisher, Mark. 2011. We're not all in this together: Public Space and Antagonism in the Wake of Capitalist Realism. In: Markus Miessen and Andrea Phillips, eds. Caring Culture: Art, Architecture and the Politics of Health. Sternberg Press. ISBN 978-1-934105-71-9 [Book Section]

[img]
Preview
Fisher, Mark. 2016. The Weird and the Eerie. London: Repeater. ISBN 9781910924389 [Book]

Fisher, Mark. 2014. ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. In: Nina Möntmann, ed. Brave New Work A Reader on Harun Farocki's film 'A New Product'. Walther Koenig. ISBN 9783863353506 [Book Section]

Fisher, Mark. 2011. The privatisation of stress. Soundings: A Journal of Politics and Culture, 48, pp. 123-133. ISSN 1362-6620 [Article]

Forkert, Kirsten; Oliveri, Federico; Bhattacharyya, Gargi and Graham, Janna. 2020. How Media and Conflicts Make Migrants. Manchester: Manchester University Press. ISBN 9781526138118 [Book]

G

García Düttmann, Alexander. 2008. Adorno's amerikanischer Traum. Frankfurter Allgemeine Zeitung, [Article]

[img]
Preview
García Düttmann, Alexander. 2011. Consciousness of Semblance: Participation in Art and Politics. Germany: Konstanz: Konstanz University Press. ISBN 978-3-86253-019-9 [Book]

García Düttmann, Alexander. 2008. Der Schein [Semblance]. Inaesthetik, pp. 149-157. [Article]

[img]
Preview
García Düttmann, Alexander. 2008. Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. Bielefeld, Germany: Transcript Verlag. ISBN 978-3-89942-740-0 [Book]

García Düttmann, Alexander. 2009. Die Reise nach Montreux [A Trip to Montreux]. In: Joachim Leisegang, ed. In Begleitung: Claire Lise Holy and Dieter Leisegang. Monschau: KUK. Kunst- und Kulturzentrum, pp. 86-89. [Book Section]

García Düttmann, Alexander. 2008. Die Sichtbarmachung der Armut [Making Poverty Visible]. In: Eva Geulen; Kai Kauffmann and Georg Mein, eds. Hannah Arendt - Giorgio Agamben: Parallelen Perspektiven Kontroversen. Munich: Wilhelm Fink, pp. 119-129. ISBN 978377054529-2 [Book Section]

García Düttmann, Alexander. 2010. Ein Verdienst der Künstlerin [To The Artist's Credit]. In: , ed. Claire-Lise Holy: Szenenbilder - Figurinen - Details. Monschau: KUK. Kunst- und Kulturzentrum der Städteregion Aachen, pp. 65-66. ISBN 9783000311758 [Book Section]

[img]
Preview
García Düttmann, Alexander. 2009. El año académico. Cali (Colombia): Archivos del Indice. ISBN 9789584456274 [Book]

García Düttmann, Alexander. 2010. El hombre y la tierra / Man and Earth. In: , ed. Greta Alfaro. Centro de Arte Huarte, Spain, unpag.. [Book Section]

García Düttmann, Alexander. 2010. Elizabeth and the Peacock. In: , ed. Elizabeth Presa with Greg Burgess: interior castle. Melbourne: Linden Arts Centre, pp. 4-6. [Book Section]

García Düttmann, Alexander. 2010. Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. In: Alfons Hug, ed. Menos tiempo que lugar. El arte de la independencia. Buenos Aries[?]: Goethe Institut, pp. 87-98. [Book Section]

García Düttmann, Alexander. 2010. "Extravaganza". In: , ed. Fine Art and History of Art, catalogue of the end of the year show, 2010. London: Goldsmiths College, p. 13. ISBN 9781906897048 [Book Section]

[img]
Preview
García Düttmann, Alexander. 2009. '‘For Those Who Like That Sort Of Thing, That’s The Sort Of Thing They Like’'. In: All the Same – Was gilt, wenn alles gleich und gültig ist?. Steirischer Herbst Festival, Graz, Austria October 2010. [Conference or Workshop Item]

[img]
Preview
García Düttmann, Alexander. 2010. 'For and Against the Contemporary. An Examination'. In: Culture After Postmodern Culture. UC Irvine, United States 9 October 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2010. I Shall Never Grow Old. In: , ed. Dark Rooms. Warsaw: Nowy Teatr & Krytyka Polityczna & Kodoji Press, pp. 7-12. ISBN 9783037470367 [Book Section]

García Düttmann, Alexander. 2009. Idiosyncrasy And Film. Senses of Cinema, [Article]

García Düttmann, Alexander. 2009. "Improvising on Intuition". In: , ed. Fine Art and History of Art BA, catalogue of the end of the year exhibition 2009. London: Goldsmiths College, pp. 150-152. ISBN 9781904158967 [Book Section]

García Düttmann, Alexander. 2008. Integral Actuality. In: Justin Clemens; Nicholas Heron and Alex Murray, eds. The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, pp. 28-42. ISBN 9780748634620 [Book Section]

García Düttmann, Alexander. 2009. 'Kafka and the Life of the Letter'. In: Process / Music. 25th Music Biennale Zagreb, Croatia April 2009 - January 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2011. Kafka and the Life of the Letter. Constellations, 18(1), pp. 67-73. ISSN 1467-8675 [Article]

García Düttmann, Alexander. 2010. Kafka i zivot slova [Kafka and the life of the letter]. Frakcija: performing arts magazine, n/a(53/54), pp. 52-58. ISSN 1331-0100 [Article]

García Düttmann, Alexander. 2010. Language Without Soil. In: Gerhard Richter, ed. Language Without Soil. New York: Fordham University Press, pp. 10-16. ISBN 978-0-8232-3127-0 [Book Section]

[img]
Preview
García Düttmann, Alexander. 2010. 'Law, Literature, Revolution'. In: Recht und Literatur: Verfahren. Erfurt, Germany. [Conference or Workshop Item]

García Düttmann, Alexander. 2009. Letteratura per esempio. In: Clemens Carl Haerle, ed. Confini del racconto. Macerata: Quodlibet, pp. 53-62. ISBN 9788874623037 [Book Section]

García Düttmann, Alexander. 2010. 'The Love of Proper Names'. In: Workshop on pedagogy and disaster. ICA, London, United Kingdom. [Conference or Workshop Item]

García Düttmann, Alexander. 2008. Making Poverty Visible: three theses. Parrhesia: a journal of critical philosophy(4), pp. 1-10. [Article]

García Düttmann, Alexander. 2009. A Note On Philosophy And Photography. In: , ed. Commonsensual: The Works of Rut Blees Luxemburg. London: Black Dog Publishing, pp. 163-164. ISBN 9781906155575 [Book Section]

García Düttmann, Alexander. 2010. Ohne Politik [Without Politics]. In: Thomas Bedorf and Kurt Roettgers, eds. Das Politische und die Politik. Berlin: Suhrkamp Verlag, pp. 364-381. ISBN 978-3-518-29557-1 [Book Section]

[img]
Preview
García Düttmann, Alexander. 2007. Philosophy of Exaggeration. Continuum Books. ISBN 0826495621 [Book]

[img]
García Düttmann, Alexander. 2011. Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance]. Konstanz: Konstanz University Press, pp. 1-192. ISBN 978-3-86253-019-9 [Book]

[img]
Preview
García Düttmann, Alexander. 2005. Verwisch die Spuren. Diaphanes. ISBN 3935300646 [Book]

García Düttmann, Alexander. 2006. Visconti: Einsichten in Fleisch und Blut. Kulturverlag Kadmos. ISBN 3931659925 [Book]

García Düttmann, Alexander; Nancy, Jean-Luc and Richon, Olivier. 2010. Picking Up / Bouncing Back. [Exhibition Catalogue]

[img]
Preview
García Düttmann, Alexander and Savage, Robert. 2009. Visconti: Insights into Flesh and Blood (translated by Robert Savage). Stanford: Stanford University Press. ISBN 9780804757409 [Book]

[img]
Gaur, Meenu and Madani, Adnan. 2020. The Ghost in the Projector: New Pakistani Cinema & its Hauntings. In: Vazira Zamindar and Asad Ali, eds. Love, War & Other Longings: Essays on Cinema in Pakistan. Karachi, Pakistan: Oxford University Press Pakistan, pp. 48-72. ISBN 9780190701857 [Book Section]

[img]
Preview
Georgiou, Diana. 2019. Erotic Responsiveness: An Ethics of Auto/biographical Art-Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Gibson, Beatrice. 2013. Between Script and Score: Notation and Movement in the Work of Cornelius Cardew. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Gkitsa, Dimitra. 2020. Affective commoning: Collective curating in the post-socialist space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Godfrey, Mark; Demos, T.J.; Weizman, Eyal and Hameed, Ayesha. 2010. Rights of Passage”. Tate Etc, 19, [Article]

[img]
Preview
[img]
Graham, Janna. 2016. The Anatomy of an AND. In: Carmen Mörsch; Angeli Sachs and Thomas Sieber, eds. Contemporary Curating and Museum Education. Bielefeld: transcript-Verlag, pp. 187-202. ISBN 9783837630800 [Book Section]

[img]
Preview
Graham, Janna. 2017. Dos relatos sobre un «nosotros» Malestar en las fronteras entre arte, educación e investigación. Errata: Revista de Artes Visuales(16), pp. 168-175. ISSN 2145-6399 [Article]

[img]
Preview
Graham, Janna. 2017. Grammars of the Possible: Moving Beyond Binaries of Representation and Non-Representation in Gallery Education. In: Carmen Mörsch; Sigrid Schade and Sophie Vögele, eds. Representing Art Education: On the Representation of Pedagogical Work in the Art Field: . Vienna: Zaglossus, pp. 369-408. ISBN 9783902902580 [Book Section]

[img]
Preview
[img]
Preview
Graham, Janna. 2020. ‘Techniques for Living Otherwise’: Naming, Composing and Instituting Otherwise. In: Marina Garcés; Janna Graham; val flores; Concha Fernández Martorell and Jordi Solé Blanch, eds. Pedagogías y emancipación. Barcelona: Arcadia MACBA, pp. 49-77. ISBN 9788494992476 [Book Section]

[img]
Preview
Graham, Janna. 2017. Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building. In: , ed. Creativity Exercises. [Book Section] (Forthcoming)

[img]
Preview
Graham, Janna. 2018. ‘Where are we when we think?’ Space, time and emancipatory education in galleries. International Journal of Lifelong Education, 37(1), pp. 21-39. ISSN 0260-1370 [Article]

[img]
Preview
Graham, Janna and Papadopoulos, Dimitris. 2023. Organizing the precarious: Autonomous work, real democracy and ecological precarity. Organization, 30(4), pp. 649-667. ISSN 1350-5084 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

[img]
Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

[img]
Preview
Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

[img]
Preview
Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

[img]
Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

[img]
Preview
Grant, Catherine. 2021. Introduction to "Why Have There Been No Great Women Artists?". In: Linda Nochlin, ed. Why Have There Been No Great Women Artists? London: Thames & Hudson. ISBN 9780500023846 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

[img]
Preview
Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

[img]
Preview
[img]
Preview
Grant, Catherine. 2022. Responding to Women and Creativity. [Printed Ephemera]

[img]
Preview
Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

[img]
Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

[img]
Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Gunkel, Henriette. 2019. Alienation and Queer Discontent. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 387-404. ISBN 9783837646016 [Book Section]

Gunkel, Henriette. 2013. Désiré. In: Max Annas; Annett Busch and Henriette Gunkel, eds. Frieda Grafe. 30 Filme. Issue 3. Berlin: Brinkmann u Bose, pp. 177-181. ISBN 78-3940048165 [Book Section]

Gunkel, Henriette. 2012. Introduction: A Politics of Visibility. In: Henriette Gunkel; Chrysanthi Nigianni and Fanny Söderbäck, eds. Undutiful Daughters: New Directions in Feminist Thought and Practice. New York: Palgrave Macmillan, pp. 129-140. ISBN 9780230118317 [Book Section]

Gunkel, Henriette. 2012. Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. Feministische Studien, 2, pp. 351-353. ISSN 0723-5186 [Article]

[img]
Gunkel, Henriette. 2018. Rückwärts in Richtung queerer Zukunft. In: Dagmar Brunow and Simon Dickel, eds. Queer Cinema. Mainz, Germany: Ventil Verlag, pp. 68-81. ISBN 9783955750916 [Book Section]

Gunkel, Henriette. 2013. Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. In: Ulrike Bergermann, ed. Disability trouble. Ästhetik und Bildpolitik bei Helen Keller. Berlin: B Books, pp. 309-317. ISBN 978-3-942214-09-4 [Book Section]

Gunkel, Henriette. 2009. Through the Postcolonial Eyes: Images of Gender and Female Sexuality in Contemporary South Africa. Journal of Lesbian Studies, 13(1), pp. 77-87. ISSN 1089-4160 [Article]

Gunkel, Henriette. 2015. “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. In: Ulrike Bergermann and Nanna Heidenreich, eds. total. - Universalism and particularism in post_kolonialer media theory. Berlin: Transcript, 149 -162. ISBN 9783837627664 [Book Section]

Gunkel, Henriette. 2008. “‘What do we see when we look at ourselves?’ - Visual dissidence towards (post)colonial sex/gender organisations within post-apartheid South African culture. In: Jean-Paul Rocchi, ed. Dissidences et Identités Plurielles. Nancy: Presses universitaires de Nancy, pp. 160-185. ISBN 978-2-86480-899-2 [Book Section]

Gunkel, Henriette and Annas, Max. 2018. An Act of Citizenship - Mozambican Films from Kuxa-Kanema to a Cinema of Re-sistance. In: Antje Schuhmann and Mistri Jyoti, eds. African Women in Film. Pretoria: Unisa Press. [Book Section]

Gunkel, Henriette and Crone, Bridget. 2019. Future. In: Robin Goddman, ed. The Bloomsbury Handbook of 21st-Century Feminist Theory. Bloomsbury. ISBN 9781350032408 [Book Section]

Gunkel, Henriette and Hameed, Ayesha. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book]

Gunkel, Henriette and Lynch, Kara. 2019. Lift Off...An Introduction. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 21-44. ISBN 9783837646016 [Book Section]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine. 2015. Introduction: In Movement. Women in Africa and the African Diaspora. JENdA: A Journal of Culture and African Women Studies, 26, [Article]

[img]
Preview
Gunkel, Henriette and McGeorge, Eline. 2017. Companions Meet as Spaces Fold. A Conversation. In: Eline McGeorge, ed. As Spaces Fold, Companions Meet. London: Dent-De-Leone, pp. 167-175. ISBN 978-1-907908-41-5 [Book Section]

[img]
Preview
Gunkel, Henriette and Pitcher, Ben. 2008. Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality. Darkmatter, 3, ISSN 2041-3254 [Article]

[img]
Preview
Gunkel, Henriette and Pitcher, Ben. 2008. Q&A with Jasbir Puar. Darkmatter, 3, ISSN 2041-3254 [Article]

Gunkel, Henriette and Stieglitz, Olaf. 2012. Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 97-110. ISBN 978-3593396415 [Book Section]

Gunkel, Henriette and Yekani, Elahe Haschemi. 2012. Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 57-69. ISBN 978-3593396415 [Book Section]

H

Hameed, Ayesha. 2021. 11th Gothenburg Biennale. In: "11th Gotëburg International Biennial for Contemporary Art", Gothenburg, Sweden, 4 September - 21 November 2021. [Show/Exhibition]

Hameed, Ayesha. 2021. AGGREGATES. In: "AGGREGATES", Ausstellungsraum Klingental, Basel, Switzerland, 19 September - 24 October 2021. [Show/Exhibition]

Hameed, Ayesha. 2019. Academy of the Fine Arts Vienna screening. In: "Academy of the Fine Arts Vienna", Vienna, Austria. [Show/Exhibition]

Hameed, Ayesha. 2010. 'Aesthetics of Evidence'. In: Presentation to the United Nations Human Rights Commission, Geneva (with Centre for Research Architecture). Geneva, Switzerland 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2019. And Evil Earth maybe it’s time for a rumble. In: "Life Choreographies", Public Art Agency, Stockholm, Sweden, 21 August 2019. [Show/Exhibition]

Hameed, Ayesha. 2022. “Approximate Oceans” with Stefan Helmreich. In: Invernomuto, ed. Black Med. Milan: Humboldt Books. ISBN 9788899385965 [Book Section]

Hameed, Ayesha. 2022. (The Art of Living Well and Dying Well). In: Anselm Franke; Elisa Giuliano; Denise Ryner; Claire Tancons and Zairong Xiang, eds. Ceremony (Burial of an Undead World). Leipzig: Spector Books / Haus der Kulturen der Welt (HKW). ISBN 9783959056946 [Book Section]

Hameed, Ayesha. 2008. 'Artist’s Talk, Rearranging Desires: Curating the "Other” Within'. In: Rearranging Desires: Curating the "Other” Within. Concordia University, Montreal, Canada 6 – 31 October 2008. [Conference or Workshop Item]

Hameed, Ayesha. 2020. "Austerity and Utopia" L’Internationale Online Commission. In: ""Austerity and Utopia" L’Internationale Online", Online, 11 May - 3 September 2020. [Show/Exhibition]

Hameed, Ayesha. 2007. Banff Centre for Arts and Creativity Residency Exhibition. In: "Banff Centre for Arts and Creativity Residency Exhibition", Banff, Canada, 2007. [Show/Exhibition]

Hameed, Ayesha. 2014. Black Atlantis. In: Eyal Weizman, ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 712-719. ISBN 9783956790119 [Book Section]

Hameed, Ayesha. 2014 - 2019 Black Atlantis. [Project]

[img]
Preview
Hameed, Ayesha. 2019. Black Atlantis. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: Transcript, pp. 107-126. ISBN 9783837646016 [Book Section]

Hameed, Ayesha. 2018. 'Black Atlantis'. In: BAK basis voor actuele kunst. Utrecht, Netherlands. [Conference or Workshop Item]

Hameed, Ayesha. 2025. Black Atlantis. London: Strange Attractor Press. [Book] (Forthcoming)

Hameed, Ayesha. 2018. Black Atlantis – Dancefloors and Seafloors. In: Dan Meththananda and Martin Kohout, eds. Night Shifter. TLTRPreß, pp. 44-53. ISBN 9783981964011 [Book Section]

Hameed, Ayesha. 2018. Black Atlantis, Ø Hyperdub. In: "Ø Hyperdub", Corsica Studios London, United Kingdom, 14 November 2018. [Show/Exhibition]

[img]
Preview
Hameed, Ayesha. 2018. Black Atlantis: 'The end of eating everything'. In: "Black Atlantis: 'The end of eating everything'", Empire Remains, London, United Kingdom, 2016 - 2018. [Performance]

[img]
Preview
Hameed, Ayesha. 2019. Black Atlantis: Bodies and Storms. In: "Black Atlantis: Bodies and Storms", ICA London, United Kingdom, 2015-2019. [Performance]

[img]
Preview
[img]
Hameed, Ayesha. 2019. Black Atlantis: Retrograde Futurism. In: "Black Atlantis: Retrograde Futurism", Akademie der Künste der Welt, Cologne, Germany, 2018-2019. [Performance]

Hameed, Ayesha. 2018. 'Black Atlantis: Retrograde Futurism'. In: Society for Artistic Research 9th International Conference, “Artistic Research Will Eat Itself”. University of Plymouth, United Kingdom 11 -13 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2021. 'Black Atlantis: Retrograde Futurism'. In: Fall Semester 2021: Oceanic Archives. Institute of Contemporary Art, Miami, United States 17 November 2021. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'Black Atlantis: The End of Eating Everything'. In: Oceanic Imaginaries. Studium Generale Rietveld Academie, Amsterdam, Netherlands 23 - 26 March 2022. [Conference or Workshop Item]

[img]
Preview
Hameed, Ayesha. 2016. Black Atlantis: The Plantationocene. In: "Black Atlantis: The Plantationocene", Alice Yard, Trinidad, Trinidad and Tobago, 2016 - 2019. [Performance]

Hameed, Ayesha. 2017. Black Atlantis: The Plantationocene. In: MAP Office, ed. Our Ocean Guide. Lightbox Publishing, pp. 205-213. ISBN 978-88-6384-041-4 [Book Section]

[img]
Preview
Hameed, Ayesha. 2020. Black Atlantis: The Plantationocene. British Art Studies(18), ISSN 2058-5462 [Article]

[img]
Preview
Hameed, Ayesha. 2020. Black Atlantis: The Plantationocene. In: Peter Osborne, ed. Thinking Art: Materialisms, Labours, Forms. Kingston upon Thames: CRMEP Books, pp. 183-193. ISBN 9781999333744 [Book Section]

Hameed, Ayesha. 2023. 'Black Atlantis: The Plantationocene'. In: Down alive to wondrous depths. Museo Nacional Thyssen-Bornemisza, Madrid, Spain 2 - 3 June 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2020. Black Atlantis: the Plantationocene. In: "(Extra)Terrestrial Currents", Obsidian Coast, Bradford-on-Avon, United Kingdom, 20 July - 2 August 2020. [Show/Exhibition]

Hameed, Ayesha. 2018. '“Black Atlantis” at "You Send Me" panel discussion'. In: Sharjah Art Foundation March Meeting 2018. Sharjah Art Foundation, Sharjah, United Arab Emirates 17 - 19 March 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '“Black Atlantis” at Symposium ‘Black Mediterranean’'. In: Black Mediterranean Symposium 2019, Contemporary Istanbul. Istanbul, Turkey 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'Black Med with Invernomuto'. In: DEMO Moving Image Festival. Deptford, United Kingdom 15 June – 4 July 2020. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '"The Bloop" and "Jupiter"'. In: AUDINT - Unsound:Undead Launch. Tate Modern, London, United Kingdom 26 July 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '"The Bloop“ and "Jupiter"'. In: AUDINT-Unsound: Undead. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Hameed, Ayesha. 2019. “The Bloop”; “Jupiter". In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic Media, pp. 83-85. ISBN 9781916405219 [Book Section]

Hameed, Ayesha. 2011. 'The Body in the Jungle'. In: Forensic Aesthetics. Staatliche Hochschule für Bildende Künste – Städelschule, Frankfurt am Main, Germany 12-15 January 2011. [Conference or Workshop Item]

Hameed, Ayesha. 2011. 'Border Crossings'. In: Banff Centre for Arts and Creativity. Banff, Canada 2011. [Conference or Workshop Item]

Hameed, Ayesha. 2008. Borders in the City 1. In: "University of the Streets Café", Montréal, Canada, 2008 - 2010. [Show/Exhibition]

Hameed, Ayesha. 2010. Borders in the City 1. In: "International Society for Electronic Art", Singapore, Singapore, 2010. [Show/Exhibition]

Hameed, Ayesha. 2022. Brown Atlantis Solo Exhibition. In: "Brown Atlantis", Kunstinstituut Melly, Rotterdam, Netherlands, 6 May - 21 August 2022. [Show/Exhibition]

Hameed, Ayesha. 2003. 'Colonial Circuits: The Commodification of the Ocean and the Creation of Modern Space'. In: Canadian Association for Cultural Studies. Dalhousie University, Halifax, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2023. 'Conversation with Sonya Dyer'. In: Sonya Dyer: In Conversation. Somerset House, London, United Kingdom 6 November 2023. [Conference or Workshop Item]

[img]
Preview
Hameed, Ayesha. 2023. Curator “Language without language, Language inspite of language” Video Programme Videonale.Scope. In: "VIDEONALE.scope #10 − Open Your Scope - Counter Narratives", Turistarama Köln, Germany, 30 November 2023. [Show/Exhibition]

Hameed, Ayesha. 2022. 'The Decentering Machine'. In: Unmoored, Adrift, Ashore Symposium, Panel #3: The Decentering Machine. Or Gallery, Vancouver, Canada 19 - 21 May 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Hameed, Ayesha. 2014. The Destruction of Fingerprints. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2003. 'Dialectics at a Standstill: a Benjaminian reading of Turner, Grandville and Industrial Seascapes'. In: Universities Art Association of Canada Conference (UAAC-AAUC) 2003. Queen’s University, Kingston, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2004. Digital Poetics and Politics. In: "Digital Poetics and Politics, Queen’s University", Kingston, Ontario, Canada, 2004. [Show/Exhibition]

Hameed, Ayesha. 2014. 'Discussant and Respondent “The Free Sea” GV Art, London'. In: The Free Sea - screening and discussion. GV Art, London, United Kingdom 28 November 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'Documenta 15, Alice Yard'. In: Documenta 15. Kassel, Germany 8 September 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Echoes of the South Atlantic talk'. In: Echoes of the South Atlantic Conference Salvador 2018. Goethe Institute Salvador, Salvador-Bahia, Brazil 23 - 25 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2009. Eclectik 09 (Montréal, arts interculturels). In: "Eclectik 09 (Montréal, arts interculturels)", Montréal, Canada, 29 - 30 May 2009. [Show/Exhibition]

[img]
Preview
Hameed, Ayesha. 2007. Embodying the Middle Passage. Topia, 18, ISSN 1206-0143 [Article]

Hameed, Ayesha. 2009. Folly. In: "'Folly' at MAI", Montréal, arts interculturels, Montreal, Canada. [Show/Exhibition]

Hameed, Ayesha. 2011. “Giv Présente: Lancement des Nouveautés”. In: "Giv Présente: Lancement des Nouveautés", Maison de la culture du Plateau-Mont-Royal, Montréal, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2019. Glasgow Film Festival. In: "Glasgow Film Festival 2019", Glasgow, United Kingdom, 20 February 2019 - 3 March 2019. [Show/Exhibition]

Hameed, Ayesha. 2019. Gothenburg Biennale. In: "10th Gotëburg International Biennial for Contemporary Art", Gothenburg, Sweden, 7 September 2019 - 19 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2024. Heavy Water | of Coordinates, Containers and Containment. In: "Heavy Water | of Coordinates, Containers and Containment", Alexander Levy, Berlin, Germany, 27 January - 30 March 2024. [Show/Exhibition]

Hameed, Ayesha. 2022. 'How to Do Things with Sound'. In: How to Do Things with Sound: An Evening on Sonic Fiction in the Arts and Activism. Haus der Kulturen der Welt (HKW), Berlin, Germany 3 March 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2021. I sing of the sea, I am mermaid of the trees. In: "Liverpool Biennial 2021", Liverpool, United Kingdom, 6 March –20 June 2021. [Show/Exhibition] (Forthcoming)

[img]
Preview
Hameed, Ayesha. 2023. “Ilemuria”. In: "Videonale Digest, VideonaleScope 10", Moltkerei Werkstatt, Koln, Germany, 25 November - 10 December 2023. [Show/Exhibition]

Hameed, Ayesha. 2013. 'The Image of Gaddafi'. In: Radical Media Forum: Aesthetics and the Politics of Moving Images. Goldsmiths, University of London, United Kingdom 10 December 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'The Image of Gaddafi'. In: Living Death Camp and Forensic Aesthetics: Where subjugated knowledge is, sociality occurs. Centre for Cultural Decontamination, Belgrade, Serbia 5-12 April 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2022. Indigo Waves and Other Stories: Re-Navigating the Afrasian Sea and Notions of Diaspora. In: "Indigo Waves and Other Stories: Re-Navigating the Afrasian Sea and Notions of Diaspora", Zeitz MOCAA, Cape Town, South Africa, 30 June 2022 - 29 January 2023. [Show/Exhibition]

Hameed, Ayesha. 2005. 'Invisible Evidence: History/ Diaspora/ Documentary'. In: Visible Evidence XII. Concordia University, Montreal, Canada 21-25 August 2005. [Conference or Workshop Item]

Hameed, Ayesha. 2010. 'The Jungle as Second Nature'. In: Regimes of Extraterritoriality. Cairo, Egypt 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2024. 'Keynote Lecture'. In: Intersectional Materialisms: Diversity in Creative Industries, Methods and Practices. National University of Ireland, Maynooth, Ireland 26 - 28 August 2024. [Conference or Workshop Item] (Forthcoming)

Hameed, Ayesha. 2023. 'Keynote Lecture'. In: “Of Sea Changes and Other Futurisms” Confluence. CCA Glasgow, United Kingdom 19 August 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2024. 'Keynote Lecture Henry ‘Box’ Brown Lecture'. In: Henry ‘Box’ Brown Lecture. University of Manchester, United Kingdom. [Conference or Workshop Item] (Forthcoming)

Hameed, Ayesha. 2020. 'Keynote Lecture “Black Atlantis”'. In: Black Atlantis. Nordland School of Arts and Film, Lofoten, Norway. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Keynote Lecture “Retrograde Futurism”'. In: Artistic Research Will Eat Itself, 9th Society for Artistic Research - International Conference on Artistic Research. University of Plymouth, United Kingdom 11 - 13 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2023. 'Keynote Lecture “The Plantationocene” Bordering Plants'. In: “The Plantationocene” Bordering Plants. Exhibit Galerie, Academy of Fine Arts Vienna, Austria 8 November 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2011. "La Commune". In: "La Commune", Banff Centre for Arts and Creativity, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2018. Landfall and Departure: Epilogue (Listening to the Sea). In: "Landfall and Departure", Nanaimo Art Gallery, Nanaimo, Canada, 12 January - 10 March 2018. [Show/Exhibition]

Hameed, Ayesha. 2012. 'The Law of the Jungle Can't Last'. In: Objects, Practices and Territories: Guimarães 2012, European Capital of Culture. Guimarães, Portugal 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2024. “Listen!”. In: "Listen!", Valkhof Museum, Nijmegen, Netherlands. [Show/Exhibition] (Forthcoming)

Hameed, Ayesha. 2019. Lubumbashi Biennale. In: "6th Biennale de Lubumbashi", Lubumbashi, Congo, the Democratic Republic of the, 24 October 2019 - 24 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2014. 'Majub's Journey screening and discussion'. In: Majub's Journey. Goethe Institute London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2004. 'Mapping the Self, Mapping the Other: Colonialism and Metropolitan Identity'. In: Print Culture and the City. McGill University, Montreal, Canada 2004. [Conference or Workshop Item]

Hameed, Ayesha. 2001. Mayworks Festival. In: "Mayworks Festival, Oakville Art Gallery", Oakville, Canada, 2001. [Show/Exhibition]

[img]
Preview
Hameed, Ayesha. 2022. 'Migrations to the North, Forced Repatriation and the New Middle Passage (Panel)'. In: March Meeting 2022: The Afterlives of the Postcolonial. Sharjah Art Foundation, United Arab Emirates 5 - 7 March 2022. [Conference or Workshop Item]

[img]
Preview
Hameed, Ayesha. 2021. Momenta Biennale, Wet Futures. In: "Momenta Biennale: Sensing Nature", VOX, centre de l'image contemporaine, Montreal, Canada, 8 September - 24 October 2021. [Show/Exhibition]

Hameed, Ayesha. 2014. Monitor Reruns. In: "Images Festival", A Space Gallery, Toronto, Canada, 28 March - 3 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2010. “The New City Reader: A Newspaper of Public Space”. In: "The New City Reader: A Newspaper of Public Space, Network Architecture Lab", New Museum, New York, United States, 6 October 2010 - 9 January 2011. [Show/Exhibition]

Hameed, Ayesha. 2011. New Schools Programme Toronto. In: "New Schools Programme Toronto. SAVAC (South Asian Visual Arts Centre)", Toronto, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2011. The Object that Remains. [Exhibition Catalogue]

Hameed, Ayesha. 2022. 'The Ocean as Archive'. In: Artistic Activism and the Power of Collective Resistance. Vanderbilt University, United States 16 March 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2021. The Ocean. In: "The Ocean", Bergen Kunsthall, Bergen, Norway, 28 August - 31 October 2021. [Show/Exhibition]

Hameed, Ayesha. 2023. Of the Act of Mending. In: "Tate Lates", Tate Modern, United Kingdom, 27 October 2023. [Show/Exhibition]

Hameed, Ayesha. 2023. 'Of the Act of Mending (In conversation)'. In: Tate Lates. Tate Modern, United Kingdom 27 October 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2010. 'On Coastlines, Border Crossings and Natural History,'. In: History and Theory Reading Group. Department of History and Philosophy of Science, University of Cambridge. Cambridge, United Kingdom 28 May 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'On Laughter and Violence'. In: On Laughter and Violence. University of Chicago, Chicago, United States. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Perils of the Sea'. In: Devils Advocates. Goldsmiths, University of London, United Kingdom 1-2 March 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2012. The Petrification of the Image. In: Godofredo Nobre Enes Pereira, ed. Savage Objects: Inhuman Political Alliances. Porto: Imprensa Nacional-Casa da Moeda. [Book Section]

Hameed, Ayesha. 2022. Poetry. “Songs for Petals” in CLIMATE: Our Right to Breathe. K. Verlag and L’Internationale Online, Berlin. [Other]

Hameed, Ayesha. 2018. “Precarious terrain and entangled situations”. In: "“Precarious terrain and entangled situations”", Konsthall C Stockholm, Sweden, 11 April - 17 June 2018. [Show/Exhibition]

Hameed, Ayesha. 2022. Radio Brown Atlantis Solo Exhibition. In: "Radio Brown Atlantis", Bonniers Konsthall, Stockholm, Sweden, 31 August - 30 October 2022. [Show/Exhibition]

Hameed, Ayesha. 2022. “Radio Brown Atlantis” (audio and text commission). In: Xenia Benivolski, ed. You Can’t Trust Music. New York: e-flux. [Book Section]

Hameed, Ayesha. 2007. Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter. In: "Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter", Exeter, United Kingdom, 2007. [Show/Exhibition]

Hameed, Ayesha. 2008. Rearranging Desires: Curating the "Other” Within (Group Exhibition). In: "Rearranging Desires: Curating the "Other” Within. FOFA Gallery, Concordia University", Montreal, Canada, 6-31 October 2008. [Show/Exhibition]

Hameed, Ayesha. 2008. Rencontre Interuniversitaire, Québec. In: "Rencontre Interuniversitaire, Québec", Montreal, Canada, 2008. [Show/Exhibition]

Hameed, Ayesha. 2018. '“Respondent” to Denise Ferreira da Silva'. In: Denise Ferreira da Silva: Blacklight; part of In formation III. Institute for Contemporary Art, London, United Kingdom 25 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. Retrograde Futurism. In: Marina Otero Verzier and Nick Axel, eds. Work Body Leisure. Rotterdam: Het Nieuwe Instituut/Hatje Cantz Verlag GmbH, pp. 289-297. ISBN 9783775744256 [Book Section]

Hameed, Ayesha. 2019. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure (Architectural Association)'. In: Work, Body, Leisure Book Launch, Architectural Association. Architectural Association, London, United Kingdom 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure'. In: Work, Body, Leisure Book Launch. Het Nieuwe Instituut, Rotterdam, Netherlands 26 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Rituals and Masks at the Border'. In: Sarai Reader 09: The Exhibition New Delhi. New Delhi, India 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2021. A Rough History (of the Destruction of Fingerprints). In: "VIDEONALE.scope #8", Koln, Germany, 24 June - 1 July 2021. [Show/Exhibition]

Hameed, Ayesha. 2015. A Rough History (of the destruction of fingerprints). In: "Social Glitch: Radical aesthetics and the consequences of extreme events", Kunstraum Niederoesterreich, Vienna, Austria, 25 September - 5 December 2015. [Show/Exhibition]

Hameed, Ayesha. 2017. 'A Rough History (of the destruction of fingerprints)'. In: Genealogies of Visual Cultures. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2018. “A Rough History (of the destruction of fingerprints)”. In: Gurur Ertem and Sandra Noeth, eds. Bodies of Evidence: Ethics, Aesthetics, and Politics of Movement , 2018. Vienna: Passagen Verlag, pp. 35-52. ISBN 9783709203033 [Book Section]

Hameed, Ayesha. 2004. Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. In: James Gifford and Gabrielle Zezoulka-Mailloux, eds. in Culture and the State: Landscape and Ecology (Volume 1). CRC Humanities Studio. [Book Section]

Hameed, Ayesha. 2003. 'Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea'. In: Culture and the State: Past Present and Future. University of Alberta, Edmonton, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2006. 'Salon Femmes br@nchées #61'. In: Salon Femmes br@nchées #61 : ART.chives : art, archives, & databases. Studio XX, Montréal, Canada 16 February 2006. [Conference or Workshop Item]

Hameed, Ayesha. 2012. Sarai Reader 09: The Exhibition, New Delhi. In: "Sarai Reader 09: The Exhibition", New Delhi, India, 18 August 2012 - 15 April 2013. [Show/Exhibition]

Hameed, Ayesha. 2021. Sea Changes and Other Futurisms. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha. 2021. Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar. In: "Sex Ecologies", Kunsthall Trondheim, Norway, 9 December 2021 - 6 March 2022. [Show/Exhibition]

Hameed, Ayesha. 2018. 'The Shaping of a Message'. In: The Shaping of a Message Symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'Songs for Petals'. In: Liquid Worlds. Leicester Gallery, De Montfort University, United Kingdom 4 August 2020. [Conference or Workshop Item]

Hameed, Ayesha. 2019. 'Soot Breath: Trans-boarding'. In: International Symposium: Soot Breath: On Land, Law and Bodies. Showroom, London, United Kingdom 18 May 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2001. 'Strategies of Critique XV: Human Nature'. In: Strategies of Critique XV: Human Nature. York University, Toronto, Canada 2001. [Conference or Workshop Item]

Hameed, Ayesha. 2013. ''Streams, Torrents and Waves''. In: South Asian Visual Arts Centre Monitor 9. no.w.here London, United Kingdom 24 April 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2011. “TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”. In: "“TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”", Montréal, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2020. "TRAVEL APPARATUS". In: ""TRAVEL APPARATUS"", Das Weisse Haus, Vienna, Austria, 17 June - 19 August 2020. [Show/Exhibition]

Hameed, Ayesha. 2006. The Third Annual Volatile Works Series. In: "The Third Annual Volatile Works Series", Montréal, Canada, 2007. [Show/Exhibition]

Hameed, Ayesha. 2024. A Tidalectic Atlas of the Plantationocene. In: Justin Barton; Maya B. Kronic and Steve Goodman, eds. Sonic Faction: Audio Essay as Medium and Method. Falmouth: Urbanomic. ISBN 9781915103123 [Book Section]

[img]
Preview
Hameed, Ayesha. 2019. The Time and Sound of the Nautical Border. In: Rita Kaur Dhamoon; Davina Bhandar; Renisa Mawani and Satwinder Kaur Bains, eds. Unmooring the Komagata Maru: Charting Colonial Trajectories. Vancouver: University of British Columbia Press, pp. 197-212. ISBN 9780774860659 [Book Section]

Hameed, Ayesha. 2014. 'The Time and Sound of the Nautical Border'. In: Charting Imperial Itineraries, 1914-2014: Unmooring the Komagata Maru Conference. Victoria, Canada May 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'Topic: “The End of Eating Everything”'. In: Visual & Critical Studies Forum. CCA Wattis Institute for Contemporary Arts, California College of the Arts, United States 19 December 2020. [Conference or Workshop Item]

Hameed, Ayesha. 2012. Trace. Reviews in Cultural Theory, 2(3), ISSN 1918-9710 [Article]

Hameed, Ayesha. 2023. Two Ships/Time Travel/Bodies Under the Sea. In: Pandora Syperek and Sarah Wade, eds. Oceans. London: Whitechapel Gallery. ISBN 9780854883042 [Book Section]

Hameed, Ayesha. 2021. 'The Uncanny Ocean: A Proposition by Ayesha Hameed'. In: The Uncanny Ocean. HEAD Genève, Switzerland 2 March 2021. [Conference or Workshop Item]

Hameed, Ayesha. 2005. Unless. [Exhibition Catalogue]

Hameed, Ayesha. 2005. 'The Unspoken Archive: New Media Representations of the Middle Passage'. In: Refresh! First International Conference on the Histories of Media Art, Science and Technology. Banff New Media Institute, Canada 28 September - 3 October 2005. [Conference or Workshop Item]

Hameed, Ayesha. 2009. 'Vectors of the Global Border'. In: Historical Materialism. London, United Kingdom 2009. [Conference or Workshop Item]

Hameed, Ayesha. 2002. 'Virtual Toronto: Interdisciplinary Knowledge and New Research Tools'. In: Bridges II: A Conference about Cross-Disciplinary Research and Collaboration. Banff New Media Institute, Canada October 2002. [Conference or Workshop Item]

Hameed, Ayesha. 2008. Virtual and Material Topographies. In: Danny Butt; Jon Bywater and Paul Nova, eds. Place: Local Knowledge and New Media Practice. Cambridge Scholars Publishing. ISBN 978-1-8471-8484-9 [Book Section]

Hameed, Ayesha. 2007. Volatile Works short programme. In: "Volatile Works Does the Cinémathèque!", Cinémathèque Québécoise, Montréal, 23 November 2007. [Show/Exhibition]

Hameed, Ayesha. 2019. Wadi Rum Film Festival. In: "Al-Qamar, Al-Qamar (Valley of the Moon) Film Festival", Wadi Rum, Jordan, 19 - 22 April 2019. [Show/Exhibition]

Hameed, Ayesha. 2009. 'Wait… a minute!'. In: Wait… a minute! e-round table discussion. OBORO, Montréal, Canada 9 May 2009. [Conference or Workshop Item]

[img]
Preview
Hameed, Ayesha. 2013. What Does the Moving Image Desire? In: , ed. Sarai Reader 09: Projections. Delhi: Sarai Media Lab, pp. 323-330. [Book Section]

Hameed, Ayesha. 2011. Yaron Lapid: The New Zero. Photoworks, 16, [Article]

Hameed, Ayesha. 2020. 'You Cannot Close Your Eyes to New Horizons: A Storytelling Session'. In: Open City Documentary Festival 2020. London, United Kingdom 11 September 2020. [Conference or Workshop Item]

[img]
Preview
Hameed, Ayesha. 2022. 'À l'ombre de nos fantômes/ In the Shadows of our Ghosts'. In: Ages of Receivership: On Generous Listening. Institute Art Gender Nature, Basel Academy of Art and Design FHNW, Switzerland 16 - 17 March 2022. [Conference or Workshop Item]

Hameed, Ayesha and Chu, Yen. 1999. “Borderlines” at 52 Inc. Toronto. In: "“Borderlines” 52 Inc. Toronto", Toronto, Canada, 1999. [Show/Exhibition]

Hameed, Ayesha; Eshun, Kodwo and Diederichsen, Diedrich. 2015. 'Circle/ Rhythm/ Ritual'. In: Labour in a Single Shot. Haus der Kulturen der Welt, Berlin, Germany 26 - 28 February 2015. [Conference or Workshop Item]

Hameed, Ayesha; Eshun, Kodwo and Moreno, Louis. 2017. Sonic Utopias: The Last Angel of History. A Conversation between Ayesha Hameed, Kodwo Eshun and Louis Moreno. In: Henriette Gunkel; Ayesha Hameed and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 249-267. ISBN 9781910924631 [Book Section]

Hameed, Ayesha and Gunkel, Henriette. 2021. A Conversation on Time Travel. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha and Gunkel, Henriette. 2023. 'Keynote Lecture “The Soil and the Sea of the Plantationocene”'. In: British Association for American Studies Annual Conference 2023 (BAAS 2023). Keele University, United Kingdom 12 - 14 April 2023. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2015. 'A Lexicon of Afterlives: Visions of Future/s: Towards radical collective imaginations'. In: 6th European Conference on African Studies (ECAS-6). Paris, France 8-10 July 2015. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2018. 'Visual Cultures as Time Travel'. In: Alien Time. Goldsmiths, University of London, United Kingdom 25 May 2018. [Conference or Workshop Item]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2017. 'Futures and Fictions: A Conversation between Henriette Gunkel, Ayesha Hameed and Simon O'Sullivan.'. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 1-20. ISBN 9781910924631 [Book Section]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2023. 'Keynote Lecture “Time Travelling Devices”'. In: Time Machines: Escaping Linear Chronology across Media Arts. Goldsmiths, University of London, United Kingdom 13 June - 14 July 2023. [Conference or Workshop Item]

Hameed, Ayesha and Kane, Hamedine. 2018. “Family Function”. In: "13th Dak’Art Dakar Biennial", Dakar, Senegal. [Show/Exhibition]

Hameed, Ayesha and Kane, Hamedine. 2018. In the Shadow of Our Ghosts. [Film/Video]

Hameed, Ayesha and Kane, Hamedine. 2018. “Working Practices: a collaboration with Clark House”. In: "“Working Practices: a collaboration with Clark House”", Showroom London, United Kingdom, 25 May - 7 July 2018. [Show/Exhibition]

Hameed, Ayesha and Le, Viet Ho. 2007. Love and Borders. West Coast LINE 49, 40(1), [Article]

Hameed, Ayesha and Mangalanayagam, Nina. 2021. 'Ayesha Hameed in dialogue with Nina Mangalanayagam'. In: Artist talk: Ayesha Hameed in dialogue with Nina Mangalanayagam. IASPIS, Stockholm, Sweden 20 October 2021. [Conference or Workshop Item]

Hameed, Ayesha and Muyanga, Neo. 2019. And Evil Earth, Maybe It’s Time For A Rumble. In: "SAVVY Contemporary, Ultrasanity Chapter 2, Invocations at the Gnaoua Festival", Essaouira, Morocco, 20 - 22 June 2019. [Show/Exhibition]

Hameed, Ayesha and Perretta, Imran. 2018. '“In Conversation” with Imran Perretta'. In: 15 days. Jerwood Arts, London, United Kingdom 10 May 2018. [Conference or Workshop Item]

Hameed, Ayesha and Pourtavaf, Leila. 2007. Border Controls/Border Movements. In: "HTMlles 08: Crowd Control", Montréal, Canada, 17-21 October 2007. [Show/Exhibition]

Hameed, Ayesha and Robertson, Kirsty. 2008. 'What is Missing and What is There: Passages from War to Art'. In: Universities Art Association of Canada. Toronto, Canada 2008. [Conference or Workshop Item]

Hameed, Ayesha and Rosendahl, Lisa. 2019. 'GIBCA Conversations: dialogue with curator Lisa Rosendahl'. In: 10th Gotëburg International Biennial for Contemporary Art. Gothenburg, Sweden 7 September 2019. [Conference or Workshop Item]

Hameed, Ayesha and Vukov, Tamara. 2005. Notes on the Politics and Potentials of New Media Engagement. Public: art, culture and ideas, 31, [Article]

Hameed, Ayesha and Weizman, Eyal. 2009. 'On Archives'. In: Museum of non Participation. no.w.here, London, United Kingdom 2009. [Conference or Workshop Item]

Hameed, Ayesha; Weizman, Eyal; Pereira, Godofredo Nobre Enes; Tavares, Paulo; Di Carlo, Tina and Khalili, Yazan. 2010. Universal Catastrophe - Roundtable On Terrorism. Revista Detritos, 4, [Article]

[img]
Preview
Hamza, Husseina; Jacca, Joyce; Jarrett, Tracey and Graham, Janna. 2021. Instituting and Organising “From the Pockets”: A Field Report from a Museum in the Making. On Curating(52), pp. 71-83. ISSN 2673-2955 [Article]

[img]
Preview
Haworth, Michael. 2013. Thought into being: finitude and creation. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Heller, Charles. 2015. Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. Doctoral thesis, Goldsmiths, University of London [Thesis]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

[img]
Preview
Heller, Charles and Pezzani, Lorenzo. 2019. Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. South Atlantic Quarterly, 118(3), pp. 644-653. ISSN 0038-2876 [Article]

[img]
Preview
Hernandez Velazquez, Yaiza. 2021. Who Needs 'Exhibition Studies'? In: Bo Choy; Charles Esche; David Morris and Lucy Steeds, eds. Art and its Worlds: Exhibitions, Institutions and Art Becoming Public. London: Afterall, pp. 306-315. ISBN 9783960989172 [Book Section]

[img]
Hernández Velázquez, Y. M.. 2010. Archiving to Oblivion. In: , ed. Cuaderno Sesc Videobrasil. 10 Sao Paulo: Edições Sesc-SP and Associação Cultural Videobrasil, pp. 15-21. ISBN 9788579951664 [Book Section]

Hernández Velázquez, Y. M.. 2020. 'The Artworld. A Tourist Guide by Yaiza Hernández Velázquez – The Coming South'. In: The Coming South: Struggles, Epistemologies, Solidarities. Het Nieuwe Instituut, Netherlands 18 December 2020. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2022. 'Coleccionismo, Universalismo, Extinción'. In: Coleccionismo, Universalismo, Extinción. Tenerife Espacio de las Artes, TEA, Spain 22 December 2022. [Conference or Workshop Item]

[img]
Preview
Hernández Velázquez, Y. M.. 2019. Cortocircuitos del Museo y la Autonomía. In: , ed. ¡Autonomía! ¡Autonomización! Santa Cruz de Tenerife: TEA, Tenerife Espacio de las Artes, pp. 128-142. ISBN 9788494706592 [Book Section]

[img]
Preview
Hernández Velázquez, Y. M.. 2019. 'Debate: "Beyond Capitalist Realism" | Internationalism After the End of Globalisation'. In: Internationalism after the End of Globalisation. Museum of Modern Art in Warsaw, Poland. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2017. El arte de la institución. In: , ed. Cohabitar Entre - Emergencias institucionales. Prácticas artísticas. Procesos colectivos. Barcelona: ICUB-Ajuntament de Barcelona. ISBN 9788491560456 [Book Section]

[img]
Hernández Velázquez, Y. M.. 2022. 'Encuentro Pensando los Museos Hoy. Mesa 1: Acuerdos y desacuerdos críticos de las nuevas museologías'. In: Encuentro Pensando los Museos Hoy. Museo de la Solidaridad Salvador Allende, Chile 26 - 29 October. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2022. 'Hacia Nuevas Formas de Crítica Institucional'. In: Retrospectivas críticas. Tres décadas del sistema-arte. Universidad Internacional de Andalucía, Seville, Spain 18 - 20 January 2022. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2020. 'Heart of Darkness'. In: The Papers of the Exhibition. International Symposium on Curating. Azkuna Zentroa, Bilbao, Spain 21 – 22 October 2020. [Conference or Workshop Item]

[img]
Preview
Hernández Velázquez, Y. M.. 2019. Imagining Curatorial Practice after 1972. In: Paul O'Neill; Simon Sheikh; Lucy Steeds and Mick Wilson, eds. Curating after the Global: Roadmaps for the Present. Cambridge, Massachusetts: MIT Press, pp. 255-270. ISBN 9780262537902 [Book Section]

[img]
Preview
Hernández Velázquez, Y. M.. 2021. The Islands. In: Imma Prieto, ed. The Islands. Rogelio López Cuenca and Elo Vega. Palma: Es Baluard Museu d'Art Contemporani de Palma, pp. 5-14. ISBN 9788418803253 [Book Section]

[img]
Hernández Velázquez, Y. M.. 2022. 'La Universidad que Nunca Fue'. In: Seminario "Muntadas. About Academia". Universidad de Granada, Spain 21 January 2021. [Conference or Workshop Item]

[img]
Preview
Hernández Velázquez, Y. M.. 2023. 'The Last Resort. On Terminal Tourism'. In: The Last Resort. On Terminal Tourism. Goldsmiths, University of London 5 October - 14 December 2023. [Conference or Workshop Item]

[img]
Preview
Hernández Velázquez, Y. M.. 2018. 'Liberating the Curator / Liberating the Museum'. In: Curating Differently, Curating Difference (MFA Fine Art + MFA Curating Lecture Series). Goldsmiths, University of London, United Kingdom 26 November 2018. [Conference or Workshop Item]

[img]
Preview
Hernández Velázquez, Y. M.. 2004. Museos de Sol y Playa. In: Mariano de Santa Ana, ed. Paisajes del placer, paisajes de la crisis. El espacio turístico canario y sus representaciones. Teguise, Lanzarote, Canary Islands: Fundación César Manrique, pp. 137-154. ISBN 8488550545 [Book Section]

Hernández Velázquez, Y. M.. 2019. 'Ponerse en el mapa. Cosmopolitismo provinciano en los años del Boom'. In: Art and Tourism Imaginaries II. Spain was never different. Art and Tourism from the 1960s onwards. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain 12 June 2019. [Conference or Workshop Item]

[img]
Preview
Hernández Velázquez, Y. M.. 2024. That Which Cannot be Returned. A-Desk Critical Thinking, ISSN 2564-8330 [Article]

[img]
Preview
Hernández Velázquez, Y. M.. 2013. Third-Way Aesthetics. Radical Philosophy(180), pp. 53-55. ISSN 0300-211X [Article]

Hernández Velázquez, Y. M.. 2023. 'What we did on our Holidays'. In: On Terminal Tourism. Goldsmiths, University of London, United Kingdom 5 October 2023. [Conference or Workshop Item]

[img]
Hernández Velázquez, Y. M.. 2019. Who Needs “Exhibition Studies”? In: , ed. Critical Museology: Selected Themes Reflections from the William Bullock Lecture Series. Mexico City: Museo Universitario de Arte Contemporáneo, pp. 286-303. ISBN 9786073023757 [Book Section]

[img]
Preview
Hernández Velázquez, Y. M.. 2018. A constituent education. In: John Byrne; Elinor Morgan; November Paynter; Aida Sánchez de Serdio and Adela Zeleznik, eds. The Constituent Museum: Constellations of Knowledge, Politics and Mediation: A Generator of Social Change. Amsterdam: Valiz, pp. 128-131. ISBN 9789492095428 [Book Section]

[img]
Preview
Hernández Velázquez, Y. M. and Dyangani Ose, Elvira. 2023. 'The Futures of the Museum'. In: The Futures of the Museum. Artium, Spain 5 May 2023. [Conference or Workshop Item]

Hernández Velázquez, Y. M.; Roig, Marc and Hispano, Andrés. 2007. El Rei de la Casa. Adults als deu, nens al quaranta. Barcelona: Institut de Cultura de l'Ajuntament de Barcelona. ISBN 978-84-9850-009-7 [Book]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2008. Decolonizing Architecture. In: "Decolonizing Architecture", Nottingham Contemporary, United Kingdom, 2008-2013. [Show/Exhibition]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2012. Power unplugged: decolonizing architecture in Palestine. (Forthcoming). Rotterdam: NAI Books. [Book]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

Hille, Moira and Hameed, Ayesha. 2019. 'Ayesha Hameed and Moira Hille “In conversation”'. In: Fantastic Thursday. Academy of the Fine Arts, Vienna, Austria January 2019. [Conference or Workshop Item]

Hille, Moira; Hameed, Ayesha; Arabindan-Kesson, Anna; Guerin, Ayasha; De Lucia, Lori A. and McKelvin, Patricia. 2018. 'Ghostships & Other Narratives'. In: Resignifications 2018: The Black Mediterranean. Palermo, Italy 7 June 2018. [Conference or Workshop Item]

Hines, Carmen; Mörtenböck, Peter and Mooshammer, Helge. 2024. Between the Biennials: Cultural Networks in Times of Geopolitical Crisis. OBOE - Journal On Biennials and Other Exhibitions, 5(1), ISSN 2724-086X [Article] (Forthcoming)

I

[img]
Itani, Racha. 2022. Flirting with Middle Eastern Modernity. Doctoral thesis, Goldsmiths, University of London [Thesis]

J

[img]
Preview
Jones, Gwyneth Siobhan. 2013. Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment. Doctoral thesis, Goldsmiths, University of London [Thesis]

K

[img]
Kallehauge, Mette Marie; Jørgensen, Lærke Rydal; Kjeldsen, Kjeld; Weizman, Eyal and Varvia, Christina. 2022. Forensic Architecture - Witnesses. [Exhibition Catalogue]

Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal. 2009. The New Geography: A Roundtable. Bookforum, [Article]

[img]
Preview
Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

[img]
Preview
Khosi, Motlatsi and Vráblíková, Lenka. 2020. The Salon is now in session: a reflection on UNISA’s decolonial reading. Journal of International Women’s Studies, 21(7), pp. 23-36. ISSN 1539-8706 [Article]

[img]
Preview
Kjeld, Kjeldsen; Kallehauge, Mette Marie and Varvia, Christina. 2022. Forensic Architecture - Witnesses. In: "Forensic Architecture - Witnesses", Louisiana Museum of Modern Art, Denmark, 20 May - 22 October 2022. [Show/Exhibition]

Kröger, Merle; Scheffner, Philip and Eshun, Kodwo. 2021. Im Gespräch mit Kodwo Eshun und Nicole Wolf, Einschreibungen der Zeit und die Möglichkeitsform - HAVARIE / Havarie. In: Nicole Wolf, ed. Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. Berlin, Germany: Vorwerk 8, pp. 213-231. ISBN 9783947238354 [Book Section]

L

Lebow, Alisa and Ertür, Başak. 2021. ‘Wo beginnen’ [‘Where to Begin? Revision as Method’]. In: Nicole Wolf, ed. Grenzfälle:Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner [Borderline Cases: Documentary practice between film and literature with Merle Kröger and Philip Scheffner]. Berlin: Verlag Vorwerk 8. ISBN 9783947238354 [Book Section]

[img]
Preview
Lee, Benjamin and Rosamond, Emily. 2023. Introduction: Volatility in Finance, Art, and Culture. Finance and Society, 9(3), pp. 1-17. ISSN 2059-5999 [Article]

[img]
Preview
Lenka, Vráblíková; Kateřina, Vídenová and Amálie, Bulandrová. 6 - 8 October 2023 Gardening Ecofeminisms. [Project]

[img]
Preview
Licha, Jacques Emanuel. 2015. War Hotels. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Lindblom, Jon. 2016. Technihil: The Cultural Import of Cognitive Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Lopez Zambrano, Paula. 2021. Curating Time, Contingency, Anachronism, Flirtation. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Lovett, Matthew. 2018. Outside on the Inside: Musical improvisation according to contemporary materialist thought. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Lury, Celia; Day, Sophie E.; Simon, Andre; Tironi, Martín; Valderrama, Matías and Wark, Scott. 2024. Digital Valuation: Lessons in relevance from the prototyping of a recommendation app. Valuation Studies, 11(1), pp. 38-59. ISSN 2001-5992 [Article]

[img]
Preview
Lury, Celia; Viney, William and Wark, Scott, eds. 2022. Figure: Concept and Method. Singapore: Palgrave Macmillan. ISBN 9789811924750 [Edited Book]

[img]
Preview
Lury, Celia; Viney, William and Wark, Scott. 2022. Introduction: Figure, Figuring and Configuration. In: Celia Lury; William Viney and Scott Wark, eds. Figure: Concept and Method. Singapore: Palgrave Macmillan, pp. 1-20. ISBN 9789811924750 [Book Section]

M

Madani, Adnan. 2022. CHASE selection panel 2022. [Professional Activity]

[img]
Madani, Adnan. 2018. Cloud Memories, Desert Dreams. Hybrid, Journal of Visual Culture, 1(1), [Article]

Madani, Adnan. 2016. Formations of the Contemporary : Islam, Globalization and Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Madani, Adnan. 2022. The Frame as Borderland: Islam, Allegory and the DIstance from Here. In: Saira Ansari, ed. Bani Abidi: The Artist Who. Berlin: Hatje Cantz Verlag, pp. 134-149. ISBN 9783775752886 [Book Section]

[img]
Preview
Madani, Adnan. 2020. On Reman Sadani's "Walkout 1". Jerwood/FVU Awards 2020: Hindsight, [Article]

[img]
Madani, Adnan. 2021. Rana Begum's Abstraction. In: Anita Dawood, ed. Rana Begum: Space, Light, Colour. London: Lund Humphries, pp. 163-167. ISBN 9781848225329 [Book Section]

[img]
Preview
Madani, Adnan. 2020. Terra Nullius. [Printed Ephemera]

[img] [img]
Preview
Madani, Adnan. 2018. The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010). Moving Image Review & Art Journal, 7(2), pp. 236-250. ISSN 2045-6298 [Article]

Madani, Adnan; Abidi, Bani; Dadi, Iftikhar and Talpur, Mohammad Ali. 2016. Art Sabka?: Pakistani Cinema Reflected. In: "Art Sabka?: Pakistani Cinema Reflected", Foundation for the Museum of Modern Art, Karachi, Pakistan. [Show/Exhibition]

[img]
Preview
Madani, Adnan and Alesworth, David. 2019. Phasmid Project, Fig.1 and Fig.2. [Art Object]

[img]
Mainetti, Mario and Dyangani Ose, Elvira. 2016. Theaster Gates - True value. [Exhibition Catalogue]

[img]
Majumder, Sanjita. 2023. Maternal Spectres: Reproduction of Cinematic Images and the Feminisation of Workforces in South Asia. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Malatjie, Lorraine Porcia. 2020. A Constellation of Refusals: Blackness in Contemporary African Video Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Marques Florencio, Joao Pedro. 2014. Strange Encounters:Performance in the Anthropocene. Doctoral thesis, Goldsmiths, University of London [Thesis]

Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

[img]
Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

Martinon, Jean-Paul. 2008. 33, 34, 35… The Life of The Limits. In: Josef Steiff and Tristan D Tamplin, eds. Battlestar Galactica and philosophy : mission accomplished or mission frakked up? 33 Chicago: Open Court, pp. 249-260. ISBN 9780812697087 [Book Section]

[img]
Preview
Martinon, Jean-Paul. 2013. After "Rwanda": In Search of a New Ethics. Amsterdam and New York: Rodopi. ISBN 978-90-420-3711-3 [Book]

[img]
Preview
Martinon, Jean-Paul. 2020. Afterword: Respect for Derrida in/and Africa. In: Grant Farred, ed. Derrida and Africa: Jacques Derrida as a Figure for African Thought. Lanham, Maryland: Lexington Books, pp. 85-93. ISBN 9781498581899 [Book Section]

[img]
Preview
Martinon, Jean-Paul. 2021. Alexis Kagame. In: Eugene O’Brien, ed. Oxford Bibliographies in Literary and Critical Theory. Oxford: Oxford University Press. [Book Section]

Martinon, Jean-Paul. 2010. Bearers and Proper Names. In: Suzana Milevska, ed. The Renaming Machine. Ljubljana: PARASITE Institute Slovenia, pp. 60-71. ISBN 9789616807029 [Book Section]

Martinon, Jean-Paul. 2011. Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. Mono Kurgusuz Labirent(10-11), ISSN 1306-715X [Article]

[img]
Preview
Martinon, Jean-Paul. 2018. The Birth of Language or the Necessity of Rule. Bulletin of the School of Oriental and African Studies, 81(3), pp. 413-424. ISSN 0041-977X [Article]

[img]
Martinon, Jean-Paul. 2020. Curating as Ethics. Minneapolis: University of Minnesota Press. ISBN 9781517908652 [Book]

[img]
Preview
Martinon, Jean-Paul. 2021. Curators Serving the Public Good. Philosophies, 6, 28. ISSN 2409-9287 [Article]

[img]
Martinon, Jean-Paul. 2017. Edging Disciplines. Journal of Curatorial Studies, 6(2), pp. 221-229. ISSN 2045-5836 [Article]

[img]
Preview
Martinon, Jean-Paul. 2013. The End of Man. New York: Punctum Books. ISBN 9780615766782 [Book]

[img]
Preview
Martinon, Jean-Paul. 2015. The Equivocal Concept: The Work of Bourahima Ouattara. International Journal of Francophone Studies, 18(2-3), pp. 339-358. ISSN 1936-6280 [Article]

Martinon, Jean-Paul. 2003. Fact or Fiction? In: A. George, ed. Art, Lies and Videotape: Exposing Performance. Tate Publishing, pp. 40-51. ISBN 1854375377 [Book Section]

Martinon, Jean-Paul. 2005. Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. In: Robert Robert, ed. Daniel Buren. The Wordsworth Trust, pp. 29-44. ISBN 1905256019 [Book Section]

[img]
Preview
Martinon, Jean-Paul. 2015. Im-mundus or Nancy’s Globalising-World-Formation. In: Sanja Dejanovic, ed. Nancy and the Political. Edinburgh: Edinburgh University Press, pp. 219-244. ISBN 9780748683185 [Book Section]

[img]
Preview
[img]
Martinon, Jean-Paul. 2019. Marx 1845 or the Fateful Rejection of Anschauung. CR: The New Centennial Review, 18(3), pp. 73-96. ISSN 1539-6630 [Article]

Martinon, Jean-Paul. 2006. Museum and Restlessness. In: H. Genoways, ed. Museum Philosophy for the Twentieth-first Century. Alta Mira Press, pp. 59-69. ISBN 9780759107540 [Book Section]

[img]
Preview
[img]
Martinon, Jean-Paul. 2023. The Museum's Fourth Future. Eidos. A Journal for Philosophy of Culture, 7(1), pp. 103-124. ISSN 2544-302X [Article]

Martinon, Jean-Paul. 2006. Museum, Plasticity, Temporality. Museum Management and Curatorship, 21(2), pp. 157-167. ISSN 0964-7775 [Article]

[img]
Preview
Martinon, Jean-Paul. 2007. On Futurity / Malabou, Derrida and Nancy. Palgrave Macmillan. ISBN 9780230506848 [Book]

Martinon, Jean-Paul. 2023. Pyrrho and Meillassoux on Time. Palgrave Macmillan. [Book] (Forthcoming)

[img]
Preview
Martinon, Jean-Paul. 2019. Race and Universality: Meillassoux Meets Eze and Wiredu. Pli: The Warwick Journal of Philosophy, 30, pp. 49-71. ISSN 1367-3769 [Article]

Martinon, Jean-Paul. 2015. Shame: Intentionality in Reverse. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 66-78. [Book Section]

Martinon, Jean-Paul. 2005. Strategies of (In)visibility. Republicart - EIPCP Web Journal, pp. 1-6. ISSN 1811-1696 [Article]

[img]
Preview
Martinon, Jean-Paul. 2005. Swelling Grounds: A history of Hackney Workhouse. Rear Window Publications. ISBN 0 9521040 4 0 [Book]

Martinon, Jean-Paul. 2008. Switzerland: Joanna Hodge’s Derrida on Time. Radical Philosophy(149), pp. 62-64. ISSN 0300-211X [Article]

[img]
Preview
Martinon, Jean-Paul. 2017. Time Unshackled. New Formations, 92, pp. 11-24. ISSN 0950-2378 [Article]

[img] [img]
Martinon, Jean-Paul. 2012. Valentin Mudimbe or the Work of Invention. Darkmatter, 8, pp. 1-4. ISSN 2041-3254 [Article]

Martinon, Jean-Paul and Madani, Adnan. 2024. Visual Cultures as World-Forming. Berlin: Sternberg Press. ISBN 9783956795374 [Book]

McAuliffe, Sam. 2012. 'Adorno and the Aporia of Aesthetic Autonomy'. In: Novas Reflexões sobre Arte. Prefeitura Municipal de Porto Alegre, Brazil 4 Apr 2012. [Conference or Workshop Item]

McAuliffe, Sam. 2022. 'Aesthetic Education: Visual Cultures Public Programme Autumn Term 2022'. In: Aesthetic Education. Goldsmiths, University of London, United Kingdom 13 October - 15 December 2022. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2019. 'Autosociobiography: Annie Ernaux and the Collective Sensorium'. In: Terra Critica VII: Critique and Society. Whose Society?. Kings College London, United Kingdom 4-6 July 2019. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2019. Black Dust: Raymond Queneau and The Encyclopedia of the Inexact Sciences. Paragraph, 42(2), pp. 154-169. ISSN 0264-8334 [Article]

[img]
Preview
McAuliffe, Sam. 2022. The Changeability of the World: Utopia and Critique. In: Kathrin Thiele; Birgit M. Kaiser and Timothy O’Leary, eds. The Ends of Critique: Methods, Institutions, Politics. Lanham, Maryland: Rowman & Littlefield, pp. 57-75. ISBN 9781786616470 [Book Section]

[img]
Preview
McAuliffe, Sam. 2017. 'Decorum and Insolence in Robert Walser’s Dialectic of Manners'. In: Play, Recreation, and Experimentation: Literature and the Arts since the Early Modern Times. University of Kent, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2012. 'The Eschatology of the Voice'. In: Derrida-Konferenz. Goethe-Universität Frankfurt am Main, Germany 14 - 16 March 2012. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2017. Fable. In: , ed. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 55-59. ISBN 978­3­95796­085­6 [Book Section]

[img]
Preview
McAuliffe, Sam. 2023. 'The Frame of World-as-Resource'. In: Terra Critica x Rural Imaginations. Veenhuizen, Netherlands 13-17 June 2023. [Conference or Workshop Item]

McAuliffe, Sam. 2017. Image and Thought in Adorno, Blanchot and Deleuze. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
McAuliffe, Sam. 2017. 'The Imagination of Detail: Barthes and the Politics of Utopia'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2017. Inner Voice. In: Mercedes Bunz; Birgit Mara Kaiser and Kathrin Thiele, eds. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 73-77. ISBN 978-3-95796-085-6 [Book Section]

McAuliffe, Sam. 2015. 'A Margin of Error: Bildersprache and its Critique in Otto Neurath, Adorno, K.P. Brehmer'. In: London Conference in Critical Thought. UCL, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2018. 'Marguerite Duras and the Master Image'. In: Film-Philosophy 2018. University of Gothenberg, Sweden. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Nocturnal Space'. In: The Deepest Darkness: Robin Mason. Block 336 Gallery, London, United Kingdom 10 May 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2011. 'Of Part and Whole: Derrida and the Nuclear Thing'. In: ‘Force and the Worst’ InC (Research Group In Continental Philosophy) seminar series. Goldsmiths, London, United Kingdom 29 Mar 2011. [Conference or Workshop Item]

McAuliffe, Sam. 2016. 'On This Side of Life: Monstrosity and Mechanicity in Canguilhem and Derrida'. In: Derrida Today. Goldsmiths, United Kingdom. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2019. 'Painting, Writing and the Time of an Encounter (Félix Fénéon, by way of André du Bouchet)'. In: Modernist Art Writing/Writing Modernist Art. University of Nottingham, United Kingdom 24-25 June 2019. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2023. Part and Whole: On Some Uses of Landscape in the Films of Huillet and Straub. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 45-59. ISBN 9781839540585 [Book Section]

[img]
Preview
McAuliffe, Sam. 2019. Precarious Ascent: Trace and Terrain in René Daumal's Mount Analogue. Modern Language Notes, 134(4), pp. 783-805. ISSN 0026-7910 [Article]

[img]
Preview
McAuliffe, Sam. 2019. A Professional Conscience: On an Episode of Self-Accusation in Raymond Queneau's The Last Days. In: Garry L. Hagberg, ed. Narrative and Self-Understanding. London: Palgrave Macmillan, pp. 141-158. ISBN 978-3-030-28288-2 [Book Section]

McAuliffe, Sam. 2018. 'The Radio Question'. In: London Conference in Critical Thought. Westminster 30 June - 1 July, 2017. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2022. 'Rising, Falling'. In: Critical Transformations: Terra Critica 2.0. Utrecht University, Netherlands 8 - 10 June 2022. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Second Nature (Lukács, Benjamin, Adorno)'. In: Weather Permitting; 9th Bienal do Mercosul, 2013. Porto Alegre, Brazil 17 Oct 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'A Trace of What Has Not Occurred'. In: Archives for the Future. Westminster University, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2015. 'Utopia and Critique'. In: Critical Transactions: Engaging the Humanities East and West. School of Humanities, Hong Kong University, Hong Kong. [Conference or Workshop Item]

[img]
Preview
McAuliffe, Sam. 2022. Utopian Realism. In: Peter Marks; Jennifer A. Wagner-Lawlor and Fátima Vieira, eds. The Palgrave Handbook of Utopian and Dystopian Literatures. Cham, Switzerland: Palgrave Macmillan, pp. 219-230. ISBN 9783030886547 [Book Section]

McAuliffe, Sam. 2017. 'The Way Out: Kant and Kafka on Nature and History'. In: American Comparative Literature Association Annual Meeting. Utrecht University, Netherlands. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'Whoever Sees God Dies'. In: Knowledge Exchange. Goldsmiths, United Kingdom. [Conference or Workshop Item]

[img]
Preview
McCormack, Chris. 2022. Art Monthly Talk Show on Resonance FM. [Audio]

[img]
Mendes, Margarida. 2023. Sensorial Ecologies: Sonic Literacy and Restorative Listening in Watery Worlds. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Meneses Romero, Mariana. 2017. Women cooking art: Hospitality and contemporary art practices. Doctoral thesis, Goldsmiths, University of London [Thesis]

Mennel, Birgit and Nowotny, Stefan. 2014. Die Sprachen der Banlieues. In: Birgit Mennel and Stefan Nowotny, eds. Die Sprachen der Banlieues. Vienna: transversal texts, pp. 9-25. ISBN 978-3-9501762-7-8 [Book Section]

Mercier, Thomas Clément and Vráblíková, Lenka. 2019. à corps: the corpus of deconstruction. parallax, 25(2), pp. 111-118. ISSN 1353-4645 [Article]

[img]
Preview
Milevska, Suzana. 2005. GENDER DIFFERENCE IN THE BALKANS. Doctoral thesis, Goldsmiths, University of London [Thesis]

Millner-Larsen, Nadja. 2013. Demandless Times. Women's Studies Quarterly, 41(3/4), pp. 113-130. [Article]

[img]
Millner-Larsen, Nadja. 2016. Kalliopi Lemos's Sculpture of Subjection. In: , ed. Kalliopi Lemos: In Balance. London: Gazelli Art House. [Book Section]

Millner-Larsen, Nadja; Osman`, Wazmah and Ferrari, Danyel. 2010. Brown Skin, Blue Masks. Canopy, [Article]

[img]
Preview
Mitchell, Elspeth and Vráblíková, Lenka. 2022. Out of Office: Mycorrhizal encounters and the art of feminist un/learning. Antennae: The Journal of Nature in Visual Culture(58), pp. 96-107. ISSN 1756-9575 [Article]

[img]
Preview
Moon, Je Yun. 2017. Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Preview
Moreira, Inês. 2014. Performing Building Sites : Curating in/on/through space. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Preview
Moreno, Louis. 2022. Always Crashing in the Same City: Immobilien, Psychisches Kapital und Planetares Begehren. In: Joerg Franzbecker; Naomi Hennig and Florian Wüst, eds. X Properties. Berliner Hefte zu Geschichte und Gegenwart der Stadt 11. Berlin: nGbK (neue Gesellschaft für bildende Kunst), pp. 77-103. ISBN 9783946674108 [Book Section]

[img]
Preview
Moreno, Louis. 2018. Always crashing in the same city: real estate, psychic capital and planetary desire. CITY, 22(1), pp. 152-168. ISSN 1360-4813 [Article]

[img]
Preview
Moreno, Louis. 2017. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN 9781473907751 [Book Section]

Moreno, Louis. 2020. Fracking Sociality: Architecture, real estate, and the internet’s new urbanism. In: Peter Mörtenböck and Helge Mooshammer, eds. Data Publics: Public Plurality in an Era of Data Determinacy. Abingdon: Routledge, pp. 147-166. ISBN 9780367184728 [Book Section]

[img]
Preview
Moreno, Louis. 2022. Internal Empire : The Neoclassical Architecture of Racial Capitalism. In: Kelly M. Rich; Nicola M. Rizzuto and Susan Zieger, eds. The Aesthetic Life of Infrastructure: Race, Affect, Environment. Evanston, Illinois: Northwestern University Press, pp. 43-59. ISBN 9780810145504 [Book Section]

[img]
Preview
Moreno, Louis. 2023. Le Mardi Gras Listening Collective (Echoes of Dissent Vol. 1) - Louis Moreno, Edward George, et al.. In: "Echoes of Dissent Vol. 1", Beursschouwburg, Brussels, Belgium, 2 - 3 June 2023. [Performance]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

[img]
Preview
Moreno, Louis. 2021. Music as Spectral Infrastructure. In: "Music as spectral infrastructure", BAK, basis voor actuele kunst, Utrecht, Netherlands, 13 - 14 November 2021. [Show/Exhibition]

[img]
Moreno, Louis. 2021. The Presence of the Past in the Platform, or the Cultural Logic of Absolute Rent. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 uitgevers, pp. 63-72. ISBN 9789462086159 [Book Section]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

Moreno, Louis. 2014. The Sound of Detroit: Notes, Tones and Rhythms from Underground. In: Matthew Gandy and BJ Nilsen, eds. The Acoustic City. Berlin: Jovis, pp. 99-107. ISBN 9783868592719 [Book Section]

[img]
Preview
Moreno, Louis. 2022. Unhoused Music. In: "Unhoused Music", BAK, basis voor actuele kunst, Utrecht, Netherlands, 12 - 13 November 2022. [Show/Exhibition]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

[img]
Preview
Moreno, Louis and Bang Shin, Hyun. 2018. The Urban Process Under Planetary Accumulation by Dispossession. CITY, 22(1), pp. 78-87. ISSN 1360-4813 [Article]

[img]
Preview
Moreno, Louis and Brar, Dhanveer Singh. 2022. 'Seven Theses on P-Funk'. In: eleven theses on p-funk. Nottingham Contemporary, United Kingdom 9 June 2022. [Conference or Workshop Item]

[img]
Preview
Moreno, Louis and George, Edward. 2023. 'On Broadwater Farm: Dub Housing and other planes of consistency (part one) Edward George in conversation with Louis Moreno'. In: On Broadwater Farm: Dub Housing and other planes of consistency (part one) Edward George in conversation with Louis Moreno. Goldsmiths, University of London, United Kingdom 4 May 2023. [Conference or Workshop Item]

[img]
Preview
Moreno, Louis; George, Edward and Brar, Dhanveer Singh. 2023. Jah Shaka and CLR James (A Conversation with Edward George and Dhanveer Singh Brar - organised by Louis Moreno with Numbers). In: "A Conversation with Edward George", Glasgow, United Kingdom, 16 April 2023. [Performance]

[img]
Preview
Moreno, Louis; George, Edward; Sharma, Ash and Rekret, Paul. 2023. Monopolated Light & Power presentation (San Mei Gallery). In: "Monopolated Light & Power", San Mei Gallery, London, United Kingdom, 8 June 2023. [Performance]

[img]
Preview
Moreno, Louis and Vishmidt, Marina. 2019. 'End-of-the-World Trade: On the Speculative Economies of Art and Extraction'. In: End-of-the-World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21 - 22 June 2019. [Conference or Workshop Item]

[img]
Preview
Mpondaa, Victoria and Graham, Janna. 2022. Azamba publics: containment, care and curating in the “expanded private sphere”. Journal of Aesthetics & Culture, 14(1), 2063704. ISSN 2000-4214 [Article]

Mörtenböck, Peter. 2010. Allocations: Planning Processes and Other Participations in the Right to the City. In: Angela Heide and Elke Krasny, eds. Other Places: Vienna Lerchenfelder Street. Wien: Turia + Kant, pp. 87-89. ISBN 978-3-85132-588-1 [Book Section]

Mörtenböck, Peter. 2013. The Architecture of Informal Trade. In: Aleksandra Wasilkowska, ed. Shadow Architectures. Warsaw: The Other Space Foundation/Fundacja Inna Przestrzen. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter. 2009. The Art of Living With Strangers: Risk Taking in the Space of Flows. The Myth of Europa(7), pp. 20-21. ISSN 2041-6245 [Article]

Mörtenböck, Peter. 2018. 'Beyond Architecture on Demand: Rethinking Urban Futures in the Age of Platforms'. In: SLIVER Lecture Series. University of Applied Arts Vienna, Austria 22 November 2018. [Conference or Workshop Item]

Mörtenböck, Peter. 2019. 'Co-Living Platforms - Is Complexity Producible?'. In: 2nd Civic Design Conference. Peter Behrens School of Arts, Düsseldorf, Germany 7 November 2019. [Conference or Workshop Item]

Mörtenböck, Peter. 2009. Crossing the Mediterranean: Networked Agencies in Art and Culture. In: L.E. Grinin and A.V. Korotayev, eds. Hierarchy and Power in the History of Civilizations: Cultural Dimensions. Moscow: Editorial URSS. ISBN 978-5-396-00010-0 [Book Section]

Mörtenböck, Peter. 2014. Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. In: Wolfgang Kastrup and Helmut Kellershohn, eds. Kapitalismus und/oder Demokratie: Beiträge zur Kritik ''marktkonformer'' Demokratieverhältnisse. Münster: Unrast Verlag, pp. 83-99. ISBN 978-3-89771-765-7 [Book Section]

Mörtenböck, Peter. 2002. Digitale Welten: Nicht wissende User - ahnungslos Beteiligte. Archithese, 32(4), pp. 8-13. ISSN 1010-4089 [Article]

Mörtenböck, Peter. 2005. Free Running and the Hugged City. Thresholds(30), pp. 88-93. ISSN 1091-711X [Article]

[img]
Mörtenböck, Peter. 2015. Global Informality: Bottom-Up Trade and Transnational Realignments. In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds. Informal Market Worlds: The Architecture of Economic Pressure (Reader). Rotterdam: nai010 Publishers, pp. 105-118. ISBN 9789462081956 [Book Section]

Mörtenböck, Peter. 2014. Gunners and Runners. In: Lars Bang Larsen, ed. Networks. Whitechapel and MIT Press. ISBN 9780262525756 [Book Section]

Mörtenböck, Peter. 2002. Heldinnen. Betrügerinnen, Versagerinnen - 'Nobody knows me, and I like that'. In: Felicitas Konecny and Irene Nierhaus, eds. räumen: Baupläne zwischen Raum, Visualität, Geschlecht und Architektur. Wien: selene, pp. 223-240. ISBN 978-3852661780 [Book Section]

Mörtenböck, Peter. 2008. Hürdenläufe der Ermächtigung. In: Birgit Richard and Alexander Ruhl, eds. Konsumguerilla: Widerstand gegen Massenkultur? Frankfurt: Campus. ISBN 978-3593387628 [Book Section]

Mörtenböck, Peter. 2013. Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. In: Florian Dreher and Kerstin Faber, eds. New Babylon: Architecture and Urbanism after Crisis. Hatje Cantz. ISBN 978-3959050418 [Book Section]

Mörtenböck, Peter. 2014. Network Economies of Waste. In: Juliet Steyn and Nadja Stamselberg, eds. Breaching Borders: Art, Migrants and the Metaphor of Waste. London: I.B. Tauris, pp. 215-236. ISBN 9781780762593 [Book Section]

Mörtenböck, Peter. 2010. Networked Cultures. In: Helmut K Anheier and Yudhishthir Raj Isar, eds. Cultures and Globalization Cultural Expression, Creativity and Innovation. London: Sage. ISBN 9781412920865 [Book Section]

Mörtenböck, Peter. 2007. Networked Cultures. FeedBack, 4, [Article]

Mörtenböck, Peter. 2012. Not for Sale. In: Sabine Pollak, ed. Superstadt!: Zur Zukunft der Stadt zwischen Linz, London und Shanghai. Vienna: Sonderzahl Publishers. ISBN 978-3854493785 [Book Section]

Mörtenböck, Peter. 2025. Ocean as Metaphor and Embodiment. Ocean and Society, 2(1), [Article] (Forthcoming)

Mörtenböck, Peter. 2012. Other Markets: The visual culture of informal trade. Journal of Global Studies and Contemporary Art,, 2(1), [Article]

Mörtenböck, Peter. 2013. Platzbewegungen: Expeditionen in den Raum der Versammlung’. In: Bastian Lange; Gottfried Prasenc and Harald Saiko, eds. Ortsentwürfe : Urbanität im 21. Jahrhundert. Berlin: Jovis. ISBN 9783868592290 [Book Section]

Mörtenböck, Peter. 2020. 'Stadtform oder Plattform? Architektur, Bürger/User-Beteiligung und die Frage des Gemeinwohls'. In: Ceremonial Address at the BDA Jahresempfang 2020. Liederhalle, Stuttgart, Germany 27 January 2020. [Conference or Workshop Item]

Mörtenböck, Peter. 2000. Swimming Between Ponds: technological subjects, corporate landscapes, digital bodies. architektur.aktuell, 34(246/47), pp. 108-117. ISSN 0570-6602 [Article]

Mörtenböck, Peter. 2012. Visual Culture’. In: Arge Schnittpunkt, ed. Handbuch Ausstellungstheorie und -praxis. Stuttgart: UTB. ISBN 9783825237592 [Book Section]

Mörtenböck, Peter. 2022. 'Zukunft anwenden'. In: Candidate lecture, Rector of the University of Applied Arts Vienna. University of Applied Arts Vienna, Austria. [Conference or Workshop Item]

Mörtenböck, Peter. 2010. Zwischen Palmen und Zypressen - Zivilgesellschaftliche Begegnungen im Raum der Ströme. In: Irene Nierhaus, ed. Landschaft, Gehäuse, Orientierung. Berlin: Reimer. [Book Section]

Mörtenböck, Peter and UNSPECIFIED. 2014. Marktplätze der Öffentlichkeit. In: Caroline Schmidt and Asta Vonderau, eds. Öffentlichkeiten in Bewegung. Formationen von transnationalen Kommunikations- und Handlungsräumen. Bielefeld: Transcript. ISBN 978-3-8376-2154-9 [Book Section]

Mörtenböck, Peter; Antalovsky, Eugen and Weiermair, Cecilia, eds. 1996. City Mapping - Mapping Europe. Vienna: Europaforum. ISBN 3-9500576-0-9; 60 [Edited Book]

Mörtenböck, Peter and Mooshammer, Helge. 2020. 'Access Is The New Capital'. In: We Like - Platform Austria. Architektur Haus Kärnten, Klagenfurt, Austria 16 January 2020. [Conference or Workshop Item]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2016. Andere Märkte: Zur Architektur der informellen Ökonomie. Bielefeld: transcript Verlag. ISBN 978-3-8394-3597-7 [Book]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2019. The Art of Crafting Formal-Informal Linkages: On the Enduring Appeal of Belo Horizonte’s Hippie Fair. In: Eveline Dürr and Juliane Müller, eds. The Popular Economy in Urban Latin America. Lanham - Boulder - New York - London: Lexington Books, pp. 43-63. ISBN 978-1-4985-7239-2 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2012. At Home in the World. P.E.A.R. (Paper for Emerging Architectural Research)(4), pp. 35-39. ISSN 2041-2878 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. In: , ed. Das Geschäft mit der Stadt. 28 Birkhäuser, pp. 28-43. [Book Section]

[img]
Mörtenböck, Peter and Mooshammer, Helge. 2019. City as Interface. Self-generating Urban Environments and the Question of Labour. In: Helena Doudová, ed. Shared Cities Atlas. Post-Socialist Cities and Active Citizenship in Central Europe. Rotterdam: nai010 publishers, pp. 196-201. ISBN 9789462085213 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Critical Landscapes'. In: Horizonte Lecture Series. Bauhaus-Universität Weimar, Germany 4 July 2023. [Conference or Workshop Item]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2018. Crowdfunded Urban Development: Urban narratives as vehicles for new financial markets. ARCH+ Journal for Architecture and Urbanism, 51(231), pp. 186-189. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2018. 'Crowdfunded Urbanism: Invest in the City you Desire'. In: Futures of Finance and Society Conference. University of Edinburgh, United Kingdom 6 - 7 December 2018. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. Data Is a Relation Not a Property. In: "Data Is a Relation Not a Property", DumBO, Bologna Attiva, Italy, 5 - 26 May 2023. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Data Is a Relation Not a Property'. In: Data Is a Relation Not a Property. DumBO (Distretto Urbano Multifunzionale di Bologna), Bologna, Italy 5 May 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2022. 'Data Publics, Platform Urbanism and the New Challenges of Practising Dialogue'. In: The Public Sphere in Agony – Re-Thinking the Dialogical, Performative Assembly, and Civic Culture. Catholic University of Eichstätt-Ingolstadt, Germany 23 - 25 June 2022. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Data is Not a Property But a Relation'. In: Changing Values Conference, Vienna Biennale for Change 2019. Architekturzentrum Wien, Vienna, Austria 6 September 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Data is a Relation not a Property'. In: We Like - Platform Austria. vai Vorarlberger Architektur Institut, Dornbirn, Austria 9 December 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Die digitale Stadt – Visionen für 2050'. In: Die Stadt als Datenfeld. Wie wir in Zukunft leben wollen. Graz Museum, Austria 23 June 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Die räumliche Wirkungsmacht ökonomischer Verschiebungen'. In: Prop Talk 2. halfway, Vienna, Austria 17 January 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Digital Sharing & Data Commons'. In: Shared Cities: The Finale. Center for Architecture and Metropolitan Planning, Prague, Czech Republic 2 - 3 October 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'El potencial de la arquitectura inmobiliaria para el desarrollo sostenibile de las ciudades'. In: IV Foro eau de Arquitectura Inmobiliaria. UNIBE, Santo Domingo, Dominican Republic 7 December 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2016. From Urban Talent to Commodity City: Marketplaces in the Informal Economy. In: Jonathan Darling and Helen Wilson, eds. Encountering the City: Urban Encounters from Accra to New York. London: Ashgate. ISBN 9781472432575 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Frontier Climates. In: "World of Matter – Mobilizing Materialities", Katherine E. Nash Gallery, University of Minnesota, Minneapolis, United States, 14 September - 9 December 2017. [Show/Exhibition]

[img]
Mörtenböck, Peter and Mooshammer, Helge. 2019. Frontier Climates – Managing the Global Commons. In: Karen Lutsky; Ozayr Saloojee and Emily Eliza Scott, eds. Viscosity - Mobilizing Materialities. 4 University of Minnesota School of Architecture, pp. 15-33. ISBN 978-0-36-835667-4 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Good Life'. In: Architektur-Film Matinée. Filmcasino, Vienna, Austria 5 November 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Grauzonen des Handelns. Bildpunkt, 2011(2), pp. 22-24. ISSN 2074-9783 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Gunners & Runners. In: "You’ll Never Walk Alone, Football and Fan Culture", O.K Centre for Contemporary Art, Linz, Austria, 9 June – 9 July 2006. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Happy Slapping - Urban Violence in the Age of Camera Phones. Monu - Magazine on Urbanism(5), pp. 44-48. ISSN 1860-3211 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'How Will We Live Together?'. In: Redistribution: Land, People and Environment. City Gallery, Hong Kong, Hong Kong 10 December 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2024. 'In/formal Marketplaces'. In: From Essentials to Experiences: The Transformation of City Markets. Pakhuis de Zwijger, Amsterdam, Netherlands 8 April 2024. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'In/formal Marketplaces'. In: In/formal Marketplaces. School of Architecture, Chu Hai College, Hong Kong, Hong Kong 28 November 2023. [Conference or Workshop Item]

[img]
Mörtenböck, Peter and Mooshammer, Helge. 2023. Incorporating Informality. In: Peter Mörtenböck and Helge Mooshammer, eds. IN/FORMAL Marketplaces: Experiments With Urban Reconfiguration. Rotterdam: nai010 publishers, pp. 9-51. ISBN 9789462088092 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Incorporating Informality'. In: Informal Markets Worlds International Research Forum IV. Los 36 Billares, Buenos Aires, Argentina 14 October 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Informal Market Worlds: Instruments of Change. In: , ed. Scapegoat: Architecture, Landscape, Political Economy - Currency. (04) Toronto: Scapegoat, pp. 203-220. ISBN 9781482370683 [Book Section]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2015. Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. Rotterdam: nai010 publishers. ISBN 978-94-6208-194-9 [Book]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2020. Introduction: Data is not a property but a relation. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 1-25. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2004. Inventing S-E-X. Österreichische Zeitschrift für Geschichtswissenschaften, 15(3), pp. 168-177. ISSN 1016765X [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2020. 'Live-Work-Play'. In: Lunchtime Lectures. New Design University, St. Pölten, Austria 3 December 2020. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Living on Platforms'. In: Visual Cultures Public Programme: Curatorial Agencies. Goldsmiths, University of London, United Kingdom 7 October 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Making Do. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions - Intervention and Research in Visual Culture. Bielefeld: transcript Verlag, pp. 127-138. ISBN 978-3-8376-1847-1 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Materials of Commemoration: The Changing Landscape of Mauthausen. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 218-234. ISBN 978-3956791499 [Book Section]

[img]
Mörtenböck, Peter and Mooshammer, Helge. 2021. My Home Is My Future – Co-Living und das neue Ethos der Gemeinschaftsbildung. ARCH+ Journal for Architecture and Urbanism(244), pp. 200-207. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2024. My Home is my Future – Co-Living and the New Ethos of Community Building. ARCH+ Vienna - The End of Housing (As a Typology), pp. 186-193. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2009. Networked Cultures. In: Gulsen Bal, ed. Open Space - Mapping contemporary creative practice. London: Divus, pp. 100-111. ISBN 80-86450-50-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures. In: "Networked Cultures", AzW and Open Space, Vienna, Austria, 9 October - 19 November 2018. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Networked Cultures - Collections of Alternative Approaches. In: Nishat Awan; Tatjana Schneider and Jeremy Till, eds. Spatial Agency: Other Ways of Doing Architecture. London: Routledge, pp. 124-126. ISBN 9780415571937 [Book Section]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures: Parallel Architectures and the Politics of Space. Rotterdam: nai010 publishers. ISBN 978-9056620592 [Book]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2010. Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt. Bielefeld: transcript. ISBN 978-3-8376-1356-8 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Nieokreslonosc handlu - rynki nieformalne w Europie. In: Aleksandra Wasilkowska, ed. Shadow Architecture. Warschau: The Other Space Foundation, pp. 342-355. ISBN 978-2320000786 [Book Section]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2020. Notorious Markets: Zur (vermeintlichen) Architektur informeller Ökonomie. Soziopolis: Gesellschaft beobachten, ISSN 2509-5196 [Article]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2012. OCCUPY: Räume des Protests. Bielefeld: transcript. ISBN 978-3-8376-2163-1 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. In: Mabe Bethonico, ed. Provisoes / World of Matter. Belo Horizonte: ICC, pp. 98-125. ISBN 978-8561659240 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2007. Operation Desert, Windsor, Ontario. In: "Build Me Up/Tear Me Down", Art Gallery of Windsor, Ontario, Canada, 15 September - 18 November 2007. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets. In: "XX Chilean Architecture and Urbanism Biennial", Valparaiso, Chile, 26 October - 10 November 2017. [Show/Exhibition]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets: The Global Struggle of Informal Trading Places. In: Andreas Lepik; Marcello della Guistina and Chiara Ursini, eds. Does Permanence Matter? Ephemeral Urbanism. München: Architekturmuseum der TU München, pp. 62-79. ISBN 978-3-9819240-0-8 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Performance des Protests. Kunstforum International, 224, pp. 122-135. [Article]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan and Conflict. Third Text, 22(1), pp. 57-69. ISSN 0952-8822 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan ve Çatışkı: Ağ Örgüsüne Dahil Olan Istanbul. In: Gulsen Bal, ed. Türkiye'de Dün-Bugün Dönüşümleri. Istanbul: Kitap Yayinevi, pp. 121-141. ISBN 978-605-105-000-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform. In: Jochen Becker; Anna Schäffler and Simon Sheikh, eds. Glossary Urban Praxis: Towards a Manifesto. Berlin: neue Gesellschaft für bildende Kunst (nGbK), pp. 62-63. ISBN 9783938515938 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Platform Austria – We Like'. In: Nachhilfe: Platform Austria - We Like. Club Hybrid, Graz, Austria 22 June 2021. [Conference or Workshop Item]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2022. Platform Urbanism. In: Bianca Anna Böckle; Celina Martinez-Cañavate and Peter A. Staub, eds. Beyond the Biennale. Zurich: Triest Verlag, pp. 128-135. ISBN 9783038630678 [Book Section]

[img]
Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform Urbanism and Its Discontents. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 publishers, pp. 9-38. ISBN 9789462086159 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Platform Urbanism and Its Discontents'. In: Platform Urbanism and Its Discontents. Pro qm, Berlin, Germany 3 December 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Platform Urbanism and Its Discontents: Trajectories Towards a Post-Pandemic Urbanity'. In: Academy of Global Humanities and Critical Theory Summer School 2021. University of Bologna, Italy 25 June 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2020. Platform urbanism: City-making in the age of platforms. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 169-191. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. The Political Aesthetics of Counter-Terrorism Design. In: Gary Boyd and Denis Linehan, eds. Ordnance: War, Architecture and Space. London: Ashgate, pp. 33-49. ISBN 9781409439127 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. A Practice Without Discipline. In: Sabine Hochrieser; Michael Kargl; Birgit Rinagl and Franz Thalmair, eds. CONT3XT. Verlag für moderne Kunst. [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2019. The Propertied and the Propertyless. In: "Q&A zu Dividuality of Subjects / Subjects of Dividuality", halfway, Vienna, Austria. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2025. Revengeful Nature: Posthumanist frontiers in speculative architecture. In: Carmen Lael Hines and Lisa Moravec, eds. Posthumanist Approaches to a Critique of Political Economy: Dissident Practices. London: Bloomsbury. [Book Section] (Forthcoming)

Mörtenböck, Peter and Mooshammer, Helge. 2015. Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. In: Andreas Hudelist; Florian Kerschbaumer and Matthias Wieser, eds. Protestgebiete: Interdisziplinäre Perspektiven auf Raum und Widerstand. Novo mesto: arte4, pp. 23-45. ISBN 9789619363331 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Shifting Waters. In: Guven ncirlioglu and Hakan Topal, eds. Sea Image: Visual Manifestations of Port Cities and Global Waters. New York: Newgray, pp. 20-43. ISBN 978-0983603108 [Book Section]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2011. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: transcript. ISBN 978-3-8376-1847-1 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Spaces of encounter: informal markets in Europe. Architectural Research Quarterly, 12(3-4), pp. 347-357. ISSN 1359-1355 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. In: Andreas Langenohl and Dietmar J. Wetzel, eds. Finanzmarktpublika. Wirtschaft & Gesellschaft. ISBN 978-3-531-19707-4 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Supply Lines: Visions of Global Resource Circulation. In: "Supply Lines: Visions of Global Resource Circulation", Gasworks, London, United Kingdom, 26 - 30 April 2011. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2018. 'Tent Cities, Peoples Kitchens, Free Universities: The global villages of occupation movements'. In: The Social Re-Production of Architecture Symposium. Central Saint Martins College of Art and Design, London, United Kingdom 1 March 2018. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. In: Doina Petrescu and Kim Trogal, eds. The Social (Re)Production of Architecture: Ethics, Economies, Politics and Actions in Contemporary and Future Practice. Abingdon: Routledge, pp. 257-270. ISBN 9781138859494 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Trade Flow: Architectures of Informal Markets. In: Andrew Ballantyne and Chris Smith, eds. Architecture in the Space of Flows. London: Routledge, pp. 117-134. ISBN 978-0-415-58541-5 [Book Section]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2018. Urban frontiers in the global struggle for capital gains. Finance and Society, 4(1), pp. 108-125. ISSN 2059-5999 [Article]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 978-3-95679-100-0 [Book]

[img]
Preview
Mörtenböck, Peter and Mooshammer, Helge. 2003. Visuelle Kultur: Körper, Räume, Medien. Boehlau. ISBN 3205770404 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2020. 'We Like - Platform Austria'. In: We Like - Platform Austria. HdA Graz, Austria 4 March 2020. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. We Like / Platform Austria. In: "17th International Architecture Exhibition - La Biennale di Venezia 2021", Venice, Italy, 22 May - 21 November 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: Inke Arns, ed. World of Matter. Berlin: Sternberg Press, pp. 160-172. ISBN 978-3-95679-083-6 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2023. A World of Matter. In: "Material Tales – The Life of Things", Hong Kong Science Museum, Hong Kong, 19 May - 18 October 2023. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2021. A World of Matter. In: "Material Tales – The Life of Things", Art Museum of Nanjing University of the Arts, China, 8 - 24 December 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2021. A World of Matter. In: "Material Tales – The Life of Things", CAFA Art Museum, Beijing, China, 17 September - 17 October 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: "World of Matter – Exposing Resource Ecologies", Leonard & Bina Ellen Art Gallery, Concordia University, Montreal, Canada, 20 February - 18 April 2015. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2014. A World of Matter. In: "World of Matter", The James Gallery, CUNY Graduate Center, New York, United States, 10 September - 1 November 2014. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2014. A World of Matter. In: "World of Matter – Über globale Ökologien von Rohstoff", HMKV im Dortmunder U – Zentrum für Kunst und Kreativität, Dortmund, Germany, 1 March - 22 June 2014. [Show/Exhibition]

[img]
Preview
Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna. 2015. Informal Market Worlds: The Architecture of Economic Pressure - READER. Rotterdam: nai010 publishers. ISBN 978-94-6208-195-6 [Book]

Mörtenböck, Peter; Mooshammer, Helge and Fanni, Maryam. 2024. 'The Transformative Role of Marketplaces in 21st Century Cities'. In: Urban Futures: From Essentials to Experiences. Institute for Future Studies, Stockholm, Sweden 4 June 2024. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge and Gerdes, Benjamin. 2023. 'The Future is Public: Platform Urbanism and Its Discontents'. In: Higher Seminar. Royal Institute of Art, Stockholm, Sweden 23 March 2023. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge; Kessler, Madeleine; Verghese, Manijeh; Ferrer, Felipe and Babina, Lucia. 2021. 'Gran Bretagna con Austria: Private vs. Public Spaces'. In: Private vs. Public Spaces. Padiglione Centrale, Giardini della Biennale, Biennale Architettura 2021, Venice, Italy 27 August 2021. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge; Mehrotra, Rahul; Rao, Vyjayanthi; Cruz, Teddy and Forman, Fonna. 2018. 'Global Demands: Architecture Research in a Globalised World'. In: Global Demands. Architekturzentrum Wien, Vienna, Austria 28 May 2018. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar. 2015. Informal Worlds Reader. Cityscapes - Re-thinking Urban Things(7), ISSN 2227-4006 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula. 2015. World of Matter. Architectural Theory Review, 20(1), pp. 122-134. ISSN 1326-4826 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Zucconi, Guido; d'Allesandro, Jesus and Cabral, Lidia. 2021. 'Sensitive City and the Unifying Role of Design'. In: Sensitive City and the Unifying Role of Design. Pavilion of the Dominican Republic, Biennale Architettura, Venice, Italy 24 September 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Obrist, Michael. 2020. 'Co-Living Spaces - Von offenen Kommunen zu Plattformen für gemeinschaftliches Wohnen'. In: Wohngespräche. TU Wien, Austria 9 June 2020. [Conference or Workshop Item]

N

Nowotny, Stefan. 2015. Ent/Grenzen, Übersetzen / Un/Bordering, Translating. In: Andrea Van der Straeten, ed. Der Käfig ist auf und der Zoo zu. Vienna: Sonderzahl. ISBN 978-3854494461 [Book Section]

Nowotny, Stefan. 2013. Translating Citizenship: On Some Pitfalls and the Politics of Meaning in the Definition of “Europeanness”. In: Claudia Wiesner and Meike Schmidt-Gleim, eds. The Meanings of Europe: Changes and Exchanges of a Contested Concept. Abingdon: Routledge, pp. 194-206. ISBN 9780415857062 [Book Section]

Nowotny, Stefan. 2018. Überlegungen zur Geschichte der “Gastarbeit”. In: Boris Buden and Lina Dokuzovic, eds. They'll Never Walk Alone: The Life and Afterlife of Gastarbeiters. Vienna: transversal texts, pp. 249-267. ISBN 9783903046207 [Book Section]

Nowotny, Stefan; Fuzinato, Jelena; Esposito Yussif, Giovanna and Kaverina, Ksenia. 2016. Suspending the Archive: Interview given to Jelena Fuzinato, Giovanna Esposito Yussif and Ksenia Kaverina. CuMMA - Aalto University Helsinki, Helsinki. [Other]

[img]
Preview
Nowotny, Stefan and Raunig, Gerald. 2008. Instituierende Praxen: Bruchlinien der Institutionskritik. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-513-3 [Book]

Nowotny, Stefan and Raunig, Gerald. 2016. Instituierende Praxen: Bruchlinien der Institutionskritik (2nd revised edition including a new introduction). Vienna: transversal texts. ISBN 978-3-903046-04-7 [Book]

[img]
Nyampeta, Christian. 2020. How to Live Together: A Dialogue Between Roland Barthes and Isaïe Nzeyimana. Doctoral thesis, Goldsmiths, University of London [Thesis]

O

[img]
Preview
O' Dwyer, Killian. 2024. 'Against the Flow: When the Gift and Sexual Biopolitics Bleed Together'. In: Leakage: the Inaugural Conference of STSinG. Dresden, Germany 19 - 22 March 2024. [Conference or Workshop Item]

[img]
Preview
O' Dwyer, Killian. 2024. 'Creature Cameos: Filming Who or What'. In: Forms and Feelings of Kinship in the Contemporary World. University of Warwick, United Kingdom 27 April 2024. [Conference or Workshop Item]

O' Dwyer, Killian. 2024. The Gift in Lube. In: Agnieszka Podruczna; Nina Augustynowicz and Aleksandra Musiał, eds. Erotic Discourses in History, Culture and the Arts. Routledge. [Book Section] (Forthcoming)

[img]
Preview
O' Dwyer, Killian. 2023. 'The Gift in Lube: Erotics of Facilitation'. In: “Sense and Sexuality: Erotic Discourses in/of History”. Katowice, Poland 22-23 September 2023. [Conference or Workshop Item]

[img]
Preview
O' Dwyer, Killian. 2023. 'Keeping (Revolutionary) Time: Conducting Political Counterpoints in Todd Field's 'Tár''. In: Film-Philosophy Conference 2023. Chapman University, Orange, California, United States 13-15 June 2023. [Conference or Workshop Item]

[img]
O' Dwyer, Killian. 2024. (Non)Life on the Line: Crisis Calls with Animals. Pulse: the Journal of Science and Culture, 10(1), ISSN 2416-111X [Article] (In Press)

[img]
Preview
O' Dwyer, Killian. 2024. Plastic Bits: Genitals and Sexual Plasticity. tba: Journal of Art, Media and Visual Culture, 5(1), pp. 68-79. ISSN 2563-6243 [Article]

[img]
Preview
O' Dwyer, Killian. 2023. 'Secret(e) Sex: Secretions that Supplant Shame'. In: 5th 'Memory, Guilt, Shame' International Interdisciplinary Conference. Online, Poland 26-27 October 2023. [Conference or Workshop Item]

O' Dwyer, Killian. 2024. Unbridled: Dragging Nudity. In: Nicola McCartney, ed. Animal Drag. Manchester: Manchester University Press. [Book Section] (Forthcoming)

O'Sullivan, Simon D.. 2008. Academy: The Production of Subjectivity. In: Irit Rogoff, ed. Academy. Frankfurt: Revolver, pp. 238-244. [Book Section]

[img]
O'Sullivan, Simon D.. 2017. Accelerationism, Hyperstition and Myth-Science. Cyclops(2), pp. 11-44. ISSN 2398-2705 [Article]

O'Sullivan, Simon D.. 2016. 'Accelerationism, Prometheanism and Mythotechnesis'. In: Art and Reason – How Art Thinks II. Baltic Museum, Newcastle, United Kingdom. [Conference or Workshop Item]

[img]
Preview
O'Sullivan, Simon D.. 2017. Accelerationism, Prometheanism and Mythotechnesis. In: Baylee Brits; Prudence Gibson and Amy Ireland, eds. Aesthetics After Finitude. Melbourne: re.press, pp. 171-189. ISBN 9780980819793 [Book Section]

O'Sullivan, Simon D.. 2001. ''Aesthetics and Affects in Art History''. In: Visual Arts lecture series. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'The Aesthetics of Affect'. In: MA Fine Art lecture series. Central St Martins, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2001. The Aesthetics of Affect: Thinking art beyond representation. Angelaki: Journal of Theoretical Humanities, 6(3), pp. 125-135. ISSN 0969-725X [Article]

O'Sullivan, Simon D.. 1996. 'Alien Objects'. In: Thinking Alien, two-day conference. The University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2020. 'Anamorphosis: from the Visual Field to Speculative Writing'. In: Diagrams, Models and Magic. Royal College of Art (online), United Kingdom 2 June. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2024. The Ancient Device. Charmouth: Triarchy Press. ISBN 9781917251013​ [Book] (In Press)

O'Sullivan, Simon D.. 1997. 'Angels and Desire'. In: Mind/Culture/Theory Seminar Series at the Centre for Psychotherapeutic Studies. The University of Sheffield, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Anti-Oedipus and the Production of the Subject'. In: The Fourth International Deleuze Conference 'Creation, Crisis, Critique. Copenhagen Business School, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Art Encounters Deleuze and Guattari'. In: Stanley Pickard Gallery, part of Gest: Future Criticism. University of Kingston, United Kingdom. [Conference or Workshop Item]

[img]
Preview
O'Sullivan, Simon D.. 2006. Art Encounters Deleuze and Guattari: Thought Beyond Representation. London: Palgrave Macmillan. ISBN 978-1-4039-1809-3 [Book]

O'Sullivan, Simon D.. 2014. 'Art Practice as Fictioning (or, Myth-Science)'. In: Arts of Existence: Artistic Practices, Aesthetics and Techniques Seminar. Unit of Play, Goldsmiths, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Art Practice as Non-Schizoanalysis'. In: Schizoanalysis and Schizostrategy panel. IMT Gallery, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker (and seminar), Theatre Academy. Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, London Graduate School. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, Edinbrugh College of Art. Edinburgh, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. 'Art Practice between Henri Bergson and Felix Guattari'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. Art and the Political: Minor Literature, War Machines and the Production of Subjectivity. In: Dave Beech, ed. Beauty. London: Whitechapel Art Gallery. ISBN 978-0854881635 [Book Section]

O'Sullivan, Simon D.. 1996. 'Art as Machine: Lines of Force, Lines of Flight'. In: Post-Theory three day conference. School of Humanities, The University of Glasgow, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. Associates. In: "‘Associates’ show (invited by The Hut Project)", Temporary Measures Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2022. 'Avatars and Egregores'. In: Magic and Schizoanalysis. Goldsmiths, University of London, United Kingdom 7 December 2022. [Conference or Workshop Item]

[img]
O'Sullivan, Simon D.. 2023. Avatars, Egregores and the Writing of the Self. Journal of Writing in Creative Practice, 16(1), pp. 229-241. ISSN 1753-5190 [Article]

O'Sullivan, Simon D.. 2008. 'The Care of the Self and the Production of the New'. In: The National College of Art and Design. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. ''The Care of the Self versus the Ethics of Desire''. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'The Care of the Self versus the Ethics of Desire'. In: Beyond Spinoza Conference, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1997. Catalogue essay. catalogue essay, [Article]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "New Art UK", Whitechapel gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "Fools Gold", Edinburgh: Edinburgh College of Art, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2007. The City and an Art Practice. 'Some Time Repeating an Embarrassed Word', Studio 1.1 Gallery, [Article]

O'Sullivan, Simon D.. 2010. 'Contribution to an Artistic Anthropology. In: Lee Youngchul and Henk Slager, eds. Naim June Paik Reader: One. Korea: Naim June Paik Art Centre. [Book Section]

O'Sullivan, Simon D.. 2000. 'Cultural Studies as Rhizome, Rhizomes in Cultural Studies'. In: Cultural Studies and Interdisciplinarity, Trinity and All Saints College. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. Cultural Studies as Rhizome; Rhizomes in Cultural Studies. In: , ed. Cultural Studies and Interdisciplinarity. Amsterdam: Rodopi. [Book Section]

O'Sullivan, Simon D.. 1997. 'The Death of the Subject: Machines and Meaning'. In: Death and its Concepts two day conference. Centre for Cultural Studies, The University of Leeds, United Kingdom. [Conference or Workshop Item]

[img]
O'Sullivan, Simon D.. 2016. Deleuze Against Control: from Fictioning to Myth-Science. Theory, Culture and Society, 33(7/8), pp. 1-16. ISSN 0263-2764 [Article]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2010. Deleuze and Contemporary Art. Edinburgh: Edingburgh University Press. ISBN 978 0 7486 3838 3 [Edited Book]

O'Sullivan, Simon D.. 2011. 'Deleuze and Contemporary Art'. In: Douglas Hynde Gallery. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Deleuze and Contemporary Art'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze and Contemporary Art'. In: Postgraduate Seminar Series. University of Reading, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Deleuze and Contemporary Art Practice'. In: Aesthetics Lecture series. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Deleuze for Artists'. In: Stanley Pickard Lecture Series. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze, Guattari and Art Practice', What is Philosophy?'. In: Seminar series. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2008. Deleuze, Guattari and the Production of the New. London: Continuum. ISBN 9780826499530 [Edited Book]

O'Sullivan, Simon D.. 2008. 'Deleuze, Guattari and the Production of the New'. In: The Cultural Theory Institute. University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Deleuzian Aesthetics'. In: Danish Academy of Fine Arts. Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1994. 'Derrida vs Lyotard: The Meaning of Painting'. In: one day conference Theatre, Spectacle and Performance at Whitworth art gallery. The University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. In: John Ó Maoilearca and Charlotte De Mille, eds. Bergson and the Art of Immanence: Painting, Photography, Film. Edinburgh: Edinburgh University Press, pp. 165-187. ISBN 978-0748670222 [Book Section]

O'Sullivan, Simon D.. 2016. Diagrams. In: "Miniature World", Castle field Gallery, Manchester, United Kingdom, November 2016-February 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2013. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. National Academy of the Arts, Oslo, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. Diagrams for the Production of Subjectivity. In: "Miniature World", Castlefield Gallery, Manchester, United Kingdom, 18 November 2016 - 22 January 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2003. Dissenting Machines. Outside Edge(2), [Article]

O'Sullivan, Simon D.. 2002. ''Dissenting Machines''. In: Big Torino Art Biennale Symposium. Turin, Italy. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. 'Dissenting Subjectivities'. In: 'The Ethics and Politics of Indexicaly and Virtuality', CentreCATH. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. Felix Guattari. In: Michael Kelley and Simon D. O'Sullivan, eds. Oxford Encyclopedia of Aesthetics. New York: Oxford University Press, pp. 246-250. ISBN 9780199370306 [Book Section]

O'Sullivan, Simon D.. 2016. 'Feminist World Building: from Myth-Science to Performance Fiction'. In: The Politics of Performance and Play. Feminist Matters. University of Leiden, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. Fiction. In: Manuela Zechner, ed. Vocabulaboratories. Amsterdam: LISA, pp. 47-50. ISBN 978-90-78632-02-3 [Book Section]

O'Sullivan, Simon D.. 2019. 'Fictioning'. In: Digital Ecologies II: Fiction Machines. Bath Spa University, United Kingdom 16 July 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2018. Fictioning Five Heads (on the Art—Anthropology Hybrid). In: Hermione Spriggs, ed. Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism. Berlin: Sternberg Press, pp. 141-147. ISBN 9783956794292 [Book Section]

O'Sullivan, Simon D.. 2022. Fictioning a Pilgrimage (or Fieldwork on the Fiction of the Self). In: Bridget Crone; Sam Nightingale and Polly Stanton, eds. Fieldwork for Future Ecologies: Radical Practice for Art and Art-based Research. Eindhoven: Onomatopee, pp. 397-415. ISBN 9789493148918 [Book Section]

O'Sullivan, Simon D.. 2019. 'Fictioning and Fabulation'. In: Take a Walk on the Wild Side: Fabulating Alternative Imaginaries in Art & Life. Gerrit Rietveld Academie, Amsterdam, Netherlands 13 March 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. 'Fictioning and Practice as Research'. In: Somatic Shifts: The Body and Beyond in Creative and Critical Research. University for the Creative Arts, Farnham, United Kingdom March 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Fictioning as Myth-Science (after Deleuze, against Control): Nothing is True, Everything is Permitted'. In: Daughters of Chaos: Deleuze Studies International Conference 2015. University of Stockholm, Sweden June 2015. [Conference or Workshop Item]

[img]
O'Sullivan, Simon D.. 2018. Fictioning the Landscape. Journal of Aesthetics and Phenomenology, 5(1), pp. 53-65. ISSN 2053-9320 [Article]

O'Sullivan, Simon D.. 2017. Fictioning the Landscape: Robert Smithson and Ruins in Reverse. Take On Art Magazine, 3(2), pp. 60-63. [Article]

O'Sullivan, Simon D.. 2018. 'Fictioning: Mythopoesis, Myth-Science, Mythotechnesis'. In: The Institute of Things to Come. Fondazione Sandretto Re Rebaudengo, Turin, Italy November 2018. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. ''Figuring the Plane of Immanence''. In: Postmodernism and Spirituality. University of Preston, United Kingdom. [Conference or Workshop Item]

[img]
Preview
O'Sullivan, Simon D.. 2017. The Finite-Infinite Relation: A Conversation with Simon O’Sullivan. In: Anthony Morgan, ed. The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy. Newcastle: Bigg Books, pp. 209-221. ISBN 97819998413 [Book Section]

O'Sullivan, Simon D.. 2004. First Manifesto for the Guerrilla Plastique Fantastique. Drain: Journal of Contemporary Art and Culture, pp. 1-4. [Article]

O'Sullivan, Simon D.. 2012. 'Five Diagrams of the Finite-Infinite Relation'. In: Wysing Art Centre. Cambridge, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. Foreword: Instructions for Use (25 Operational Protocols). Fine Art/Art History final year degree show catalogue, [Article]

O'Sullivan, Simon D.. 2003. 'Friendship as Community'. In: Communities conference, Trinity & All Saints. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2004. Friendship as Community: From Ethics to Politics. Takkekortet: The Written Acknowledgement, [Article]

O'Sullivan, Simon D.. 2006. 'From Aesthetics to Probeheads: Deleuze and Art'. In: Academy of Fine Arts. Vienna, Austria. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''From Aesthetics to Probeheads: Deleuze and Contemporary Art''. In: John Russell: Geniess symposium. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 189-207. ISBN 0748638385 [Book Section]

O'Sullivan, Simon D.. 2017. From Financial Fictions to Mythotechnesis. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 318-346. ISBN 9781910924631 [Book Section]

O'Sullivan, Simon D.. 2024. From Magic and Myth-Work to Care and Repair. London: Goldsmiths Press. ISBN 9781915983046 [Book] (In Press)

O'Sullivan, Simon D.. 2004. 'From Minor Literature to War Machines: Notes Towards a Political Art Practice'. In: Experimenting with Intensities, 3 day international conference on Deleuze. Trent University, Toronto, Canada. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'From Mythopoesis to Myth-Science'. In: Experimental Theory and Radical Thought. New School, New York, United States 4 May 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art. Journal of the British Society for Phenomenology, 36(3), pp. 311-329. ISSN 0007-1773 [Article]

O'Sullivan, Simon D.. 2006. 'From Representation to Repetition: Archives and Affects'. In: Triennial Symposium, Tate Britain. London, United Kingdom. [Conference or Workshop Item]

[img]
O'Sullivan, Simon D.. 2017. From Science Fiction to Science Fictioning: SF’s Traction on the Real. Foundation: The International Review Of Science Fiction(128), pp. 74-84. ISSN 0306-4964 [Article]

O'Sullivan, Simon D.. 2008. 'From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice'. In: symposium on ‘Folie a Deux: Bacon and Deleuze. Tate Britain, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. 'From Stuttering and Stammering to the Diagram: Towards a Minor Art Practice?'. In: Minor Photography: The Case of (Post)Surrealist Photography. University of Leuven, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1999. 'Guy DeBord'. In: Ellis Cashmore and Chris Rojek, eds. Dictionary of Cultural Theorists. London: Bloomsbury Academic. ISBN 978-0340645482 [Book Section]

O'Sullivan, Simon D.. 2006. 'Imaging Other Worlds: Mythopoesis and Art Practice'. In: UNSPECIFIED. Institute of Contemporary Arts, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2000. In Violence: Three Case Studies Against the Stratum. Parallax, 6(2), pp. 104-109. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2021. 'Invited respondent, 'State of the Art', Contemporary Art Practice Symposium'. In: State of the Art CAP (Contemporary Art Practice) Symposium 2021. Royal College of Art, London, United Kingdom 25 March 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Joy as a Technology in the Production of Subjectivity (a Diagrammatic reading of Spinoza's Ethics)'. In: The Pleasure Centre Symposium, DeMontfort University. Leicester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Memories of a Deleuzian: To Think is Always to Follow the Witches Flight'. In: ‘A Thousand Plateaus and Philosophy’ workshop. Institut Francais, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press, pp. 172-189. ISBN 9780748697281 [Book Section]

O'Sullivan, Simon D.. 1998. 'Mind the Gap (in Painting)'. In: The Northern Critical Theory Seminar one day conference. The European Studies Research Institute, University of Salford, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. Myth-Science. Rattle: a Journal at the convergence of Art and Writing(5), pp. 106-120. ISSN 20473885 [Article]

O'Sullivan, Simon D.. 2015. 'Myth-Science'. In: Curbitt festival. Mount Saleve, Geneva., Switzerland July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. ‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’. In: "‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’)", Gallery North, Newcastle, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2015. 'Myth-Science and Art Practice'. In: 'Shoulders of Giants’ symposium. Senate House, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. 'Myth-Science and the Fiction of the Self'. In: Afternoon Tea with the Intercontinental: a Symposium on the Post-Factual. Slade, UCL, United Kingdom 22 February 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science and the Fictioning of Reality'. In: F(r)ictions of Art conference. Berlin, Germany June 2015. [Conference or Workshop Item]

[img]
Preview
O'Sullivan, Simon D.. 2016. Myth-Science and the Fictioning of Reality. Paragrana, 25(2), pp. 80-93. ISSN 0938-0116 [Article]

[img]
O'Sullivan, Simon D.. 2020. Myth-Science as Residual Culture and Magical Thinking. postmedieval: a journal of medieval cultural studies, 11(1), pp. 119-136. ISSN 2040-5960 [Article]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: invited speaker, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: Multiverse launch event. Wysing Arts Centre, Cambridge., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Myth-Science: Art Practice as Fictioning'. In: Stroom de Haag. The Hague, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'Mythopoesis and Art Scenes'. In: Magma: Reclaim the Climax! Festival and Superschool. Kanal, Brussels, Belgium 24 May 2019. [Conference or Workshop Item]

[img]
O'Sullivan, Simon D.. 2017. Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art. Visual Culture in Britain, 18(2), pp. 292-311. ISSN 1471-4787 [Article]

O'Sullivan, Simon D.. 2017. 'Mythopoesis, Fabulous Images and Memories of a Sorceror'. In: ‘Aberrant Nuptials: Second International Conference on Deleuze and Art'. Orpheus Institute, Ghent, Belgium 20-22 November 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. Mythopoesis, Fabulous Images, and Memories of a Sorcerer. In: Paulo de Assis and Paolo Giudici, eds. Aberrant Nuptials: Deleuze and Artistic Research. Ghent: Leuven University Press, pp. 327-340. ISBN 9789462702028 [Book Section]

O'Sullivan, Simon D.. 2017. Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth). Parasol: The Journal of the Centre for Experimental Ontology(2), pp. 94-106. ISSN 2525-2920 [Article]

O'Sullivan, Simon D.. 2018. 'Mythopoesis/Myth-Science/Mythotechnesis: Case study, Plastique Fantastique'. In: 'The Shaping of a Message' symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. '‘Mythopoetic Practice’ and ‘Diagrams’'. In: UNSPECIFIED. Trondheim, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''The New Moderns''. In: 'The New Moderns?' conference. The Showroom, London., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. The New Moderns. In: , ed. The Showroom Annual. London: The Showroom Gallery, pp. 46-51. ISBN 0-9542362-4-6 [Book Section]

O'Sullivan, Simon D.. 2017. Non-Philosophy and Fiction as Method. In: Jon K Shaw and Theo Reeves-Evison, eds. Fiction as Method. Berlin: Sternberg, pp. 273-318. ISBN 978-3-95679-364-6 [Book Section]

O'Sullivan, Simon D.. 2016. 'Non-Philosophy and Performance (or, Fiction as Method)'. In: How to do Things with Performance. University of the Arts, Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. Notes Towards a Minor Art Practice. Drain, 2(2), ISSN 2469-3022 [Article]

O'Sullivan, Simon D.. 1995. 'Of Angels and Aliens: The Meaning of the Art Object'. In: Culture and Identity: City Nation World four day conference (the second annual Theory, Culture and Society Conference). Berlin Hilton Hotel, Berlin, Germany. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2021. ''On Collaboration''. In: How To Do Things With Per­for­mance Grande Fi­nale (Online Event). University of the Arts Helsinki, Finland 6 - 7 May 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'On Diagrams'. In: Miniature World Symposium. Castelefield Gallery, Manchester, United Kingdom 10 December 2016. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2021. 'On Fictioning'. In: Iskra Delta (34th Ljubljana Biennale of Graphic Arts). The International Centre of Graphic Arts, Ljubljana, Slovenia 10 September - 21 November 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2024. 'On Roleplaying Games and Fictioning'. In: Areas of Effect: Planetary Systems, Critical Roles, and Gaming Imaginaries. Arebyte Gallery, London, United Kingdom 9 March 2024. [Conference or Workshop Item]

[img]
Preview
O'Sullivan, Simon D.. 2022. On Tabletop Roleplaying Games and Fictioning. Vector, ISSN 0505-0448 [Article]

O'Sullivan, Simon D.. 2024. On Theory-Fiction and Other Genres. Palgrave Macmillan. [Book] (Forthcoming)

O'Sullivan, Simon D.. 2016. On the Diagram (and the Practice of Diagrammatics). In: K Schneider and B Yasar, eds. Situational Diagram. New York: Dominique Lévy, pp. 13-25. ISBN 978-1-944379-09-4 [Book Section]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Curatorial Interventions’, Lanchester Gallery Projects. Coventry, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: San Francisco Art Institute. San Francisco, United States. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Banner Repeater Gallery. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Panel discussion on ‘The Future of Art’ for Resonance FM'. In: Freize Art Fair. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Performance Fictions'. In: Centre for Art and Design Research and Experimentation. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Performance Fictions: Case Study, Plastique Fantastique'. In: Critical Art Practice Lectures, Department of Art, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. Performance Fictions: Towards a Mythopoetic Art Practice. In: David Burrows, ed. Performance Fictions. Birmingham: Article Press. [Book Section]

O'Sullivan, Simon D.. 2009. 'Performance Fictions: Towards a Mythopoetic Art Practice'. In: , Performance Fictions Symposium (Birmingham City University: Art-Writing Network). ), Electric Cinema, Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. ''Performance Fictions: Towards a Mythopoetic Art Practice (Case Study: Plastique Fantastique)''. In: Case Study: Plastique Fantastique. Teeside University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''Plastique Fantastique''. In: EAST Discourse. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. Political Physics by John Protevi. Parallax, 9(1), pp. 126-127. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2012. A Portrait of the Philosopher as an Old Man. Philosophy of Photography, 3(2), p. 375. ISSN 2040-3682 [Article]

O'Sullivan, Simon D.. 2005. Pragmatics for the Production of Subjectivity: Time for Probe-heads. Journal for Cultural Research, 10(4), pp. 309-322. ISSN 14797585 [Article]

O'Sullivan, Simon D.. 2005. Probe-Heads!. In: "Slim Volume poster project", United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2005. ''Probeheads for Future Subjectivities''. In: 'The Living Thought of Gilles Deleuze'. Danish Academy of Fine Arts, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. The Production of the New and the Care of the Self. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze, Guattari and the Production of the New. London: Continuum, pp. 91-103. ISBN 0826499538 [Book Section]

O'Sullivan, Simon D.. 2008. 'The Production of the New'. In: The First International Deleuze Studies Conference “One or Several Deleuzes?”. Cardiff University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'The Production of the New'. In: Gilles Deleuze: Text and Images. University of South Carolina, Colombia. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Deleuze and Art: Mulitplicities, Thresholds, Intensities. Trinity College, Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Invited Lecture. Ripon and St. John University, York, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2004. Retreat Diary. In: John Russell, ed. Frozen Tears II. Birmingham: Article Press, pp. 242-245. ISBN 978-1873352885 [Book Section]

O'Sullivan, Simon D.. 2013. 'Schizoanalysis and Art Practice'. In: Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. Science Fiction, or Painting, the Abstract Machine. In: David Burrows, ed. DJ Simpson: Selected Works 2000-05. Warwick: Mead Gallery, Warwick Arts Centre, pp. 81-85. ISBN 978-0902683808 [Book Section]

O'Sullivan, Simon D.. 2013. The Seven Courts of the Mall (or, We Have Always Been Medieval). In: Norman Hogg and Neil Mulholland, eds. thN Lng folk 2go: Investigating Future Premoderns(TM). Brooklyn: Punctum Books, i-vi. ISBN 978-0615890258 [Book Section]

O'Sullivan, Simon D.. 2008. 'Seven Moments in a Fiction about Fiction'. In: PhD Guest lecture series. Chelsea College of Art., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Spinoza and the Production of Subjectivity (or, the Three Kinds of Knowledge, and the Passage Between)'. In: Thinking Through Spinoza conference. Queen Mary, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2022. The Stars My Destination. In: Francesca Lazzarini, ed. IOCOSE: Loops and Vectors. Modena: Fondazione Modena Arti Visive, pp. 92-95. ISBN 9788894552140 [Book Section]

O'Sullivan, Simon D.. 2022. A Thousand Devices. In: , ed. Michiko Itatani: Celestial Stage. Chicago, Illinois: Wrightwood 659, pp. 40-43. ISBN 9798218074647 [Book Section]

O'Sullivan, Simon D.. 2012. Towards a Minor Art Practice. In: Mike Bleyen and Simon D. O'Sullivan, eds. Minor Photography: Connecting Deleuze and Guattari to Photography Theory. Leuven: Leuven University Press, pp. 1-16. ISBN 9789058679109 [Book Section]

O'Sullivan, Simon D.. 2010. 'Towards a Mythopoetic Art Practice'. In: The Third International Deleuze Studies Conference ‘Connect, Continue, Create’. University of Amsterdam, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Towards a Speculative Subjectivity'. In: Matter of Contradiction: War Against the Sun conference. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Traitor Prophets: Mythopoesis and the Programmatic Character of Literature vs. 'Stuttering and Stammering' and the 'Affective-Event''. In: Deleuze and Literature Conference. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Two Diagrams of the Production of Subjectivity'. In: Rhythm and Event Conference. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. Various entries in The Deleuze Dictionary. In: Adrian Parr, ed. The Deleuze Dictionary. Edinburgh: Edinburgh University Press. ISBN 978-0231138147 [Book Section]

O'Sullivan, Simon D.. 2003. ''Virtualities at the Edge: Gilles Deleuze's Bergsonism vs. Robert Smithson's Mirror Travel''. In: International Association of Philosophy and Literature conference. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'War Machines'. In: Theory Now conference. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. Welcome Cun-creet-hedd. In: "Performance Fictions Symposium", Electric Cinema, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2004. What is an Event? Yesvember, pp. 20-24. [Article]

O'Sullivan, Simon D.. 2001. Writing on Art (Case Study: the Buddhist Puja). Parallax, 7(4), pp. 115-121. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2008. 'Writing on Art/Art as Writing'. In: ‘Fictionalising Practice and Politics’ panel, itself part of ‘Art Criticism Beyond Criticism’ Conference. ICA, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2013. All the Fantasies of the People. In: "Masquerade – Be Another", Stephen Lawrence Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2016. Bi-Son-Oil-Men. In: "Chemhex Extract", Peacock Visual Arts, Aberdeen, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Bi-Son-Oil-Men. In: "Bi-Son-Oil-Men", IMT Gallery, United Kingdom, 27 April 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2008. Black Mass for Partial Objects. In: "Black Mass for Partial Objects", Royal Academy of Arts, London, United Kingdom, December 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. The Chymical Wedding. In: "The Chymical Wedding", Tate Britain, London, 4 January 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. The Chymical Wedding. In: "Slade Wotever", Vauxhall Tavern, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections). Angelaki: Journal of the Theoretical Humanities, 15(1), pp. 139-148. ISSN 0969-725X [Article]

O'Sullivan, Simon D. and Burrows, David. 2013. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Long Live the New Flesh", ICA, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Potentials of Performance", Performance Space, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction, part of 'Multiverese'", Wysing Art Centre, Cambridgeshire, United Kingdom, April 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction,. part of ‘Curbitt’ festival", Mount Saleve, Geneva, Switzerland, July 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction’. In: "Diagram of (Urb-Fux Glitter) Addiction. part of ‘Transmetic’", Lewisham Art House, London, United Kingdom, May 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Eight Diagrams/Avatars: All the Fantasies of the People. In: "'Space Time T' music/art festival", Wysing Arts Centre, Cambridge, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. 'Gabba, Gabba, Gabba, All Hail the Great Gobbler!'. In: "The Starseed Transmissions", Enclave, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. A History of the Visitation. In: "Year (magazine)", Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "After London", Horse Hospital, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "Loop Stories that AIs tell their Children", Mega Stores Mall, The Hague, Netherlands. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. Masked-Puja for Meme-Tech-Animals. In: "Horniman X Goldsmiths Late", Horniman Gallery, London, United Kingdom, 21 March 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2009. Mouth-Ports Bou-Har. In: "Multiversity", Swedenborg Hall, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "Transmetic Heresiacs", Lewisham Art House, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "As above, So Below: A Colloquium on Drone Culture", University of Lincoln, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2019. 'The Myth-Functions of Contemporary Art and Philosophy'. In: Futures Lecture Series. University of the Arts, Helsinki, Finland 12 September 2019. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science. In: "Golden Age Problems", Autoitalia, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science Songs of Animal and Cyber Evolution. In: "part of Exploit.zzxjoanw.Gen (download from www.punctum, Dane Sutherland curator), with performance at launch, Collective Gallery", Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’ and ‘Monarch-Drone’. In: "Webewoche", Stroom de Haag, The Hague, Netherlands. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’, performance, with David Burrows and others. In: "The Meaning of Life vs Chin Stroker", Macbeth pub, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2017. Past-Future-Catcher-Repeater. In: "Past-Future-Catcher-Repeater", Nun’s Island, Galway, Ireland, 3 November 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Past-Future-Catcher-Repeater. In: "Past-Future-Catcher-Repeater", Res. Gallery, Deptford, United Kingdom, November 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "Obliteration Device", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "(part of Transmetc), Amersham Arms", New Cross, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "PIGDOGANDMONKEYFESTOS", Airspace Gallery, Stoke-on-Trent, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastiqiue Fantastique: Peckham Mirror Displacements. In: "Village Idiot", Peckham Town Square, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique. In: "The Long Avant-Garde", Cartel, London. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique. In: "We are Grammar Group show", Pratt Institute, New York, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Beware Mars with Earth in Ascendance', part of 'Transmissions Season 2'. In: "Transmissions, Season 2", Somerset House, London, United Kingdom, 16-18 September 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Earth Year Zero', part of 'BlakeFest'. In: "Virtual Visions (BlakeFest)", United Kingdom, 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Welcome to Termite City', part of group exhibition 'Re-Enchanted Matter'. In: "Re-Enchanted Matter", APT Gallery, London, United Kingdom, 3-13 September 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Zoom Ritual to Tell Stories' (5 parts), part of group exhibition 'This is a Not-Me'. In: "This is a Not-Me", IMT Gallery, London, United Kingdom, 6 August - 15 December 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique 24 hour Puja to the People-yet-to-come. In: "Séance: War on Ghosts", Mark McGowans Festival (14th July-11th August), Space Station Sixty Five, London, United Kingdom, 14th July-11th August. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. ‘Plastique Fantastique Borromean Knot Ribbon Probe’ and ‘Plastique Fantastique Mythopoesis Shrine (to call forth Starbucks Foffee)’. In: "Temporary Contemporary Gallery, Zoo Art Fair", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique Cat-Yage-Demon Inversion Shrine. In: "Dead Fingers Talk: The Tape Experiments of William S. Burroughs", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Diagram of the Parasite Fox-Owl and the Host Phenome-Human-Algorithmic-Feedback-Loop. In: "All the Fantasies of the People", Grand Union, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique Diagram of the Plague Bacterium: Welcome Cun-verse. In: "Avalon", Embassy Gallery, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2022. Plastique Fantastique Exquisite Corpse Meme-Animals. In: "Two Moons", Mazecollective Studio Terrace, New Dehli, India, 19 - 24 November 2022. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2023. Plastique Fantastique Exquisite Corpse Meme-Animals. In: "Is the Image Even Human?", Insituto Cervante, New Dehli, India, 9 March -5 May 2023. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Golem. In: "an evening of performances, IMT Gallery", Banner Repeater, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Mathemes. Glasgow, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!. In: "Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!", Aspex Gallery, Portsmouth, United Kingdom, June 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!. In: "Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!", Danielle arnaud Gallery, London, United Kingdom, June 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. Plastique Fantastique Patheme-Matheme. In: "Swarms of Black Flies make the Roses Purple", IMT gallery, London., United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Patheme-Matheme Diagram of the Slave Dog. In: "R-U-Dead-Yet?", Summerhall, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Re-Naming Ritual to Summon (part-shell e-ject demon) Buz-Blud-Witz. In: "in conjunction with ‘The Shape We’re In’", Zabludowicz Collection, London, United Kingdom. [Show/Exhibition]

[img]
O'Sullivan, Simon D. and Burrows, David. 2016. Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels. Visual Culture in Britain, 17(2), pp. 225-233. ISSN 1471-4787 [Article]

O'Sullivan, Simon D. and Burrows, David. 2007. Plastique Fantastique Ribbon Dance. In: "International Project Space (as part of ‘The Event’)", Birmingham City centre, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2021. Plastique Fantastique Ritual to Call Forth the Termite Queen. In: "I HAVE NO CHOICE, I F/HEAR UR VOICE (performance/audio-visual event at end of Frankie Roberts residency)", St. Margaret’s House, London, United Kingdom, 5 December 2021. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2021. Plastique Fantastique Ritual to Call Forth the Termite Queen and Plastique Fantastique Ritual to call forth a Black Hole. In: "Termite Nolse Club, part of Metabolic Market curated by IMT Gallery", GIANT, Bournemouth, United Kingdom, 9 October 2021. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2023. Plastique Fantastique Science Fictioning Tarot. In: "Profanations", Fidelidade Arte Lisboa, Lisbon, Portugal, 9 May - 1 September 2023. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2023. Plastique Fantastique Science Fictioning Tarot. In: "Profanations", Culturgest, Porto, Portugal, 30 September 2023 to 14 January 2024. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique Shrine. In: "Writing in Strobe, Dicksmith Gallery", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique Shrine (defacialisation). In: "Pimps and Hookers, 1000000mph Project Space", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique TV. In: "Plastique Fantastique TV", xero, Coma and Kline, United Kingdom, April 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. Plastique Fantastique Welcome Termites: The Queen’s Speech. In: "I F/Hear Ur Voice", St. Margaret’s House, London, United Kingdom, 5 December 2021. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique present ‘Accelerator Ritual. In: "Plastique Fantastique in the Bug House: Clearing All Channels", FA Projects gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2005. 'Plastique Fantastique'. In: "EAST", Norwich, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine. In: "Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine", Arkeshus Kunstsenter, Lillestrom., Norway, September 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Impossible Objects. In: "Plastique Fantastique: Impossible Objects", Grey Area, Brighton, United Kingdom, May 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Inversion Ritual (against the Plague that is Capital). In: "Plastique Fantastique: Inversion Ritual (against the Plague that is Capital)", Fabrica Gallery, Brighton, United Kingdom, December 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique: Protocols for Deceleration (Night is also a Sun). In: "Plastique Fantastique: Protocols for Deceleration (Night is also a Sun)", Outpost Gallery, Norwich, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique: Starbucks Fukkee is Your Enemy. In: "solo show with Aline Bouvy and John Gillis", Alice Day Gallery, Brussels, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!). In: "Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!)", Tatton Park, United Kingdom, July-September 2010. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: We Lot Yesterday is Judas to the Vibiron. In: "Starmaker show", E:vent Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Welcome Cun-creet-hedd. In: "Multi-Verse", Danielle Arnaud Galley, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Welcome Mouth-Ports Bou-Har!. In: "Stranger Things are Happening", Aspex Gallery, Portsmouth, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique: You Lot Yesterday is Judas to the Vibiron. In: "Six Impossible Things Before Breakfast", Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Protocols for Deceleration: Night is also a Sun. In: "Protocols for Deceleration: Night is also a Sun", Outpost Gallery, Norwich, United Kingdom, November 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. The Return of Plastique Fantastique. In: "Frozen Tears III", Birmingham: Article Press, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Ribbon Probe’, various posters and films and ‘Myth-Science’ performance. In: "‘Schizo-Culture’", SPACE Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. Ribbon dance Communiques. In: "Uncle Chop Chop (magazine)", Glasgow, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2018. The Seed Archive Breakout and the Burning of Elon Musk. In: "The Seed Archive Breakout and the Burning of Elon Musk", CGP Gallery, London, United Kingdom, 8 November 2018. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. The Seed Archive Breakout and the Burning of Elon Musk. In: "Green Skeen Too (Come)", Rhubaba Gallery, Edinbrugh, United Kingdom, 27 April 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. The Seed Archive Breakout and the Burning of Elon Musk. In: "Today is Out Tomorrow", Kaiku nightclub, Helsinki, Finland, 14 September 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2005. Shrine Drawings and Models (Plastique Fantastique). In: "Works of Royal Destiny and Structural Integrity", Old Seager Distillery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Shrine-Down-Under: virtual Summoning of the-Thing-from-the-Void (Fox-Owl demon). In: "A Transcendental Fissure in the Immanent Fabric of Things", Melbourne, Australia. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Staabucks Fukkee is Your Enemy. In: "Magnetic Promenade and Other Sculpture Parks", London: Studio Voltaire, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2016. Summoning the Bit Coin Fairy. In: "Dark Water", Dilston Grove, London, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2012. ‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’. In: "‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’", ASC Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2024. Tek Fok (tape launch and performance). In: "Tek Fok launch", Forma, London, United Kingdom, 11 May 2024. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2011. Three Real Plastique Fantastique Communiqués. In: "Again, A Time Machine", The Showroom, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2017. Traitor-Meme. In: "Traitor-Meme", Castlefield Gallery, Manchester, United Kingdom, 23 June - 6 August 2017. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2017. Traitor-Meme. In: "Traitor-Meme", The Mac, Belfast, United Kingdom, 20 October 2017 - 14 January 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Dundee Contemporary Arts, United Kingdom, 10 March - 27 May 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Oxford Brookes University, United Kingdom, 5 May 2018. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Bury Museum and Art Gallery, United Kingdom, 23 June - 15 September 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. We are Plastique Fantastique. In: "Various events", Alice Day Gallery, 01/12/2006 - 25/01/2007. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Welcome Neuropatheme Feed-Back Loop. In: "art fair performance programme", Art 13, London, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Preview
O'Sullivan, Simon D. and Burrows, David. 20 October 2017 - 15 September 2018 Welcome Traitor Meme!. [Project]

O'Sullivan, Simon D. and Burrows, David. 2020. What is the future of MYTH post-covid-19? In: Manca Bajec; Tom Holert and Marquard Smith, eds. Pause. Fervour. Reflections on a Pandemic. Berlin: Harun Farocki Institut & Journal of Visual Culture, pp. 219-226. ISBN 9781527295445 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2019. Zero City/Mars Year 0. In: "Mars Year 0", CGP, London, 22 September 2019. [Performance]

O'Sullivan, Simon D.; Burrows, David and AAS. 2014. Myth-Science-Colloquium. In: "Reactor Hals", Nottingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Dalton, Joe. 2008. Plastique Fantastique: Shadowface and Glitterhead. Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Dalton, Joe. 2007. Plastique Fantastique: Traitor Prophet and Others. Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Schratt, Henrik. 2008. Product Clearing. In: "One Day comic collaboration", Eastside Projects, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Cull, Laura. 2013. Deleuze for Artists. Centre for Useless Splendour, [Article]

O'Sullivan, Simon D.; Davies, Will and Hameed, Ayesha. 2018. 'Tank Book Talks (with Will Davies and Ayesha Hameed)'. In: Tank Book Talks. Tank, Great Portland Street, London, United Kingdom 18 October 2018. [Conference or Workshop Item]

O'Sullivan, Simon D. and Lynch, John. 2007. One Day in the Life of a City (July 21, 2006). Parallax, 13(1), pp. 28-37. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.; Sawers, Geoff and Hall, Dani. 2000. Stone Tents and Sand Castles: A Symposium. [Article]

Otero, Marina. 2018. 'Work, Body, Leisure: How to read a story about Burn-Out'. In: "Work, Body, Leisure". Venice Biennale, Italy 24 November 2018. [Conference or Workshop Item]

[img]
Preview
Ozbay, Semiha Muge. 2019. Moving Together: Affect, Time and The Political in-between Bodies. Doctoral thesis, Goldsmiths, University of London [Thesis]

P

[img]
Paganellli, Mattia. 2021. Asymmetry: How Patterns of Impossibility Mark Dimensions in Knowledge Systems. In: Johnny Golding; Martin Reinhart and Mattia Paganellli, eds. Data Loam: Sometimes Hard, Usually Soft. The Future of Knowledge Systems. Berlin/Boston: De Gruyter, pp. 171-193. ISBN 9783110680072 [Book Section]

[img]
Preview
Paganellli, Mattia. 2017. Ontology Interrupted: Prigogine, Stengers and the Abdication of Physics. Pulse: a History, Sociology & Philosophy of Science Journal(5), pp. 46-70. ISSN 2416-111X [Article]

[img]
Preview
Paganellli, Mattia. 2012. The paradoxical economy of crisis: ‘Crisis of experience’ and the ana-economy of Else. Philosophy of Photography, 3(1), pp. 60-72. ISSN 2040-3682 [Article]

[img]
Preview
Paganellli, Mattia and Worrallo, Dane. 2015. Eleven Theses for An Initial degree of Roughness: Transubstantiation, Materiality and Art. Zetesis: The International Journal for Fine Art, Philosophy and the Wild Sciences, 2(1), pp. 121-127. ISSN 2059-2582 [Article]

[img]
Preview
Park, So-Young. 2013. Suspended
 Subjectivity:
 Intention
 in
 Making 
Art. Masters thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Parry, Owen. 2013. Trashy Tendencies: Indeterminate acts of refusal in contemporary art and performance practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Pavlovits, Daniel Imre. 2017. The Verb, Noun and Dash of Consciousness: on two aspects of the quotidian condition. Other thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Pekun, Didem. 2016. First Person as Molecular Subjectivities: Turkey and Turkishness. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Pennell, Jacqueline D.. 2014. Perfect Day. In: "Symbiosis", Goldsmiths, United Kingdom, 11 December 2014. [Show/Exhibition]

Pereira, Godofredo Nobre Enes. 2015. The Underground Frontier : technoscience and resource extraction. Doctoral thesis, Goldsmiths, University of London [Thesis]

Petti, Alessandro; Hilal, Sandi and Weizman, Eyal. 2013. Architecture after Revolution. Berlin: Sternberg. ISBN 978-3-943365-79-5 [Book]

Petti, Alessandro; Perugini, Nicola; Hilal, Sandi and Weizman, Eyal. 2011. Linea verde, il limes senza legge. Limes, [Article]

[img]
Phan, Thao and Wark, Scott. 2024. Race, by Proxy. In: Fleur Johns; Gavin Sullivan and Dimitri Van Den Meerssche, eds. Global Governance by Data: Infrastructures of Algorithmic Rule. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

[img]
Preview
Phan, Thao and Wark, Scott. 2021. Racial formations as data formations. Big Data & Society, 8(2), pp. 1-5. ISSN 2053-9517 [Article]

[img]
Preview
Phan, Thao and Wark, Scott. 2021. What personalisation can do for you! Or: how to do racial discrimination without ‘race’. Culture Machine, 20, ISSN 1465-4121 [Article]

[img]
Pierce, Sarah. 2015. It's time man. It feels Imminent. Politics at the moment of exposition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Plotegher, Paolo. 2005. The Ballade of K. R. White Collar(3), [Article]

Plotegher, Paolo. 2008. Café Plural 13.08.08. www.summerdrafts.org, [Article]

Plotegher, Paolo. 2009. 'From Collective Intimacy to Self-Dispersion'. In: evento, the artistic and urban rendez-vous of Bordeaux. Bordeaux, France October 9 to 18, 2009. [Conference or Workshop Item]

Plotegher, Paolo. 2013. 'Notes for a Possible Configurations of New Institutions'. In: Lungomare Gasthaus. Lungomare, Bolzano, Italy. [Conference or Workshop Item]

Plotegher, Paolo. 2006. Rina. Fuga de Cerebros(1), [Article]

Plotegher, Paolo. 2013. 'Schizo-Walks (Robert Walser)'. In: Trine Friis Sørensen, Ursula Nistrup & Ida Marie Hede Eds, A Feast is..., Monade. Copenhagen, Denmark. [Conference or Workshop Item]

Plotegher, Paolo. 2005. VAL Video Art from London. Transart05 catalogue, [Article]

Plotegher, Paolo; Dowling, Emma; Hansen, Bue Rubner and Zechner, Manuela. 2012. Nanopolitics: A First Outline of Our Experiments in Movement. Lateral(1), [Article]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner. 2012. Sensibilidades que esperimentan en la ciudad neoliberal. In: , ed. Félix Guattari. Los ecos del pensar. Entre filosofía, arte y clínica. Barcelona: Hakabooks. [Book Section]

[img]
Preview
Precarious Workers Brigade, (PWB); Baskakova, Tatiana; Bradfield, Marsha; Graziano, Valeria; Eysler, Adriana; Hope, Sophie; Kern, Margareta; Farinati, Lucia; Firth, Claudia; Mirza, Noor; Weghmann, Vera; Graham, Janna and Kelly, Susan, eds. 2017. Training for Exploitation?: Politicising Employability and Reclaiming Education by Precarious Workers Brigade. Foreword: Silvia Federici. London: Journal of Aesthetics & Protest Press. ISBN 9780615590110 [Edited Book]

Prendeville, Brendan. 2011. Art as phenomenology? Philosophy of Photography, 2(1), pp. 159-61. ISSN 2040-3682 [Article]

Prendeville, Brendan. 2010. Catalogue essay. In: , ed. Another Country: London painters in dialogue with Italian art. London: Lubrina-Leb. ISBN 978-8877664068 [Book Section]

[img]
Preview
Prendeville, Brendan. 2017. Competing futures, precarious community: realism in post-war Britain. In: Andrew Hemingway and Alex Potts, eds. Kunst und Politik 19: Realism in Modern British and American Art. 19 Göttingen: V&R unipress GmbH, pp. 59-71. ISBN 9783847108153 [Book Section]

Prendeville, Brendan. 1981. ‘Constructed Sculpture’. In: Sandy Nairne and Nicholas Serota, eds. British Sculpture in the Twentieth Century. London: Whitechapel Gallery, pp. 209-221. ISBN 978-0854880546 [Book Section]

Prendeville, Brendan. 2009. Contested Bodies’ (book review). Art History, 32(1), pp. 216-219. ISSN 0141-6790 [Article]

[img]
Prendeville, Brendan. 2018. Democratic light: phenomenology and the worldliness of painting. In: Malcolm Baker and Andrew Hemingway, eds. Art as Worldmaking: Critical Essays on Realism and Naturalism. Manchester: Manchester University Press, pp. 165-180. ISBN 9781526114907 [Book Section]

Prendeville, Brendan. 2005. Discernment. Oxford Art Journal, 28(1), pp. 213-226. ISSN 01426540 [Article]

Prendeville, Brendan. 2001. El Realismo en la Pintura del Siglo XX. Barcelona: Ediciones Destino/ Thames&Hudson. ISBN 84-233-3292-6 [Book]

Prendeville, Brendan. 1995. ‘The Features of Insanity, as seen by Géricault and by Büchner’. Oxford Art Journal, 18(1), pp. 96-115. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2023. "Guardam!": Sicilia! and the Claim on Attention. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 109-122. ISBN 9781839540585 [Book Section]

Prendeville, Brendan. 2013. A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. Oxford Art Journal, 36(2), pp. 185-206. ISSN 0142-6540 [Article]

Prendeville, Brendan. 1984. ‘How sculpture became human’. In: , ed. Flesh and Stone. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1988. ‘Infant Joy’. In: , ed. Taking Root. London: Artsite Gallery. [Book Section]

Prendeville, Brendan. 2001. La peinture réaliste au XXe siècle. Thames & Hudson. ISBN 978-2878111927 [Book]

Prendeville, Brendan. 2007. The Meanings of Acts: Agnes Martin and the Making of Americans. Oxford Art Journal, 31(1), pp. 51-73. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2002. ‘Measure and Location’. In: Michael Harrison, ed. A Measure of Reality. Cambridge: Kettle’s Yard. [Book Section]

Prendeville, Brendan. 2006. Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. In: Ted Toadvine, ed. Merleau-Ponty: Critical Assessments of Leading Philosophers, vol. 2: Perception and Expression. Routledge, pp. 300-329. ISBN 9780415363990 [Book Section]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Prendeville, Brendan. 1984. ‘Motion and rest: the sculptor’s search for order’. In: , ed. Sculpture’s Dance. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 2003. ‘Night Geography’. In: Michael Harrison, ed. Ian Wiblin: Night Watch. Cambridge: Kettle’s Yard, pp. 8-28. ISBN 978-0907074540 [Book Section]

Prendeville, Brendan. 2013. Painting the Invisible: time, matter and the image in Bergson and Michel Henry. In: John Mullarkey and Charlotte de Mille, eds. Bergson and the Art of Immanence. Edinburgh University Press, pp. 189-205. ISBN 978-1474404730 [Book Section]

Prendeville, Brendan. 2021. Painting, from the eighteenth century into the early nineteenth. In: Dirk Gröttsche; Rosa Mucignat and Robert Weininger, eds. Landscapes of realism: Rethinking Literary Realism in Comparative Perspectives. Volume 1: Mapping Realism. Amsterdam: John Benjamins, pp. 191-212. ISBN 9789027208064 [Book Section]

Prendeville, Brendan. 2000. Realism in 20th Century Painting. Thames and Hudson Ltd. ISBN 978-0500203361 [Book]

Prendeville, Brendan. 2015. Realism in 20th Century Painting (Mandarin edition). Thames & Hudson. ISBN 978-7-5322-9195-3 [Book]

Prendeville, Brendan. 2015. Sam Cornish, Stockwell Depot, 1967-79. Sculpture Journal, 24(3), pp. 425-436. ISSN 1366-2724 [Article]

Prendeville, Brendan. 2015. Sculpting with air. Ambit, 220, pp. 46-53. ISSN 0002-6972 [Article]

Prendeville, Brendan. 2004. Seurat and the Act of Sensing: Perception as Artefact. In: T. Fischer-Seidel; S. Peters and A. Potts, eds. Perception and the Senses / Sinneswahrnehmung. A. Francke Verlag, pp. 165-187. ISBN 3772080405 [Book Section]

Prendeville, Brendan. 2009. Seurat and the act of sensing: perception as artefact. In: Paul Smith, ed. Seurat re-viewed. Pennsylvania: Pennsylvania State University Press, pp. 149-162. ISBN 978-0-271-03545-1 [Book Section]

Prendeville, Brendan. 1996. South. In: John Stathatos, ed. Myth and Landscape. Delphi, pp. 62-65. [Book Section]

Prendeville, Brendan. 2001. Uncertain Light. M’ARS, Ljubljana, Year XIII, XIII(1-2), pp. 46-51. [Article]

Prendeville, Brendan. 2004. Varying the Self: Bacon's Versions of van Gogh. Oxford Art Journal, 27(1), pp. 23-42. ISSN 01426540 [Article]

Prendeville, Brendan. 2009. ‘The essence of vision: recent paintings by Gina Medcalf’. exhibition catalogue, The Cut Art Centre, [Article]

Prendeville, Brendan. 1984. ‘The place of sculpture’. In: , ed. Mind over Matter. London: Arts Council, pp. 44-54. [Book Section]

R

[img]
Preview
Ramos Martinez, Manuel. 2007. Betrayed Borders: Double Agents and the Crisscrossing of Conflicts. In: Monica Narula; Shuddhabrata Sengupta; Jeebesh Bagchi and Ravi Sundaram, eds. SARAI Reader 2007 - Frontiers. (7) Delhi: The Sarai Programme, Center for the Study of Developing Societies, pp. 256-263. ISBN 81-901429-9-2 [Book Section]

[img]
Preview
Ramos Martinez, Manuel. 2015. Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. Journal of Visual Culture, 14(1), pp. 116-118. ISSN 1470-4129 [Article]

[img]
Ramos Martinez, Manuel. 2016. The Cinema of No. La Furia Umana(28), ISSN 2037-0431 [Article]

[img]
Preview
Ramos Martinez, Manuel. 2022. Images That Sweat: On the Spectacular Realism of Lino Brocka’s Macho Dancer. Third Text, 36(5), pp. 497-512. ISSN 0952-8822 [Article]

Ramos Martinez, Manuel. 2015. Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. In: Ewa Mazierska and Lars Kristensen, eds. Marx and the Moving Images of Activism: Screening Alternative Worlds. Berghahn. ISBN 78-1-78238-642-1 [Book Section]

[img]
Preview
Ramos Martinez, Manuel. 2022. The Most Beautiful Film Ever Made. Moving Image Review & Art Journal (MIRAJ), 11(1), pp. 86-95. ISSN 2045-6298 [Article]

[img]
Ramos Martinez, Manuel. 2016. Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. In: , ed. Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143. ISBN 9788480265430 [Book Section]

Ramos Martinez, Manuel. 2013. Ranciere's Politics of the Image. In: James Elkins; Kristi McGuire; Maureen Burns; Alicia Chester and Joel Kuennen, eds. Theorizing Visual Studies: Writing through the Discipline. New York: Taylor & Francis. ISBN 978-0-415-87794-7 [Book Section]

[img]
Preview
Ramos Martinez, Manuel. 2011. Review: Alain Badiou (2010) Cinéma. Film / Philosophy, 15(2), pp. 143-149. ISSN 1466-4615 [Article]

Ramos Martinez, Manuel. 2011. Still Here, Here Again – Farocki, Godard and the Cinema’s Centenary. In: , ed. Proceedings of the XVIII International Film Studies Conference – The Archive. Udine: Forum. [Book Section]

Ramos Martinez, Manuel and Matos Cabo, Ricardo. 2014. ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. Lux - Artists' Moving Image, [Article]

[img]
Preview
Rana, Rashid. 2021. Eart: A Manifesto of Possibilities. In: "Eart: A Manifesto of Possibilities", Manchester, United Kingdom, 1 - 18 July 2021. [Show/Exhibition]

[img]
Preview
Ringborg, William Theodor. 2020. Testifying to the Image: The video of the assault on Rodney King as evidence, as event, and as exhibition. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Roberdeau, Wood. 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9 [Book Section]

Roberdeau, Wood. 2020. 'Biopolitics of the Plasticene'. In: Institute for Advanced Studies/Urban Lab Waste. University College London, United Kingdom 24 January 2020. [Conference or Workshop Item]

Roberdeau, Wood. 2013. 'Centralizing the Periphery: Social Art, Eco-aesthetics and Liminal Space'. In: Ordinary/Everyday/Quotidian. University of York, United Kingdom 26 - 27 September 2013. [Conference or Workshop Item]

Roberdeau, Wood. 2019. 'Cohabiting the Microcosm and Macrocosm'. In: Calculative Environments. Nottingham Contemporary, United Kingdom 26 March 2019. [Conference or Workshop Item]

[img]
Preview
[img]
Roberdeau, Wood. 2022. Counter-attacking Pollution in Three Aerial Acts. Performance Research, 26(7), pp. 23-30. ISSN 1352-8165 [Article]

Roberdeau, Wood. 2011. Developing the Negative. Philosophy of Photography, 2(1), pp. 169-173. ISSN 2040-3682 [Article]

Roberdeau, Wood. 2019. 'Eco-Aesthetic Opacity and the Moving Image'. In: Darkness 2019: Island Dynamics Conference. Longyearbyen, Svalbard and Jan Mayen 13 - 17 January 2019. [Conference or Workshop Item]

Roberdeau, Wood. 2003. Ellsworth Kelly, Untitled. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

Roberdeau, Wood. 2019. 'Experiments in Eco-poiesis: The Long-term Praxis of herman de vries'. In: Experimental Engagements: Society for Literature, Science and the Arts 33rd Annual Conference. University of California Irvine, United States 7 - 9 November 2019. [Conference or Workshop Item]

[img]
Roberdeau, Wood. 2023. Experiments in Eco-poiesis: herman de vries and an Art of Immediacy. In: Fröydi Laszlo and Anna Risell, eds. The Anthropocene Laboratory. Gothenburg: Förlaget 284. ISBN 978-9198165005 [Book Section]

Roberdeau, Wood. 2019. 'Feed Our Progress'. In: Sated, Visual Cultures Society and a/political. Goldsmiths, University of London, United Kingdom 21 May 2019. [Conference or Workshop Item]

[img]
Roberdeau, Wood. 2022. Fog (a Delegation for Atmosphere). In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona. ISBN 9788494938870 [Book Section]

Roberdeau, Wood. 2013. Gastronomic Worldviews of Transubstantiation. Parallax, 19(1), pp. 128-131. ISSN 1353-4645 [Article]

Roberdeau, Wood. 2011. Going Public by Boris Groys. Art & the Public Sphere, 1(2), pp. 229-233. [Article]

Roberdeau, Wood. 2010. Immanence as Aesthetic Documentation. rubric: document(3), pp. 10-14. [Article]

[img]
Preview
Roberdeau, Wood. 2017. Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. Dada/Surrealism, 21, ISSN 0084-9537 [Article]

Roberdeau, Wood. 2021. '‘Learning from Ice’ (with Susan Schuppli)'. In: Visual Cultures Postgraduate Seminar. Goldsmiths, University of London, United Kingdom 4 November 2021. [Conference or Workshop Item]

Roberdeau, Wood. 2012. Meal Time as Medium: Duration and the work of AO&. Performance Research, 17(5), pp. 130-134. ISSN 1352-8165 [Article]

Roberdeau, Wood. 2018. 'Monochrome Green: On Eco-Aesthetics, Reductionism and Abstraction'. In: Green, The European Society for Literature, Science and the Arts 12th Annual Conference. Copenhagen, Denmark 13 - 16 June 2018. [Conference or Workshop Item]

Roberdeau, Wood. 2015. 'Nature vs. Culture: Xenotext and the Poetic Limit'. In: After Biopolitics: 29th Annual Society for Literature, Science and the Arts (SLSA) Conference. Rice University, Houston TX, United States 12 - 15 November 2015. [Conference or Workshop Item]

[img]
Preview
Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art, [Article]

Roberdeau, Wood. 2014. Quiet Totemism. [Printed Ephemera]

Roberdeau, Wood. 2015. 'Readymade Rurality and Ecological Non-knowledge: Imagining the Art Farm'. In: Re-imagining Rurality, Faculty of Architecture and the Built Environment. University of Westminster, United Kingdom 27 - 28 February 2015. [Conference or Workshop Item]

[img]
Preview
Roberdeau, Wood. 2018. Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. Transformations Journal of Media, Culture and Technology(32), [Article]

Roberdeau, Wood. 2023. 'The Seeds of Vandana Shiva: Story, Politics, Life and the Ravages of Biotech'. In: Screening and discussion co-hosted by MCCS and Critical Ecologies. Goldsmiths, University of London, United Kingdom 7 June 2023. [Conference or Workshop Item]

Roberdeau, Wood. 2014. 'Sites of Vital Materiality: Art History’s Apiaries and Ecologies of Everyday Life'. In: Art History and Ecology: Association of Art Historians 40th Anniversary Conference. Royal College of Art, United Kingdom 10 - 12 April 2014. [Conference or Workshop Item]

Roberdeau, Wood. 2003. Sol LeWitt, Wall Drawing #398. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

Roberdeau, Wood. 2024. 'Solastalgic Aesthetics and Living Extinctions in SGAAWAAY K’UUNA (Edge of the Knife)'. In: The Aesthetics of Geopower: Imagining Planetary Histories and Hegemonies. University of Amsterdam, Netherlands 4 - 5 April 2024. [Conference or Workshop Item] (Forthcoming)

Roberdeau, Wood. 2017. 'Time and (Un)doing'. In: Out of Time, Society for Literature, Science and the Arts 31st Annual Conference. Arizona State University, Tempe, United States 9 - 12 November 2017. [Conference or Workshop Item]

Roberdeau, Wood. 2008. (Un)familiarities: Remobilizing the Poetry of the Real. Doctoral thesis, Goldsmiths, University of London [Thesis]

Roberdeau, Wood. 2015. 'Untitled'. In: What Does Climate Change? 80 Years of Politics - Left and Right. Goldsmiths, University of London, United Kingdom 23 October 2015. [Conference or Workshop Item]

Roberdeau, Wood. 2004. Untitled, 1982-1983, Biography. In: , ed. Ellsworth Kelly in Dallas. Dallas Museum of Art: Yale University Press. [Book Section]

[img]
Preview
[img]
Preview
Roberdeau, Wood. 2017. A Withdrawing Vital Material. TAKE on art magazine, 3(1), pp. 22-28. [Article]

[img]
Preview
Roberdeau, Wood. 2016. You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson. Antennae: The Journal of Nature in Visual Culture, ISSN 1756-9575 [Article]

[img]
Preview
Roberdeau, Wood and Turner, Lynn. 2015. 'Critical Environments: Visual Cultures Public Programme Spring Term 2015'. In: Critical Environments: Visual Cultures Public Programme Spring Term 2015. Goldsmiths, University of London, United Kingdom January-March 2015. [Conference or Workshop Item]

[img]
Preview
Roberdeau, Wood and Turner, Lynn. 2019. 'Living Extinctions: Visual Cultures Public Programme Autumn Term 2019'. In: Living Extinctions: Visual Cultures Public Programme Autumn Term 2019. Goldsmiths, University of London, United Kingdom 4 October - 12 December 2019. [Conference or Workshop Item]

Rogoff, Irit. 2006. Academy as Potentiality. In: , ed. A.C.A.D.E.M.Y. Revolver. [Book Section]

[img] [img]
Preview
Rogoff, Irit. 2016. An Anecdoted Archive of Exhibition Lives. In: "An Anecdoted Archive of Exhibition Lives", Bergen Assembly, Norway, September 2016. [Show/Exhibition]

[img]
Rogoff, Irit. 2018. 'Becoming Research'. In: Symposium, “What Do Museums Research”. National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of 7 - 8 April 2018. [Conference or Workshop Item]

Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

Rogoff, Irit. 2000. "Body Missing" - Uncanny Histories and Cultural Hauntings'. In: , ed. Kunst Als Beute. Vienna: Sigrid Schade. [Book Section]

Rogoff, Irit. 2009. De-regulation: With the work of Kutlug Ataman. Third Text, 23(2), pp. 165-179. ISSN 0952-8822 [Article]

Rogoff, Irit. 2021. The Disenchanted: Contending with Practice Based Research. In: Michaela Schäuble and Thomas Gartmann, eds. Studies in the Arts: Neue Perspektiven auf Forschung über, in und durch Kunst und Design. Bielefeld, Germany: transcript Verlag, pp. 45-56. ISBN 9783837657364 [Book Section]

Rogoff, Irit. 2003. Engendering Terror. In: Ursula Biemann, ed. Geography and the Politics of mobility. Vienna and Cologne: Generali Foundation and Walter Koenig, pp. 48-64. ISBN 390110738X [Book Section]

Rogoff, Irit. 2013. The Expanding Field. In: Jean-Paul Martinon, ed. The Curatorial: A philosophy of curating. London: Bloomsbury Academic, pp. 41-48. ISBN 9781472525604 [Book Section]

Rogoff, Irit. 2010. FREE. e-flux journal(14), pp. 1-11. [Article]

Rogoff, Irit. 2009. Geo-cultures. In: Seijdel Jorinde and Gielen Pascal, eds. The Art Biennial as a Global Phenomenon Strategies in Neo-Political Times. Rotterdam: NAi Publishers, pp. 120-128. ISBN 978-90-5662-667-9 [Book Section]

Rogoff, Irit. 1998. 'How to Dress for an Exhibition'. In: , ed. Stopping the Process? Comtemporary views on art and exhibitions. NIFCA. ISBN 978-9519792705 [Book Section]

Rogoff, Irit. 1997. 'In the Empire of the Object - the Geographies of Ana Mendieta'. In: , ed. Outsiders - Studies in Cultural Marginality. New York: Cambridge University Press. [Book Section]

Rogoff, Irit. 2005. Looking Away—Participations in Visual Culture. In: Gavin Butt, ed. After Criticism—New Responses to Art and Perfomance. Blackwell, pp. 117-134. ISBN 0631232842 [Book Section]

Rogoff, Irit. 2009. Neither police, nor pirates. In: , ed. Fiona Tan: Rise and Fall. Vancouver, BC, and Aarau, Switzerland: Vancouver Art Gallery and Aargauer Kunsthaus, pp. 142-156. ISBN 978-1-895442-79-3 [Book Section]

Rogoff, Irit. 2001. 'Not There Of,'. In: , ed. ARS 2001, Kiasma Museum of Contemporary Art. Helsinki: [Book Section]

[img]
Rogoff, Irit. 2015. Oblique Points of Entry. In: Hamid Keshmirshekan, ed. Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: Volume 18. I.B.Tauris & Co Ltd. ISBN 9781784530020 [Book Section]

Rogoff, Irit. 2000. 'On Getting Lost'. In: , ed. Lost. Birmingham: Ikon Gallery. [Book Section]

[img]
Preview
Rogoff, Irit. 2010. Practicing Research: Singularising Knowledge. MaHKUzine #9: Summer 2010, Doing Dissemination., 9, pp. 37-42. [Article]

Rogoff, Irit. 2009. Regional Imaginaries. In: Hossein Amirsadeghi, ed. Unleashed: Contemporary Art from Turkey. London: TransGlobe publishing and Thames and Hudson, pp. 101-114. ISBN 9780500977026 [Book Section]

[img]
Preview
Rogoff, Irit. 2020. Scaling Up – Local densities and Global Arts Circulations. In: Marissa J. Moorman and Mónica De Miranda, eds. Q-notes: Questions in Theory and Art Practices #1. Lisbon: Hangar Books. ISBN 9789893310663 [Book Section]

Rogoff, Irit. 2000. 'Spaces of Disavowal'. In: , ed. Unhomed. Norway: Kunst Museum Trondheim. [Book Section]

Rogoff, Irit. 2016. Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions. In: Johanna Burton; Shannon Jackson and Dominic Willsdon, eds. Public Servants Art and the Crisis of the Common Good. Cambridge, Massachusetts: MIT Press. ISBN 9780262034814 [Book Section]

Rogoff, Irit. 1998. 'Studying Visual Culture'. In: , ed. The Visual Culture Reader. London: Routledge, pp. 24-36. ISBN 978-0415782623 [Book Section]

[img]
Preview
Rogoff, Irit. 2000. Terra Infirma: Geography's Visual Culture. Abingdon and New York: Routledge. ISBN 978-0-415-09615-7 [Book]

[img]
Rogoff, Irit. 2008. Turning. e-flux journal, 1, E1-E10. [Article]

[img]
Preview
[img]
Rogoff, Irit. 2017. 'The Way We Work Now'. In: Potential Spaces. Karlsruhe, Germany 16-18 February 2017. [Conference or Workshop Item]

Rogoff, Irit. 2002. 'We - Mutualities, Collectivities, Participations'. In: , ed. I Promise its Political. Cologne: Museum Ludwig. [Book Section]

Rogoff, Irit. 2003. ‘What is a Theorist’. In: , ed. Was ist ein Kunstler. Berlin: [Book Section]

Rogoff, Irit. 2004. The Where of Now. In: G. Muir and J. Morgan, eds. Time Zones—Recent Film and Video. Tate, pp. 84-99. ISBN 1854375490 [Book Section]

Rogoff, Irit. 2017. Who do WE face? In: Maria Hlavajova and Simon Sheikh, eds. FORMER WEST: Art and the Contemporary after 1989. Amsterdam, Netherlands: BAK, basis voor actuele kunst and MIT Press. ISBN 9780262533836 [Book Section]

Rogoff, Irit. 2000. 'Words in the Middle'. In: , ed. Writing the Image. I.B.Tauris, pp. 109-119. ISBN 978-1860644740 [Book Section]

Rogoff, Irit. 1 September - 1 October 2016 freethought: Bergen Assembly. [Project]

[img]
Rogoff, Irit and Attia, Kader. 2016. Counter Knowledges and Permissions. In: Susanne Gaensheimer and Klaus Görner, eds. Kader Attia: Sacrifice and Harmony. Kerber Verlag. ISBN 978-3-7356-0255-8 [Book Section]

Rogoff, Irit; Esche, Charles and Niemann, Kerstin. 2006. A.C.A.D.E.M.Y. UNDEFINED 16/09/2006 - 16/12/2006. [Show/Exhibition]

[img] [img]
Preview
Rogoff, Irit; Moreno, Louis; Mallona, Massomilliano; Harney, Stefano and Sternfeld, Nora. 2016. Infrastructure. In: "Infrastructure", Bergen Assembly, Norway, 1 September - 1 October 2016. [Show/Exhibition]

Rogoff, Irit and Schneider, Florian. 2008. Productive anticipation. In: David Held and Henrietta Moore, eds. Cultural transformations/Cultural politics in a global age: uncertainty, solidarity and globalisation. Oxford: Oneworld Publications, pp. 346-357. ISBN 1851685502 [Book Section]

[img]
Rogoff, Irit and Sonderegger, Ruth. 2016. Counter Knowledges. In: David Blamey, ed. Specialism. Open Editions, pp. 122-137. ISBN 978-0-949004-01-7 [Book Section]

Rogoff, Irit and Stahre, Ulrike. 2008. Unfolding the critical. Paletten: journal of art, design and crafts, 272(2), [Article]

[img]
Preview
Rosamond, Emily. 2019. 'Addressivity in Online Platforms'. In: School of Fine and Performing Arts Visiting Speaker Programme. University of Lincoln, United Kingdom 20 February 2019. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2021. Algorithmic Rating. In: Ilan Manouach and Anna Engelhardt, eds. Chimeras: Inventory of Synthetic Cognition. Athens: Ariona/Onassis Foundation. ISBN 9786188536180 [Book Section]

[img]
Preview
[img]
Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: 8th Beyond Humanism Conference. Universidad Complutense de Madrid, Spain 25-27 May 2016. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2021. 'Anna Engelhardt interviews Emily Rosamond on her forthcoming book Reputation Warfare'. In: Reputation Volatility: The Political Economy of Cyberwar. V.O. Curations, United Kingdom 5 November, 2021. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2019. 'Character Capital: Social Impact Bonds and the Financialization of Behaviour'. In: Intersections of Finance and Society. City, University of London, United Kingdom 12-13 December 2019. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2015. 'Character in the Age of Big Data'. In: Commonwealth Scholars Regional Network Conference. University of Nottingham, United Kingdom 20 July 2015. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy'. In: Control. Stockholm University, Sweden 14-17 June 2016. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. 'Choreopolitics in the Age of Big Data'. In: Choreopolitics in the Age of Big Data. The Place, London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2022. Cloud Relationality. In: Catherine Parayre, ed. Cloud: Donna Szöke. St. Catharines, Ontario: Small Walker Press, pp. 40-51. ISBN 9781990208195 [Book Section]

[img]
Rosamond, Emily. 2023. Communities, cohorts and counter-speculators. Journal of Cultural Economy, 16(2), pp. 294-297. ISSN 1753-0350 [Article]

[img]
Preview
Rosamond, Emily. 2023. 'Conditionally Assetized Online Cultural Labour'. In: 14th Annual Critical Finance Studies Conference. Institute for Mediterranean Studies, Greece 21-23 June 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2023. 'Critical Finance Studies: Approaching the Field'. In: Methodologies of Economic Criticism - 4th Digital Market Talk. Online, Germany 30 March 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2023. 'Cultural Studies of Finance and Society'. In: Cultural Studies Now: Thinking Conjuncturally. TU Dresden, Germany 27-28 October 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'Dating Big Data: OkCupid's OkTrends'. In: Love's Archive. Arts University Bournemouth, United Kingdom 14-15 March 2016. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2021. Derivative Character Investments: Social Impact Bonds as Path-Changing Devices. Journal of Cultural Economy, 14(4), pp. 485-497. ISSN 1753-0350 [Article]

[img]
Preview
Rosamond, Emily. 2017. Developing Student-Centred Metacognitive Parameters for Writing Feedback. Creative Pedagogies, 1(1), pp. 15-19. [Article]

[img]
Preview
Rosamond, Emily. 2018. 'Distortions'. In: Conspiracy of the Real. Tenderpixel, London, United Kingdom 3 May, 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2014. 'Economic Figuration'. In: Critical Finance Studies VI. University of Amsterdam, Netherlands 13-15 August, 2014. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2015. 'Economies of (Mis)Trust: Reputation as Capital in the Digital Age'. In: Seventh Critical Finance Studies Conference. Copenhagen Business School, Denmark 19-21 August 2015. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2012. Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction. In: , ed. Necrospective. London: Danielle Arnaud. ISBN 9780955872167 [Book Section]

[img]
Preview
Rosamond, Emily. 2019. 'The Emancipated Trait: Characteristics Beyond Character in Online Surveillance'. In: Person/ne Forum. Griffin Art Projects, Vancouver, Canada 6 July 2019. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. The Ethylene Trio, Part 3: Oracles. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2011. Factory-esque: Temporalities of Critique in Michael Landy's Breakdown. In: Ahlia Moussa and Simon Bentley, eds. Revisiting Ephemera. London, Ontario, Canada: MacIntosh Gallery/Blue Medium Press, pp. 37-52. ISBN 9780986750663 0986750662 [Book Section]

[img] [img]
Preview
Rosamond, Emily. 2020. Financial Narratives in Crisis. Finance and Society, 6(2), pp. 130-135. ISSN 2059-5999 [Article]

[img]
Preview
Rosamond, Emily. 2017. 'Financial Vision and the Disinterested Gaze of Power'. In: Intersections of Finance and Society. City, University of London, United Kingdom 2-3 November, 2017. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'Financial Witness: Investing in Rehabilitation in an Actuarial Age'. In: MoneyLab #3. Institute of Network Cultures, Amsterdam, Netherlands. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'First Person Finance'. In: Abstract Cities, Spatial Practices and the Urban Commons. Tenderpixel, London, United Kingdom 13 April - 4 June 2016. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2015. The Fog Generator. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2016. Francis Alÿs, Ciudad Juárez Projects. Esse, 88, pp. 110-111. ISSN 0831-859X [Article]

[img]
Preview
Rosamond, Emily. 2019. 'From Reputation Capital to Reputation Warfare'. In: End of the World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21-22 June 2019. [Conference or Workshop Item]

[img]
Preview
[img]
Rosamond, Emily. 2020. From Reputation Capital to Reputation Warfare: Online Ratings, Trolling, and the Logic of Volatility. Theory, Culture & Society, 37(2), pp. 105-129. ISSN 0263-2764 [Article]

[img]
Preview
Rosamond, Emily. 2019. 'The Future-Oracular'. In: Schemas of Uncertainty: Soothsayers and Soft AI. Sandberg Instituut, Amsterdam, Netherlands 18 April 2019. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2017. 'The Future-Oracular: Prediction, Divination and the Politics of Certainty'. In: AUB Research Conference. Arts University Bournemouth, United Kingdom 3 April, 2017. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2019. The Future-Oracular: Prediction, Divination and the Politics of Certainty. In: , ed. Schemas of Uncertainty. Amsterdam: Sandberg Instituut, pp. 141-158. [Book Section]

[img]
Preview
Rosamond, Emily. 2014. 'Futures of the Future: Agriculture Between Business and Culture'. In: Vertical Farming and the Future of Food Conference. Foundation for Art and Creative Technology, Liverpool, United Kingdom 10 October, 2014. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2019. The Hidden Track. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2017. 'Identity Trouble'. In: Identity Trouble (on the blockchain). Goethe Institute, London, United Kingdom 23 November, 2017. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2013. (Im)material Pedagogies. P.A.R.T.S., [Article]

[img]
Preview
[img]
Preview
Rosamond, Emily. 2012. Imaginary Sculptures for an Infinite Economy. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2010. 'Impersonating Ideology: The “Factory-Esque” and Temporalities of Critique in Recent Installation'. In: Revisiting Ephemera Conference. University of Western Ontario, Canada. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2021. 'In the Realm of the Weak Tie: Social Networks, Turning Points and Serendipitous Desire'. In: Libidinal Economies of Contemporary Capitalism. City, University of London, United Kingdom 15 – 16 April 2021. [Conference or Workshop Item]

[img]
Rosamond, Emily. 2017. The Infinite Mix. Esse, 89, ISSN 0831-859X [Article]

[img]
Preview
Rosamond, Emily. 2018. Inflation. Catalogue essay, Adrienne Spier, Lump, Slump, Sunk, Hamilton Artists Inc, [Article]

[img]
Preview
Rosamond, Emily. 2018. 'The Investment-Image of Contemporary Art'. In: Post-Capitalist Photography Now!. The Photographers' Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. 'It Sees'. In: Moneylab #4: Art, Culture and Financial Activism. Somerset House, United Kingdom 18 January 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2017. It Sees (Notes Toward a Cultural History of Financial Vision). In: Inte Gloerich; Geert Lovink and Patricia de Vries, eds. Moneylab Reader Reader 2: Overcoming the Hype. Amsterdam: Institute of Network Cultures, pp. 101-114. ISBN 978-94-92302-19-9 [Book Section]

[img]
Preview
Rosamond, Emily. 2011. 'Luxurious Renunciations: Wealth, Destruction and Critical Duration in Michael Landy's Breakdown'. In: Luxuries of the Literary Mind Conference. McGill University, Canada 4-5 March 2011. [Conference or Workshop Item]

[img]
Preview
[img]
Rosamond, Emily. 2018. Moods of Identification. Furtherfield Spring Editorial, [Article]

[img]
Preview
Rosamond, Emily. 2012. Narrative Interrupted: Painting Between Progression and Duration. Lucky 7 Chanceux: Studio Arts MFA, pp. 72-75. [Article]

[img]
Preview
Rosamond, Emily. 2017. 'New Fluidities: Borders in the Age of Continuous Transformation'. In: Uncertain Identities. Haus Für Kunst Uri, Altdorf, Switzerland 30 September, 2017. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2010. Night Shift. In: "Night Shift", AceArt, Inc., Winnipeg, Canada, 1-31 June 2010. [Show/Exhibition]

[img]
Preview
Rosamond, Emily. 2012. Object Lessons: David Askevold's Learning About Cars and Chocolates. Esse, 75, pp. 30-33. ISSN 0831-859X [Article]

[img]
Preview
Rosamond, Emily. 2016. 'Office/Surface/Tension'. In: Tensegrity - and Other Contradictory Complicities. Tenderpixel, London, United Kingdom 18-19 November 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. Office/Surface/Tension. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2017. 'On Reputation and Addiction'. In: Are We All Addicts Now? Symposium and Book Launch. Central St Martins, United Kingdom 7 November. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2008. The Patron Saint of Waterskiers and Other Entities. In: "The Patron Saint of Waterskiers and Other Entities", Richmond Art Gallery, Richmond, British Columbia, Canada, 11 September - 16 November, 2008. [Show/Exhibition]

[img]
Rosamond, Emily. 2011. Pavillon levé (dix jours à vaincre les mortes-eaux). C Magazine, 112, pp. 47-48. ISSN 1480-5472 [Article]

[img]
Preview
Rosamond, Emily. 2015. 'Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. Pixelated City. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2022. 'Platformed Personality Capitalism: Twitter, Tiered Status and Assetized Selves'. In: Intersections of Finance and Society Conference 2022. City, University of London, United Kingdom 15-16 September. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2017. Plymouth Contemporary. In: "Plymouth Contemporary", Karst, Plymouth, United Kingdom. [Show/Exhibition]

[img]
Preview
Rosamond, Emily. 2015. 'Politics of the Shared Interior: on Digital Intimacy and Tangible Space'. In: Intimacies. Goldsmiths, United Kingdom 1-2 June, 2015. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2021. 'Portfolio of Personalities: Social Media, Micro-Celebrity and Self-Assetization'. In: People Like You: A New Political Arithmetic. United Kingdom 11 June 2021. [Conference or Workshop Item]

[img] [img]
Preview
Rosamond, Emily. 2021. Post-Truth as Bullying. In: Bill Balaskas and Carolina Rito, eds. Fabricating Publics: The Dissemination of Culture in the Post-Truth Era. Open Humanities Press, pp. 99-120. ISBN 9781785421051 [Book Section]

[img]
Preview
Rosamond, Emily. 2018. 'Profiling and Predictive Cultures'. In: Brookes Fine Art Lecture Series. Oxford Brookes University, United Kingdom 6 February 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2022. 'Race and Risk: Exploring Online Responses to the Euro 2020 Final'. In: The 23rd Annual Conference of the Association of Internet Researchers. Technological University Dublin, Ireland 2-5 November 2022. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2015. Rafael Lozano-Hemmer: Obra Sonora. Esse, 83, pp. 72-75. ISSN 0831-859X [Article]

[img]
Preview
Rosamond, Emily. 2017. 'Removing the Cap: Institutional Affectivity and the Financialization of British Art Education'. In: Ninth Critical Finance Studies Conference. University of Leicester, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2017. Reputation Addiction. In: Vanessa Bartlett and Henrietta Bowden-Jones, eds. Are We All Addicts Now? Liverpool: Liverpool University Press, pp. 96-103. ISBN 978-1-78694-081-0 [Book Section]

[img]
Preview
Rosamond, Emily. 2017. 'Reputation Capital/Reputation Warfare: Two Versions of the Optimal'. In: All Things Optimal. Centre for Interdisciplinary Methodologies, University of Warwick, United Kingdom 25 October, 2017. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2017. 'Reputation Management, Surveillance Capitalism and the Politics of Nudging'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

[img]
Preview
[img]
Rosamond, Emily. 2017. 'Reputation Power'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

[img]
Rosamond, Emily. 2022. Reputation Regimes. Art Monthly(461), pp. 1-5. ISSN 0142-6702 [Article]

[img]
Preview
Rosamond, Emily. 2018. 'Respondent, Art After Money, Money After Art'. In: Art After Money, Money After Art. Furtherfield Commons, United Kingdom 9 December 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. 'Respondent, Rated Agency Book Launch'. In: Michel Feher, Rated Agency Book Launch. Goldsmiths, University of London, United Kingdom 28 November 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation'. In: Risking Everything: The Computational Politics of Prediction, Security and Secrecy. Goldsmiths, University of London 20 May 2016. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2019. 'Roundtable: History in Financial Times'. In: Intersections of Finance and Society. City, University of London, United Kingdom 12-13 December 2019. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2023. 'The Sanctioned Personality'. In: Intersections of Finance and Society. Vrije Universiteit Brussel, Belgium 14-15 September 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. 'Second Selves: Auto/Biography, Figuration and the Financial Subject'. In: Tenth Critical Finance Studies Conference. University of Gothenburg, Sweden 9-11 August 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact. Finance and Society, 2(2), pp. 111-126. ISSN 2059-5999 [Article]

[img]
Preview
Rosamond, Emily. 2018. Small Things Considered - Ceteris Paribus. In: "Small Things Considered - Ceteris Paribus", Leu Gallery, Belmont University, Nashville, Tennessee, United States, 12 March - 4 May 2018. [Show/Exhibition]

[img]
Rosamond, Emily. 2023. Social networks and serendipitous desire. In: Amin Samman and Earl Gammon, eds. Clickbait Capitalism: Economies of Desire in the Twenty-First Century. Manchester: Manchester University Press, pp. 98-115. ISBN 9781526168160 [Book Section]

[img]
Preview
Rosamond, Emily. 2016. 'Socially Engaged Art and the Financialization of Social Impact'. In: 8th Critical Finance Studies Conference. University of Southampton, United Kingdom 4-6 August 2016. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Rosamond, Emily. 2009. 'Spatializing Character: on the Work of Geoffrey Farmer'. In: A Measure of Place: Space in Text and Context. McGill University, Canada 5-7 February 2010. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2014. Species of Futurity in Business, Law and Finance. Who Thinks the Future?, pp. 7-11. [Article]

[img]
Rosamond, Emily. 2015. Speculative Labour: On the Work of Charlotte Warne Thomas. In: Margarida Bröco Amorim; Alejandro J. Ball; Miriam La Rosa and Stefania Sorrentino, eds. In Transition: The Artistic and Curatorial Residency. London: CTC Press, pp. 24-33. ISBN 9780993358708 [Book Section]

[img]
Preview
Rosamond, Emily. 2014. States of Statue. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2010. Still Life with Easter Everywhere. Esse, 69, ISSN 0831-859X [Article]

[img]
Preview
Rosamond, Emily. 2018. 'Surveillance Capitalist Aesthetics'. In: A Modest Proposal Symposium. Royal College of Art, United Kingdom 27 October, 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. Surveillance Capitalist Aesthetics. In: Katleen Vermeir and Ronny Heiremans, eds. A Modest Proposal. Brussels: Jubilee vzw, pp. 31-35. ISBN 9789082966206 [Book Section]

[img]
Preview
Rosamond, Emily. 2016. The Surveillance Economy: Toward a Geopolitics of Personalization. Geopolitics, 86, pp. 22-29. ISSN 0831-859x [Article]

[img]
Preview
Rosamond, Emily. 2015. 'Surveillance, Preemption and the Production of Character in the Age of Big Data'. In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015. [Conference or Workshop Item]

[img]
Rosamond, Emily. 2021. Swarm Signals. [Printed Ephemera]

[img]
Preview
Rosamond, Emily. 2019. Tall Grass Tells the Time. In: "Performance Night!", A.P.T. Gallery, London, United Kingdom, 16 February 2019. [Performance]

[img]
Preview
Rosamond, Emily. 2023. Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation. In: Marsha Bradfield; Cinzia Cremona; Amy McDonnell and Eva Sajovic, eds. Transacting as Art, Design and Architecture: A Non-Commercial Market. Bristol: Intellect Books, pp. 203-212. ISBN 9781789384437 [Book Section]

[img]
Preview
Rosamond, Emily. 2015. Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance. International Journal of Performance Arts and Digital Media, 11(2), pp. 148-164. ISSN 1479-4713 [Article]

[img]
Preview
Rosamond, Emily. 2018. 'Testing'. In: Guest Lecture, PC Certificate Course in the Management of Teaching and Learning in Higher Education. Goldsmiths, United Kingdom 18 November 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2017. Theatre of Information. In: Sam Smith and Andrea Zucchini, eds. Here the Sun does not enter. London: Assembly Point. ISBN 978-0-9957691-0-6 [Book Section]

[img]
Preview
Rosamond, Emily. 2023. 'Thinking the Future of Money in the Humanities Workshop'. In: Thinking the Future of Money in the Humanities Workshop. University of Edinburgh, United Kingdom 20-21 February 2024. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2019. 'This Community of Self: Algorithmic Friendship and the Performative Profile'. In: Performance of Self in Digital Space. Goldsmiths, United Kingdom 23 May 2019. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2018. To sort, to match and to share: addressivity in online dating platforms. Journal of Aesthetics & Culture, 10(3), pp. 32-42. ISSN 2000-4214 [Article]

[img]
Preview
Rosamond, Emily. 2015. Transfusing Abstraction: Darren Harvey-Regan's Metalepsis. Esse, 83, pp. 14-21. ISSN 0831-859x [Article]

[img]
Preview
Rosamond, Emily. 2015. 'The Umwelt and the Operational Image'. In: Nematode. Wysing Arts Centre, United Kingdom 9 May, 2015. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2012. Un-designing: Serge Murphy, Architecture and Felt Time. Esse, 74, ISSN 0831-859X [Article]

[img]
Preview
Rosamond, Emily. 2018. 'Volatile Measurement Environments'. In: New Narratives 2: Thinking Economics Differently. Kunstgebaude, Stuttgart, Germany 15 April, 2018. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2019. 'Volatile Measures: the Financialization of Online Reputation'. In: 11th Critical Finance Studies Conference. University of Birmingham, United Kingdom 7-9 August 2019. [Conference or Workshop Item]

[img]
Rosamond, Emily. 2015. 'Weathervane'. In: Questioning Practice: Art/CRA Research Seminar. Goldsmiths, University of London 2 March 2015. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2016. 'What Moves Us: Immersive Economies and Composite Bodies'. In: Banner Repeater New Materialisms Reading Group. Banner Repeater, United Kingdom 8 June, 2016. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily. 2020. What Was to Have Happened? Tenses for a Cancelled Future. Metropolis M, 2020(6), ISSN 0168-9053 [Article]

[img]
Preview
Rosamond, Emily. 2016. 'What is Reputation Capital? Character, Power and the Reputation Economy'. In: Capital as Power: Broadening the Vista. York University, Canada 28-30 September, 2016. [Conference or Workshop Item]

[img]
Preview
[img]
Rosamond, Emily. 2023. YouTube Personalities as Infrastructure: Assets, Attention Choreographies and Cohortification Processes. Distinktion: Journal of Social Theory, 24(2), pp. 254-282. ISSN 1600-910X [Article]

[img]
Preview
Rosamond, Emily and Bradfield, Marsha. 'Book Launch: Transacting as Art, Design and Architecture'. In: Book Launch: Transacting as Art, Design and Architecture. Online, United Kingdom 16 March 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily; Charlesworth, Dave; Cove, Ben; Estna, Merike; Gainan, Justin; Goodwin, Katie; Hughes, Catherine; Kiernander, Trevor; Pathan, Alia; Selby, Lisa; Systems House, M.; Taylor, Ross; Tilley, Annabel; Whatmore, Poppy and Zaharia, Madalina. 2019. Mimesis; Narrative; Against Hegemony!. In: "Mimesis; Narrative; Against Hegemony!", A.P.T. Gallery, London, United Kingdom, 25 January - 16 February 2019. [Show/Exhibition]

[img]
Preview
Rosamond, Emily; Cnaani, Ofri; Heathfield, Adrian and Clarke, Elly. 2023. 'Dragging Affordances'. In: Choreographic Devices. Institute of Contemporary Arts, London, United Kingdom 17 June 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily; Craig, Kit; Lawler, Alex; Prevett, Jim; Selby, Lisa; Harris, Rowena and Zaharia, Madalina. 2016. Say What?. In: "Say What?", ASC Gallery, London, United Kingdom, 9 September - 28 October 2016. [Show/Exhibition]

[img]
Preview
Rosamond, Emily; Harris, Rowena; Prevett, James; Zaharia, Madalina and Craig, Kit. 2016. You must answer in the form of a question!. In: "You must answer in the form of a question!", ASC Gallery, London, United Kingdom, 3 October 2016. [Performance]

[img]
Preview
Rosamond, Emily; Milne, Alexis and Oi, Lu Ma. 2018. Zine//o//morph. In: "Zine//o//morph", ASC Studios, Empson Street, London, United Kingdom, 26 January 2018. [Performance]

[img]
Preview
Rosamond, Emily; Pickering, Kate and Ounanian, Steven. 2014. before breakfast we talked about the furthest visible point before it all disappeared. In: "before breakfast we talked about the furthest visible point before it all disappeared", Tenderpixel, London, United Kingdom, 27 June - 26 July 2014. [Show/Exhibition]

[img]
Preview
Rosamond, Emily; Samman, Amin; Hager, Sandy and Gammon, Earl. 2023. 'Clickbait capitalism: Economies of desire in the twenty-first century'. In: 14th Annual Critical Finance Studies Conference. Institute for Mediterranean Studies, Greece 21-23 June 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen. 2018. The Common Sense - Q+A. The Two-Way Patch, [Article]

[img]
Preview
Rosamond, Emily; Vermeir, Katleen and Heiremans, Ronny. 2022. 'How Could Private and Public Partners Adapt their Roles?'. In: Learning from Lumbung: Public Forum on Documenta Fifteen. Ecole de Recherche Graphique, Brussels, Belgium 24 January 2023. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily and Zubillaga, Luciano. 2017. 'Discussion: Telepathy as Feminist Methodology'. In: Post-Cyber Feminist International. ICA, London, United Kingdom 19 November, 2017. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben. 2019. 'Artist Talk: Semio-Technical Traffics'. In: Semio-Technical Traffics. SixtyEight Art Institute, Copenhage, Denmark 10 January 2020. [Conference or Workshop Item]

[img]
Preview
Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben. 2020. Semio-Technical Traffics. In: "Semio-Technical Traffics", SixtyEight Art Institute, Copenhage, Denmark, 10 January - 15 February 2020. [Show/Exhibition]

[img]
Preview
Rugo, Daniele. 2010. Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy. Doctoral thesis, Goldsmiths, University of London [Thesis]

S

Saadawi, Ghalya. 2025. Between October and November. London: Fitzcarraldo Editions. [Book] (Forthcoming)

Saadawi, Ghalya. 2022. Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic. philoSOPHIA, 12(1-2), pp. 57-83. ISSN 2155-0891 [Article]

Saadawi, Ghalya. 2015. "It makes her blind she said”: Love, Exhaustion and the Roadblock. In: Denise Robinson, ed. Through the Roadblocks: Realities in Raw Motion. Limassol, Cyprus: NeMe, pp. 145-152. ISBN 9789963969531 [Book Section]

Saadawi, Ghalya. 2012. Not, not Contemporary: The Eye of the Storm. Third Text, 26(4), pp. 379-382. ISSN 0952-8822 [Article]

[img]
Saadawi, Ghalya. 2024. The Structure of Desire in Ghassan Salhab's "The River" (2022). In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through the Screen: Struggles’ Reverberations in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Saadawi, Ghalya. 2022. Tactics of Alienation. In: Beate Söntgen and Julia Voss, eds. Why Art Criticism? A Reader. Berlin: Hatje Cantz, pp. 309-310. ISBN 9783775750745 [Book Section]

[img]
Saadawi, Ghalya. 2022. Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols. In: Bassam El Baroni, ed. Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art. Berlin: Sternberg Press and Edith-Russ-Haus für Medienkunst, pp. 71-92. ISBN 9783956796005 [Book Section]

[img]
Saadawi, Ghalya and Abu Hamdan, Lawrence. 2024. Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi. In: Riccardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Berlin: Spector Books. ISBN 9783959056878 [Book Section]

[img]
Preview
Samman, Amin; Boy, Nina; Coombs, Nathan; Hager, Sandy; Hayes, Adam; Rosamond, Emily; Wansleben, Leon and Westermeier, Carola. 2022. After the Boom: Finance and Society Studies in the 2020s and Beyond. Finance and Society, 8(2), pp. 93-109. ISSN 2059-5999 [Article]

[img]
Preview
Samman, Amin; Gammon, Earl and Rosamond, Emily. 2023. 'Clickbait Capitalism: A Panel Discussion'. In: Clickbait Capitalism: A panel discussion. UCL Centre for Capitalism Studies, United Kingdom 23 February 2024. [Conference or Workshop Item]

[img]
Preview
Samuel, Flora; Awan, Nishat; Butterworth, Carolyn; Handler, Sophie and Lintonbon, Jo. 2015. Cultural Value of Architecture in Homes and Neighbourhoods. Project Report. Arts and Humanities Research Council. [Report]

[img]
Preview
Schaber, Ines. 2012. Obtuse, Flitting by, and Nevertheless There – Image Archives in Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Schilling Cuellar, Linda. 2023. Unearthing and Reversing: Exhausting the Water Cycle. In: Marcelo López-Dinardi, ed. Architecture from Public to Commons. Abingdon: Routledge. ISBN 9781032394480 [Book Section]

Schmetterling, Astrid. 2007. Archival Obsessions: Arnold Dreyblatt's Memory Work. Art Journal, 66(4), pp. 70-83. ISSN 0004-3249 [Article]

[img]
Preview
Schmetterling, Astrid. 2015. ‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’. Medaon – Magazin für jüdisches Leben in Forschung und Bildung, 9(17), pp. 1-5. [Article]

Schmetterling, Astrid. 2022. Charlotte Salomon. In: Karin Althaus; Sarah Bock; Lisa Kern; Matthias Mühling and Melanie Wittchow, eds. Kunst und Leben 1918 bis 1955. Munich: Deutscher Kunstverlag / Lenbachhaus, pp. 220-223. ISBN 9783422990661 [Book Section]

Schmetterling, Astrid. 2017. Charlotte Salomon. Bilder eines Lebens. Berlin: Jüdischer Verlag im Suhrkamp Verlag. ISBN 978-3-633-54283-3 [Book]

Schmetterling, Astrid. 2004. ‘Charlotte Salomons “Leben? Oder Theater?“ Ein Werk jenseits der Assimilation’. In: E. Müller and Andrea Schatz, eds. Der Differenz auf der Spur. Frauen und Gender in Aschkenas. Berlin: Metropol Verlag, pp. 286-303. ISBN 978-3936411478 [Book Section]

Schmetterling, Astrid. 2010. "Das ist direkt ein Diebstahl an den Kunsthistorikern". Else Lasker-Schülers bildnerisches Werk im kunsthistorischen Kontext. In: Ricarda Dick, ed. Else Lasker-Schüler. Die Bilder. Berlin: Jüdischer Verlag im Suhrkamp Verlag, pp. 159-193. ISBN 9783633542468 [Book Section]

Schmetterling, Astrid. 2022. Else Lasker-Schüler. In: Karin Althaus; Sarah Bock; Lisa Kern; Matthias Mühling and Melanie Wittchow, eds. Kunst und Leben 1918 bis 1955. Munich: Deutscher Kunstverlag / Lenbachhaus, pp. 176-179. ISBN 9783422990661 [Book Section]

Schmetterling, Astrid. 2020. Else Lasker-Schüler in Jerusalem. In: Thorsten Sadowsky, ed. Szenen des Exils / Scenes of Exile. Salzburg: Verlag Bibliothek der Provinz and Museum der Moderne Salzburg, pp. 96-101. ISBN 9783990289464 [Book Section]

Schmetterling, Astrid. 2006. Encounters at the Site of Trauma. Third Text, 20(5), pp. 561-570. ISSN 09528822 [Article]

Schmetterling, Astrid. 2022. Erna Pinner: In Frankfurt und in der Welt / Erna Pinner: In Frankfurt and in the World. In: Eva Sabrina Atlan and Mirjam Wenzel, eds. Zurück ins Licht: Vier Künstlerinnen – Ihre Werke. Ihre Wege / Back into the Light: Four Woman Artists – Their Works, Their Paths. Bielefeld/Berlin: Kerber Verlag, pp. 115-119. ISBN 9783735608567 (German Edition) - 9783735608635 (English Edition) [Book Section]

Schmetterling, Astrid. 2006. Inscriptions of Difference in Charlotte Salomon's Work. In: Michael Steinberg and Monica Bohm-Duchen, eds. Reading Charlotte Salomon. New York: Cornell University Press, pp. 140-147. ISBN 9780801439711 [Book Section]

Schmetterling, Astrid. 2002. Irene Below: Hidden Treasures. Irma Stern. Her Books, Painted Book Covers and Bookplates. Frauen Kunst Wissenschaft(34), pp. 88-92. ISSN 0935-6967 [Article]

Schmetterling, Astrid. 2001. 'Nachwort'. In: , ed. Helga Weissová, Zeichne, was Du siehst. Zeichnungen eines Kindes aus Theresienstadt. Frankfurt am Main: Insel, pp. 94-111. ISBN 3-458-34456-X [Book Section]

Schmetterling, Astrid. 2011. 'Szepty Bławatne / Das Flüstern der Stoffe / The Whispering of Fabric. Ulrike Grossarth'. In: , ed. Stoffe aus Lublin. Leipzig: Spector Books, pp. 77-92. ISBN 978-3-940064-16-5 [Book Section]

Schmetterling, Astrid. 1997. Tracing the Life (or Theatre?) of Charlotte Salomon. Issues in Architecture Art & Design, 5(1), pp. 115-128. ISSN 0960-8648 [Article]

Schmetterling, Astrid. 2017. Uriel Orlow’s Unmade Film: A Multidirectional Archive for Palestinian and Israeli Traumatic Memory. In: Maria Magdalena Schwaegermann and Karmenlara Ely, eds. Infinite Record: Archive, Memory, Performance. Brooklyn, New York: Brooklyn Arts Press, pp. 136-143. ISBN 9781936767410 [Book Section]

Schmetterling, Astrid. 2008. Vivienne Koorland: Reisemalheurs (Travel Woes). Textile The Journal of Cloth and Culture, 6(1), pp. 88-97. ISSN 14759756 [Article]

Schmetterling, Astrid and Turner, Lynn. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 978-3-943365-40-5 [Book]

[img]
Preview
Schmitz, Edgar. 2009. Ambient Attitudes. On practices of contingency, treason and humour.. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Schuppli, Susan. 2015. 10th Shanghai Biennale. In: "The Social Factory", Shanghai, China, November 23 2014 – March 31 2015. [Show/Exhibition]

Schuppli, Susan. 2014. Animism. In: "Animism", Ilmin Museum of Art, Seoul, Korea, Republic of, 6 Dec 2013 - 16 Mar 2014. [Show/Exhibition]

Schuppli, Susan. 2012. Atmosfärisk Korrigering. Glänta, 4(12), pp. 12-21. [Article]

Schuppli, Susan. 2013. “Atmospheric Correction.”. In: , ed. On the Verge of Photography: Imaging Beyond Representation. Birmingham: Birmingham Article Press, pp. 16-32. [Book Section]

[img]
Preview
Schuppli, Susan. 2022. COLD RIGHTS. [Film/Video]

Schuppli, Susan. 2014. Can the Sun Lie? In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 56-64. ISBN 9783956790119 [Book Section]

[img]
Preview
Schuppli, Susan. 2021. Cold Cases. [Film/Video]

[img]
Preview
Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836 [Book Section]

Schuppli, Susan. 2017. Consultant to the V&A. [Professional Activity]

Schuppli, Susan. 2008. Curse of the Mummy: Oral Affliction or Archival Aphasia. Memory Studies, 2(2), pp. 167-186. ISSN 1750-6980 [Article]

[img]
Preview
Schuppli, Susan. 2016. Delay Decay. [Art Object]

[img]
Preview
Schuppli, Susan. 2019. Disaster Film. [Art Object]

Schuppli, Susan. 2018. Eavesdropping. In: "Eavesdropping", Melbourne, Australia, 24 July – 20 Oct 2018. [Show/Exhibition]

[img]
Schuppli, Susan. 2014. Entering Evidence: Cross-Examining the Court Records of the ICTY. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 279-314. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2018. 'Evidence in 74 million million million tons'. In: Evidence in 74 million million million tons. New York, United States April 29, 2018. [Conference or Workshop Item]

[img]
Preview
Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

[img]
Preview
Schuppli, Susan. 2017. Ex-Ante. In: "Ex-Ante", Auckland, New Zealand, 27 October – 22 December 2017. [Show/Exhibition]

Schuppli, Susan. 2018. External Assessor. [Professional Activity]

Schuppli, Susan. 2016. Forensic Architecture. In: "Reporting from the Front", Venice, Italy, May 25 – November 27 2016. [Show/Exhibition]

Schuppli, Susan. 2014. Forensics / Tape 342. In: Malzacher Florian, ed. Truth is Concrete: A Handbook for Artistic Strategies in Real Politics Ed. Florian Malzacher. Berlin: Sternberg Press, pp. 221-223. ISBN 978-3943365849 [Book Section]

[img]
Preview
Schuppli, Susan. 2013-22 GEO-MEDIA. [Project]

[img]
Preview
Schuppli, Susan. 2022. Gondwana. [Film/Video]

[img]
Preview
Schuppli, Susan. September - October 2021 initial period of fieldwork HEAR: Himalayan Experiments in Acoustic Research. [Project]

Schuppli, Susan. 2013. “Half Truths”. Mute, [Article]

Schuppli, Susan. 2014. Hlysnan: On the Notion & Politics of Listening. In: "Hlysnan: On the Notion & Politics of Listening", Casino Luxembourg, Luxembourg, May 17 – September 7 2014. [Show/Exhibition]

[img]
Preview
Schuppli, Susan. 2017. The Images of War. In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018. [Show/Exhibition]

Schuppli, Susan. 2012. “Impure Matter: A Forensics of WTC Dust.”. In: , ed. Savage Objects. Portugal: Imprensa Nacional Casa da Moeda, pp. 120-140. ISBN 9789722720717 [Book Section]

Schuppli, Susan. 2019 - 2021 LEARNING FROM ICE. [Project]

[img]
Schuppli, Susan. 2015. Law and Disorder. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin: Sternberg Press, pp. 137-143. ISBN 9783956791260 [Book Section]

[img]
Preview
Schuppli, Susan. 2023. Listening to Ice. [Film/Video] (Forthcoming)

[img]
Preview
Schuppli, Susan. 2017. Material Truths. In: "Material Truths", Site Gallery, Sheffield, United Kingdom. [Show/Exhibition]

[img]
Preview
Schuppli, Susan. 2015. Material Witness. [Film/Video]

[img]
Preview
Schuppli, Susan. 2020. Material Witness: Media, Forensics, Evidence. Cambridge, MA: The MIT Press. ISBN 9780262043571 [Book]

Schuppli, Susan. 2017. Moscow Biennale. In: "Clouds ⇄ Forests", Moscow, Russian Federation, 19 September 2017 – 18 January 2018. [Show/Exhibition]

Schuppli, Susan. 2013. “The Most Dangerous Film in the World (Reprint).”. In: , ed. Materialities. Gdańsk: Wyspa Progress Foundation / Wyspa Institute of Art, pp. 241-272. [Book Section]

Schuppli, Susan. 2010. The Most Dangerous Film in the World. In: Frederik Le Roy; Nele Wynants and Dominiek Hoens Vanderbeeken, eds. Tickle Your Catastrophe. Ghent: Ghent University, the KASK (Ghent Royal Academy of Fine Arts) and Vooruit, pp. 130-145. ISBN 978-9038217222 [Book Section]

[img]
Preview
Schuppli, Susan. 2016-2023 NUCLEAR COMMONS. [Project]

Schuppli, Susan. 2008. Of Moths and Machines. Cosmos and History : the Journal of Natural and Social Philosophy, 4(1-2), pp. 286-306. ISSN 1832-9101 [Article]

Schuppli, Susan. 2013. “Public Service Announcements: Art for the Coming Community.”. In: , ed. Service Media. Chicago: Green Lantern Press, pp. 115-122. ISBN 978-1450742160 [Book Section]

Schuppli, Susan. 2015. “Radical Contact Prints”. In: , ed. Camera Atomica. London: Black Dog Publishing London UK, pp. 277-291. ISBN 978-1908966483 [Book Section]

Schuppli, Susan. 2009. Reading Radiological Film. In: Karl Lyden, ed. Site / Documentary narratives & non-fictional narrativity in film and art 28. [Book Section]

Schuppli, Susan. 2017. Resolution is not the Point. In: "London Art Fair", London, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2018. 'Shapes of Decay: A Discussion about Art and Ecology'. In: Shapes of Decay: A Discussion about Art and Ecology. Tate Modern, United Kingdom 24 APRIL 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Danielle Celermajer and Richard Sherwin, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Publishing. ISBN 9781474212854 [Book Section]

[img]
Preview
Schuppli, Susan. 2015. “Slick Images: The Photogenic Surface of Disaster.”. In: , ed. Extra City. Antwerp: Extra City. [Book Section]

[img]
Preview
[img]
Preview
Schuppli, Susan. 2016. Sound of Sand. [Audio]

[img]
Preview
Schuppli, Susan. 2018. Space of Flows. In: "Space of Flows", Krakow, Poland, 24.05.2018 – 24.06.2018. [Show/Exhibition]

Schuppli, Susan. 2018. Stretching the Truth. In: "Stretching the Truth", Ian Potter Museum of Art, Australia, 28 July 2018. [Performance]

[img]
Preview
Schuppli, Susan. 2016. The Sun Placed in the Abyss. In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017. [Show/Exhibition]

Schuppli, Susan. 2011. Tape 342: That Dangerous Supplement. In: , ed. Cabinet No. 43: Forensics. Cabinet, pp. 86-89. ISBN 978-1932698428 [Book Section]

[img]
Preview
Schuppli, Susan. 2016. Trace Evidence. [Film/Video]

[img]
Preview
Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Schuppli, Susan. 2014. Uneasy Listening. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 381-392. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2018. 'Unpacking the Processes of Artistic Knowledge'. In: Unpacking the Processes of Artistic Knowledge. Amsterdam, Netherlands 24.02.2018. [Conference or Workshop Item]

[img]
Preview
[img]
Schuppli, Susan. 2017. Ural Industrial Biennial. In: "New Literacy", Ural, Russian Federation, 14.09 - 12.11.2017. [Show/Exhibition]

Schuppli, Susan. 2015. “War Dialling: Image Transmissions from Saigon.”. In: , ed. Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge: Cambridge Scholars Publishing, pp. 144-158. ISBN 978-1443854429 [Book Section]

[img]
Preview
Schuppli, Susan and Kraemer, Steffen. 2012. The Architecture of Conflict. In: "The Architecture of Conflict", Praque, Czech Republic, 28 February – 21 April 2018. [Show/Exhibition]

Schuppli, Susan; Sfard, Michael and Hameed, Ayesha. 2014. 'Anarchists against the Law'. In: Forensis: the Architecture of Public Truth. Haus der Kulturen der Welt, Berlin, Germany 15-16 March 2014. [Conference or Workshop Item]

Schuppli, Susan; Weizman, Eyal and Tavares, Paulo. 2010. Forensic Architecture. In: Adrian Lahoud and Charles Rice, eds. Post-Traumatic Urbanism: Architectural Design. John Wiley & Sons, pp. 58-63. ISBN 978-0470744987 [Book Section]

[img]
Preview
Sebregondi, Francesco. 2020. The Smart City of Gaza Technologies of Containment and the Urban Condition. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Shaw, Jonathan Keith. 2017. Subjectility : On Reading Artaud. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Shepherd, Jessica. 2019. Recomposing the image of the world: micropolitical art interventions in the 21st Century. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Simon, Joshua. 2016. Betrayal. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Singer, Manuel. 2015. Indefinite Workings : What Dwellings Elicit and On What Architecture Depends. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Stewart, Jay. 2015. Trans on Telly: Popular Documentary and the Production of Transgender Knowledge. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Sutherland, Thomas and Wark, Scott. 2024. (Re)search results: Search engines and the logic of efficiency in scholarship. Distinktion: Journal of Social Theory, ISSN 1600-910X [Article] (In Press)

[img]
Preview
Szynkarczuk, Pawel. 2015. Intercorporeality - Merleau-Ponty’s Ontology of Flesh and Butoh Dance Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

T

Territorial Agency; Hameed, Ayesha; Jackson, Jeremy; Otolith Group and Reymann, Markus. 2019. 'Oceans in Crisis'. In: Oceans in Crisis. Royal Academy, London, United Kingdom 6 December 2019. [Conference or Workshop Item]

[img]
Preview
Trevatt, Thomas. 2021. The Axioms of Petroculture: Art and Political Transformation in the Second Age of Oil. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Truskolaski, Sebastian. 2016. Bilderverbot: Adorno and the Ban on Images. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Tubridy, Derval. 2006. "The Absence of Origin”: Beckett and Contemporary French Philosophy. In: David Rudrum, ed. Contemporary Debates in Literature and Philosophy. London: Palgrave macmillan, pp. 24-36. ISBN 1403947732 [Book Section]

[img]
Tubridy, Derval. 2010. Beckett, Feldman, Salcedo… Neither. In: Daniela Caselli, ed. Beckett and Nothing: Trying to understand Beckett. Manchester: Manchester University Press, pp. 143-159. ISBN 978-0-7190-8019-7 [Book Section]

[img]
Tubridy, Derval. 2013. Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. In: Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe. Surrey: Ashgate, pp. 59-71. ISBN 978-1-4094-2065-1 [Book Section]

Tubridy, Derval. 2011. The Dolmen Press: “A Hazardous Venture”. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book Vol. 5: The Irish Book in English, 1891-2000. 5 Oxford: Oxford University Press, pp. 576-591. ISBN 978-0-19-924911-4 [Book Section]

Tubridy, Derval. 2008. “In his secondmouth language”: Joyce and Irish Poetry. In: Richard Brown, ed. A Companion to James Joyce. Oxford: Blackwell, pp. 341-358. ISBN 978140511044 [Book Section]

Tubridy, Derval. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]

Tubridy, Derval. 2004. Thomas Kinsella and the Peppercanister Poems. In: Hutton Clare, ed. The Irish Book in the Twentieth Century. Dublin and Portland Or: Irish Academic Press, pp. 102-115. ISBN ISBN 0716527804, 0716533359 [Book Section]

[img]
Preview
Tubridy, Derval. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]

[img]
Tubridy, Derval. 2016. 'An Unforgettable Image': Staging Beckett's Short Plays. In: David Tucker and Trish McTighe, eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama, pp. 135-155. ISBN 9781474240178 [Book Section]

Tubridy, Derval. 2000. "Words Pronouncing Me Alive”: Beckett and Incarnation. In: Mary Bryden; Lance St John Butler; Marius Buning and Matthijs Engelberts, eds. Samuel Beckett Today/Aujourd’hui: Beckett and Religion; Beckett/Aesthetics/Politics. (9) Amsterdam; Atlanta GA: Rodopi, pp. 93-104. ISBN 9042014040 [Book Section]

[img]
Turner, Lynn. 2015. ‘Animal Melancholia: on the scent of Dean Spanley’. In: Michael Lawrence and Laura McMahon, eds. Animal Life and the Moving Image. London: British Film Institute/Bloomsbury, pp. 134-151. ISBN 9781844578993 [Book Section]

[img]
Turner, Lynn. 2011. Animal transference: a "mole-like progression" in C. J. Cherryh. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 163-175. [Article]

Turner, Lynn. 2003. Braiding Polyphony: Je tu il elle (& lui). Performance Research, 8(1), pp. 93-99. ISSN 13528165 [Article]

[img]
Preview
Turner, Lynn. 2020. Carefree: Scenographies of Care. In: Rebecca Jagoe and Sharon Kivland, eds. On Care. London: Ma Bibliothèque, pp. 237-241. ISBN 9781910055717 [Book Section]

[img]
Turner, Lynn. 2015. Critical Companions: Derrida, Haraway & Other Animals. In: Julian Wolfreys, ed. Introducing Criticism in the 21st Century, 2nd Edition. Edinburgh: Edinburgh University Press. ISBN 9780748695294 [Book Section]

Turner, Lynn. 2005. Des Jeunes Nées : for a confusion of the tongue, the lip, and the rim. In: Johnny Golding, ed. The Issues: In Contemporary Culture and Aesthetics. (1) Nerve Ltd, pp. 171-178. ISBN 0955003709 [Book Section]

Turner, Lynn. 2015. 'Fort Spa: Biopoetics in Elizabeth A. Wilson, Sandor Ferenczi & Jacques Derrida'. In: 'After Biopolitics' Society for Literature, Science and the Arts, SLSA. Rice University, United States. [Conference or Workshop Item]

[img] [img]
Turner, Lynn. 2015. Fort Spa: In at the Deep End with Derrida and Ferenczi. In: Simon Morgan Wortham and Chiara Alfano, eds. Desire in Ashes: Deconstruction, Psychoanalysis, Philosophy. London: Bloomsbury Academic, pp. 103-119. ISBN 9781472533517 [Book Section]

[img]
Preview
Turner, Lynn. 2010. Fort-dancing. In: , ed. BA Fine Art & History of Art degree show catalogue 2010. London: Goldsmiths, pp. 5-7. ISBN 978-1-906897-04-8 [Book Section]

[img]
Turner, Lynn. 2017. '‘Give them some more time’: the ends of sacrifice in White God'. In: Out of Time, SLSA annual conference. Arizona State University, United States 9-12 November 2017. [Conference or Workshop Item]

Turner, Lynn. 2010. 'Homing pigeon: the postal principle and Lynn Hershmann's 'Conceiving Ada''. In: Derrida Today. London, United Kingdom 19-21 July 2010. [Conference or Workshop Item]

Turner, Lynn. 2013. Hors d’oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), pp. 3-11. ISSN 1353-4645 [Article]

[img]
Turner, Lynn. 2021. How like a (Fig) Leaf: supplanting shame, growing differences. Tahiti: The Society for Art History in Finland, 10(4), pp. 18-27. [Article]

Turner, Lynn. 2020. How like a (Fig) leaf. In: , ed. Beyond Plant Blindness: Seeing the importance of plants for a sustainable world. Berlin: Green Box Publishing. ISBN 978-3-96216-001-2 [Book Section]

Turner, Lynn. 2019. '‘How like a (Fig) leaf: supplanting shame’'. In: SLSA 2019: 33rd Annual Conference of the Society for Literature, Science, and the Arts. UC Irvine, United States 7-9 November 2019. [Conference or Workshop Item]

[img]
Preview
Turner, Lynn. 2018. 'How like a (fig) leaf'. In: Beyond Plant Blindness: Where can a single plant take you?. University of Gothenburg, Sweden 10 November 2018. [Conference or Workshop Item]

[img]
Preview
Turner, Lynn. 2019. 'In lieu of conclusion: cardio-pedagogy in Derrida and White God'. In: Tahiti 8: National Conference of Art History in Finland From Material to Immaterial: Art Historical Practices in the Contemporary World. University of Turku, Finland 27-29 November 2019. [Conference or Workshop Item]

[img]
Turner, Lynn. 2018. 'In lieu of conclusion: the bloodless coups of White God'. In: Derrida Today 6. Concordia University, Canada 23-26 May 2018. [Conference or Workshop Item]

Turner, Lynn. 2013. Insect Asides. In: , ed. The Animal Question in Deconstuction. Edinburgh: Edinburgh University Press, pp. 54-69. ISBN 0748683135 [Book Section]

Turner, Lynn. 2013. 'Insect Asides (Deconstruction is/in Performance Philosophy)'. In: What is Performance Philosophy?. University of Surrey, United Kingdom. [Conference or Workshop Item]

[img]
Turner, Lynn. 2016. Interviewee: Lynn Turner. Interviewer: Ron Broglio. Antennae: The Journal of Nature in Visual Culture(38), pp. 30-36. ISSN 1756-9575 [Article]

[img]
Turner, Lynn. 2024. Lapping it up: an introduction for these erotics of deconstruction. In: Lynn Turner, ed. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh: Edinburgh University Press. [Book Section] (In Press)

Turner, Lynn. 2002. ‘Lift off: il n’y a pas de deux hors texte’. The Journal of Visual Culture, 1(3), pp. 372-374. ISSN 14704129 [Article]

Turner, Lynn. 2020. 'Lit: sexual poetics of sanguine resistance'. In: 7th Derrida Today Conference. Aix-Marseille Université, Aix-en-Provence, France 10-13 June 2020. [Conference or Workshop Item] (Forthcoming)

[img]
Turner, Lynn. 2017. 'The Oestrus Complex: soliciting the sexual contract of whale song'. In: Animal Utterances. University of Bristol, United Kingdom 25-26 May 2016. [Conference or Workshop Item]

Turner, Lynn. 2024. 'On Trial'. In: Midsummer Kafka Symposium: The Trial. University of Sussex, United Kingdom June 2024. [Conference or Workshop Item] (Forthcoming)

[img]
Turner, Lynn. 2017. 'Podcasting: The Becoming-Space of Voices’'. In: Wild Minds. ICA, London, United Kingdom 31 March 2017. [Conference or Workshop Item]

[img] [img]
Preview
Turner, Lynn. 2020. Poetics of Deconstruction: On the Threshold of Differences. London: Bloomsbury Academic. ISBN 9781350128590 [Book]

Turner, Lynn. 2019. 'Raising Animals: two powers of horror between the cellar and the kennel'. In: Gender Studies meets Human-Animal Studies lecture series. Humboldt, Germany 16 April - 9 July 2019. [Conference or Workshop Item]

Turner, Lynn. 2019. 'Raising animals: the becoming-time of space between cellar and kennel'. In: SpaceTime, Society of Literature, Science and the Arts (EU). Athens, Greece 25-28 June 2019. [Conference or Workshop Item]

[img]
Turner, Lynn. 2023. 'Ray of Light'. In: Nicholas Royle: A Symposium. University of Sussex, United Kingdom 23 June 2023. [Conference or Workshop Item]

[img]
Turner, Lynn. 2024. Ray of Light. Textual Practice, ISSN 0950-236X [Article] (In Press)

[img]
Turner, Lynn. 2023. Red Threads. In: , ed. Guilty! Guilty! Guilty!: towards a feminist criminology. Berlin: Kunstraum Kreuzberg/Bethanien. [Book Section] (In Press)

Turner, Lynn. 2018. 'Red: the cardio-pedagogy of White God'. In: 'Green' Society for Literature, Science & the Arts - EU (SLSA-eu). University of Copenhagen, United Kingdom 13 - 16 June 2018. [Conference or Workshop Item]

Turner, Lynn. 2017. 'Sacrifice and Decision: cinematic carnophallogocentrism'. In: The Political Animal. The Showroom, London, United Kingdom 2 Sept 2017. [Conference or Workshop Item]

[img]
Preview
[img]
Turner, Lynn. 2022. 'Sanguine Resistance: dreaming of a future for blood'. In: 7th Derrida Today Conference. Arizona State University (ASU) Barbara Barrett and Sandra Day O’Connor Washington Center, Washington, D.C., United States 12-15 June 2022. [Conference or Workshop Item]

[img]
Turner, Lynn. 2024. Sanguine Resistance: dreaming of a future for blood. In: Lynn Turner, ed. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh University Press. [Book Section] (Forthcoming)

[img]
Preview
Turner, Lynn. 2023. Secrets and Lies: Embassytown, Ethics and Eating in the Darkness. Foundation: The International Review of Science Fiction, 52(2), pp. 47-63. ISSN 0306-4964 [Article]

[img] [img]
Turner, Lynn. 2012. 'Secrets and Lies: eating in the darkness in China Mieville's Embassytown'. In: Cosmopolitan Animals. UCL, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Turner, Lynn. 2009. Seeks-Zoos: some recent correspondence between animals. In: Johnny Golding, ed. The Issues in Contemporary Culture & Aesthetics. 2-3 University of Greenwich, pp. 10-21. [Book Section]

Turner, Lynn. 2003. ‘Sexual Difference’. The Year’s Work in Cultural & Critical Theory, 11, pp. 317-332. [Article]

[img] [img]
Preview
Turner, Lynn. 2011. ''Tape' plays Teletribunals'. In: Legal media: a colloquium in memory of Cornelia Vismann. Showroom, London, United Kingdom 10-11 June 2011. [Conference or Workshop Item]

Turner, Lynn. 2009. 'Telecommunications: the undoing of DNA'. In: 7th European Feminist Research Conference. Utrecht, Netherlands 4-7 June 2009. [Conference or Workshop Item]

[img]
Turner, Lynn. 2014. 'Telefoam'. In: 4th Derrida Today conference. Fordham University, United States 28 May - 31 May 2014. [Conference or Workshop Item]

Turner, Lynn. 2016. Telefoam: species on the shores of Cixous and Derrida. In: Stefan Herbrechter; Ivan Callus and Manuela Rossini, eds. European Posthumanism. Abingdon: Routledge, pp. 56-69. ISBN 9781138675780 [Book Section]

[img]
Turner, Lynn. 2014. Telefoam: species on the shores of Derrida and Cixous. European Journal of English Studies, 18(2), pp. 158-171. ISSN 1382-5577 [Article]

[img] [img]
Turner, Lynn. 2020. Telegrams. Mosaic: an interdisciplinary critical journal, 53.2, pp. 83-95. [Article]

Turner, Lynn. 2002. ‘Translating John Malkovich’. Performance Research, 7(2), pp. 132-137. ISSN 1352-8165 [Article]

Turner, Lynn. 2002. Translation Reading Sex. Parallax, 8(4), pp. 57-70. ISSN 13534645 [Article]

Turner, Lynn. 2011. 'Two genetically modified films'. In: Life Itself. Goldsmiths, London, United Kingdom 28 January 2011. [Conference or Workshop Item]

Turner, Lynn. 2013. Tympan Alley: Posthumanist Performatives in Dancer in the Dark. Derrida Today, 6(2), pp. 222-239. ISSN 1754-8500 [Article]

Turner, Lynn. 2012. Unhoming Pigeons: The Postal Principle in Lynn Hershman Leeson and Hussein Chalayan. Derrida Today, 5(1), pp. 92-110. ISSN 1754-8500 [Article]

[img]
Turner, Lynn. 2018. Voice. In: Lynn Turner; Undine Sellbach and Ron Broglio, eds. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781474418416 [Book Section]

[img]
Turner, Lynn. 2016. 'Voice (podcasting)'. In: Derrida Today. Goldsmiths, United Kingdom 08-11 June 2016. [Conference or Workshop Item]

Turner, Lynn. 2010. When Species Kiss: some recent correspondence between animots. Humanimalia – a journal of human/animal interface studies, 2(1), pp. 60-85. ISSN 2151-8645 [Article]

Turner, Lynn. 2007. Wind Up: the Machine-Event of Tape. Camera Obscura Feminism Culture and Media Studies, 22(164), pp. 112-135. ISSN 02705346 [Article]

[img]
Preview
Turner, Lynn. 2023. 'The becoming literary of the clitoral: sexual differance after Artemisia Gentileschi'. In: Rethinking Sexual Differance. Université Bordeaux Montaigne, France 22-24 November 2023. [Conference or Workshop Item]

Turner, Lynn. 2009. The course of a general displacement, or, The course of the choreographer. In: Martin McQuillan and Ika Willis, eds. The Origins of Deconstruction. Basingstoke: Palgrave, pp. 50-66. ISBN 9780230581906 [Book Section]

[img]
Preview
[img]
Preview
Turner, Lynn and Anderson, Nicole. 2016. 'Derrida Today'. In: Derrida Today. Goldsmiths, United Kingdom 8-11 June 2016. [Conference or Workshop Item]

[img]
Turner, Lynn; Broglio, Ronald and Sellbach, Undine. 2018. Introducing The Edinburgh Companion to Animal Studies. In: , ed. The Edinburgh Companion to Animal Studies. (592) Edinburgh, Scotland.: Edinburgh University Press, pp. 1-12. ISBN 1474418414 [Book Section]

Turner, Lynn and Kelley, Lindsay. 2013. amuse gueule 'Bon Appetit'. Parallax, 19(1), pp. 1-2. ISSN 1353-4645 [Article]

[img]
Preview
Töpfner, Christian. 2015. Subjects of Creation. On Materialist Abstraction and the Enactment of Ideas. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Türetken, Füsun. 2023. On the most powerful catalyst on the planet. Doctoral thesis, Goldsmiths, University of London [Thesis]

V

[img]
Preview
Varvantakis, Christos; Rozakou, Katerina; Anastasiadi, Ifigeneia; Karathanasis, Pafsanias and Aivaliotis, Konstantinos. 2019. Editorial (Critical Encounters: The "European" Refugee Crisis). Journal of Anthropological Films, 3(2), e2902. [Article]

[img]
Preview
Varvia, Christina. 2024. A Call to Bear Witness. In: Christos Carras, ed. The Handbook of Cultural Work. London: Bloomsbury Visual Arts, pp. 165-172. ISBN 9781350359468 [Book Section]

[img]
Varvia, Christina. 2022. Habeas Corpus Expert Witness! In: Mette Marie Kallehauge; Lærke Rydal Jørgensen; Kjeld Kjeldsen; Eyal Weizman and Christina Varvia, eds. Forensic Architecture - Witnesses. Humlebæk, Denmark: Louisiana Museum of Modern Art, pp. 68-85. ISBN 9788793659551 [Book Section]

[img]
Preview
Varvia, Christina. 2023. 'Itinerant Witnesses Conference'. In: Itinerant Witnesses Conference. Louisiana Museum of Modern Art, Denmark 28 January 2023. [Conference or Workshop Item]

[img]
Preview
Varvia, Christina. 2022. Notes on the Politics of an Expanded Body. Parse Journal, 15, ISSN 2002-0511 [Article]

[img]
Varvia, Christina. 2021. The Space of the Body: A working definition. AA Files, 78, pp. 24-32. ISSN 0261-6823 [Article]

[img]
Preview
Varvia, Christina and Alzakout, Amel. 2021. Image-Sections: The Evidentiary Capacity of Images to Sample the Lifeworld and Have an Operative Life. The Nordic Journal of Aesthetics, 30(61-62), pp. 206-229. ISSN 2000-1452 [Article]

[img]
Preview
Hernández Velázquez, Y. M., ed. 2011. Inter/Multi/Cross/Trans. The Uncertain Territory of Art Theory in the Age of Academic Capitalism. Vitoria-Gasteiz, Spain: Montehermoso. ISBN 978-84-96845-44 [Edited Book]

[img]
Preview
Vergara Vivanco, Leire. 2018. Dispositifs of Touching: A Curatorial Study on the Plazas of Sovereignty. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Vráblíková, Lenka. 2023. 'Bodies in E-motion: Sarah Kofman and Hélène Cixous Encountering Rembrandt'. In: Talking Bodies Conference 2023. University of Chester, United Kingdom 12 - 16 June 2023. [Conference or Workshop Item]

[img]
Vráblíková, Lenka. 2024. Bodies in e-motion: Hélène Cixous and Sarah Kofman encountering Rembrandt. In: Lynn Turner, ed. Erotics of Deconstruction: Autoaffections of the Living. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

Vráblíková, Lenka. 2022. 'Conjuring Live Bodies: Reading Sarah Kofman’s encounter with Rembrandt'. In: 7th Derrida Today Conference. Arizona State University, Washington DC, United States 12 - 15 June 2022. [Conference or Workshop Item]

Vráblíková, Lenka. 2021. 'Feministická etnomykologie a politika vizuální kultury [Feminist Ethnomycology and the Politics of Visual Culture]'. In: Descendants of Fungi and the (Eco-)Politics of Sharing Festival, Woods – the community for cultivation, art and theory. LES, Czech Republic. [Conference or Workshop Item]

Vráblíková, Lenka. 2010. Feministický akční výzkum – Jak studovat na umělkyni? [Feminist action research - How to study to become a woman artist?]. In: Katarína Přikrylová, ed. Vizuální gramotnost. Prague: Univerzita Karlova, pp. 61-72. ISBN 9788072904877 [Book Section]

[img]
Preview
Vráblíková, Lenka. 2018. Maria Do Mar Pereira: Power, Knowledge and Feminist Scholarship: An Ethnography of Academia. Czech Sociological Review, 54(3), pp. 481-484. ISSN 0038-0288 [Article]

[img]
Preview
Vráblíková, Lenka. 2022. 'Myko-vize - Houby v současné vizuální kultuře a antikoloniální ekofeminismus'. In: ROK HUB, Centre for the study of popular culture. Prague, Czech Republic. [Conference or Workshop Item]

[img]
Preview
Vráblíková, Lenka. 2012. Negativita ve studování na umělecké škole [Negativity in the studying in the Art School]. Sociální studia [Czech Social Studies], 9(3), pp. 51-64. ISSN 1214-813X [Article]

[img]
Preview
Vráblíková, Lenka. 2021. Othering Mushrooms: Migratism and its racist entanglements in the Brexit campaign. Feminist Encounters: Journal of Critical Studies in Culture and Politics, 5(1), 05. ISSN 2468-4414 [Article]

[img]
Preview
Vráblíková, Lenka. 2022. 'Othering Myco-Vision: Fungi in European Modernity'. In: Ecological Stewardship, Post Graduate Art Talks. Goldsmiths, University of London 31 October 2022. [Conference or Workshop Item]

[img]
Preview
Vráblíková, Lenka. 2016. Roxana and other feminist (hi)stories: Book review of A. E. Berger’s “The Queer Turn in Feminism". Discourse: Journal for Theoretical Studies in Media and Culture, 38(2), pp. 281-284. ISSN 1522-5321 [Article]

[img]
Vráblíková, Lenka. 2023. The University. In: Tilottama Rajan and Daniel Whistler, eds. The Palgrave Handbook to German Idealism and Poststructuralism. Cham, Switzerland: Palgrave Macmillan, pp. 383-398. ISBN 9783031273445 [Book Section]

[img]
Preview
[img]
Vráblíková, Lenka and Kubelová, Lenka. 2024. Gardening Ecofeminisms. Sympozium jako živná půda [Gardening Ecofeminisms: Symposium as a culture medium]. In: Kateřina Vídenová and Amálie Bulandrová, eds. Kafkárna / Dům a Zahrada [Kafkárna /House and Garden]. Prague: UMPRUM, pp. 289-295. [Book Section]

Vráblíková, Lenka and Mercier, Thomas Clément. 2019. corps à: body/ies in deconstruction. parallax, 25(1), pp. 1-7. ISSN 1353-4645 [Article]

Vráblíková, Lenka; Mitchell, Elspeth and Zúñiga, Xalli. 2023. 'Voice, Language, Fungi: A Conversation with Guiliana Furci'. In: Southern Movements: Transnational Feminist Praxis & Philosophical Interventions, 16th Annual Conference of philoSOPHIA. UNC Charlotte, United States 1 - 3 June 2023. [Conference or Workshop Item]

Vráblíková, Lenka; Petramentaite, Ruta and Moyo, Kundai. 2022. 'Toward temporary communities: collective listening, walking, reading, breathing, and sounding'. In: Psychosocial Cartographies. Anglo-American University, Prague, Czech Republic 17 - 18 June 2022. [Conference or Workshop Item]

W

[img]
Preview
Waldmeier, Martin. 2016. The Artist as Translator. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Wark, Scott. 2022. In "The Cloud": Figuring and Inhabiting Media Milieus. In: Celia Lury; William Viney and Scott Wark, eds. Figure: Concept and Method. Singapore: Palgrave Macmillan, pp. 41-63. ISBN 9789811924750 [Book Section]

[img]
Wark, Scott. 2022. Lithium. In: Timothy Neale; Courtney Addison and Thao Phan, eds. An Anthropogenic Table of Elements: Experiments in the Fundamental. Toronto: University of Toronto Press, pp. 109-120. ISBN 9781487563578 [Book Section]

[img]
Preview
Wark, Scott. 2017. Media after the “Medial a Priori”. Cultural Politics, 13(2), pp. 259-262. ISSN 1743-2197 [Article]

[img]
Wark, Scott. 2024. Platformisation and Personalisation: The Making of "Contingent" Online Audiences. In: Annette Hill and Peter Lunt, eds. The Routledge Companion to Media Audiences. Abingdon: Routledge. ISBN 9781032214665 [Book Section] (In Press)

[img]
Preview
Wark, Scott. 2021. A Postdigital Angel of History? On ‘Meme Theory’. In: Chlöe Arkenbout; Jack Wilson and Daniel de Zeeuw, eds. Critical Meme Reader: Global Mutations of the Viral Image. Amsterdam: Institute of Network Cultures, pp. 165-175. ISBN 9789492302762 [Book Section]

[img]
Preview
Wark, Scott. 2020. Transmediale’s Postdigital Proposition. Cultural Politics, 16(2), pp. 274-276. ISSN 1743-2197 [Article]

[img]
Preview
Wark, Scott. 2019. The subject of circulation: on the digital subject's technical individuations. Subjectivity, 12(1), pp. 65-81. ISSN 1755-6341 [Article]

[img]
Preview
Wark, Scott and Soncul, Yiğit. 2022. A Media-Theoretical Armamentarium: From the Pharmakon to Pharmacologies of Media. Media Theory, 6(2), pp. 1-24. ISSN 2557-826X [Article]

[img]
Preview
Wark, Scott and Sutherland, Thomas. 2015. Editorial: Platforms for the New. Platform: Journal of Media and Communication, 6, pp. 4-10. ISSN 1836-5132 [Article]

[img]
Preview
Wark, Scott and Wark, McKenzie. 2019. Circulation and its Discontents. In: Alfie Bown and Dan Bristow, eds. Post Memes: Seizing the Memes of Production. Santa Barbara: punctum books, pp. 293-318. ISBN 9781950192434 [Book Section]

[img]
Preview
Watson, Michael. 2012. Joan of Art: In Defence of Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Weizman, Eyal. 2010. The 1:1 Map. In: Mark Godfrey and Karl Biesenbach, eds. Francis Alys: A Story of Deception. Tate. ISBN 9781854378408 [Book Section]

Weizman, Eyal. 2014. Arafat’s Tomb. London Review of Books, 36(1), p. 26. [Article]

[img]
Preview
Weizman, Eyal. 2023. Archaeology, Architecture and the Politics of Verticality. In: Ian Parker, ed. For Palestine: Essays from the Tom Hurndall Memorial Lecture Group. Cambridge: Open Book Publishers, pp. 123-142. ISBN 9781805110262 [Book Section]

Weizman, Eyal. 2014. The Architecture of Ariel Sharon. Al Jazeera English, [Article]

Weizman, Eyal. 2011. Arendt in Ethiopia. UMBR(a): The Worst (2011), ISSN 1087-0830 [Article]

Weizman, Eyal. 2012. The Book of Destruction. London Review of Books, 34(23), p. 28. [Article]

Weizman, Eyal. 2018. Counter Investigations. In: "Counter Investigations: Forensic Architecture", Institute of Contemporary Arts (ICA), London, United Kingdom, 7 March - 13 May 2018. [Show/Exhibition]

Weizman, Eyal. 2010. The Destruction of Destruction. In: "antiphotojournalism", institute of the image, Spain. [Show/Exhibition]

Weizman, Eyal. 2010. Documentary Sculpture. In: "The Architecture Biennale of Venice 2010", Venice, Italy. [Show/Exhibition]

Weizman, Eyal. 2012. Forensic Architecture. In: David Chipperfield; Kieran Long and Shumi Bose, eds. Common Ground: A Critical Reader. Venice: Marsilio. ISBN 978-88-3171-435-8 [Book Section]

Weizman, Eyal. 2012. Forensic Architecture. In: Meg McLagan and Yates Mckee, eds. Sensible Politics: The Visual Culture of Non-Governmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal. 2016. Forensic Architecture at Venice Architecture Biennale 2016. In: "Giardini della Biennale, La Biennale di Venezia", Venice, Italy, 28 May - 27 November 2016. [Show/Exhibition]

Weizman, Eyal. 2015. Forensic Architecture in All of This Belongs to You, Victoria and Albert Museum. In: "All of This Belongs to You", Victoria and Albert Museum, London, United Kingdom, 1 April – 19 July 2015. [Show/Exhibition]

Weizman, Eyal. 2014. Forensic Architecture in Insert2014. In: "Insert2014", Mati Ghar, Indira Gandhi National Centre for the Arts, New Delhi, India, 31 January - 28 February 2014. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Hacia una estética investigativa. In: "Forensic Architecture: Hacia una estética investigativa", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Towards an Investigative Aesthetics. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA, Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. ISBN 9781935408864 [Book]

Weizman, Eyal. 2010. Forensic architecture: Only the Criminal Can Solve the Crime. Radical Philosophy, ISSN 1047-8302 [Article]

Weizman, Eyal. 2015. Forensis. In: "Forensis", Fundación Proa (PROA), Buenos Aires, Argentina, 25 September 2015 - 31 January 2016. [Show/Exhibition]

Weizman, Eyal. 2014. Forensis. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

[img]
Preview
Weizman, Eyal. 2007. HOLLOW LAND: Israel's Architecture of Occupation. Verso Books. ISBN 9781844671250 [Book]

Weizman, Eyal. 2014. Holey Land. In: Stephen Shore, ed. Stephen Shore: From Galilee to the Negev. London; New York: Phaidon. ISBN 9780714867069 [Book Section]

Weizman, Eyal. 2013. The Image is the Bone. In: Thomas Keenan and Tirdad Zolghadr, eds. The Human Snapshot. Berlin: Sternberg Press. ISBN 978-3-943365-63-4 [Book Section]

Weizman, Eyal. 2015. Images à charge, La construction de la preuve par l'image. In: "Images à charge, La construction de la preuve par l'image", LE BAL, Paris, France, 4 June - 30 August 2015. [Show/Exhibition]

[img]
Preview
Weizman, Eyal. 2011. The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. London: Verso Books. ISBN 9781844676477 [Book]

Weizman, Eyal. 2010. Legislative Attack. Theory, Culture & Society, 21(6), pp. 11-32. ISSN 0263-2764 [Article]

Weizman, Eyal. 2018. The Long Duration of a Split Second at Turner Prize 2018. In: "Turner Prize 2018", Tate Britain, United Kingdom, 26 September 2018 - 6 January 2019. [Show/Exhibition]

Weizman, Eyal. 2018. Maps of Defiance: Documenting the Genocide of the Yazidi People in Northern Iraq at London Design Biennale 2018. In: "London Design Biennale 2018", Somerset House, London, United Kingdom, 4-23 September 2018. [Show/Exhibition]

Weizman, Eyal. 2013. The Matter of Memory. In: Adrián Villa Roja and Sophie O'Brien, eds. Today We Reboot the Planet: Adrián Villar Rojas catalogue. London: Serpentine Galleries. ISBN 9781908617156 [Book Section]

Weizman, Eyal. 2010. Political Plastic (Interview). Collapse, 6, pp. 257-303. [Article]

Weizman, Eyal. 2015. The Roundabout Revolutions. Berlin: Sternberg. ISBN 978-3-95679-098-0 [Book]

Weizman, Eyal. 2003. Territories. In: "Territories", Kunst Werke and Walter Koenig Press, 6/1/2003 - 9/7/2003. [Show/Exhibition]

Weizman, Eyal. 2015. The Urban-Data Complex. In: "Shenzhen Bi-City Biennale of Urbanism/Architecture 2015", Shenzhen Public Art Center, Shenzhen, China, 4 December 2015 - 4 March 2016. [Show/Exhibition]

Weizman, Eyal. 2016. A World of Fragile Parts. In: "La Biennale di Venezia 2016", Applied Arts Pavilion, Venice, Italy, 28 May - 27 November 2016. [Show/Exhibition]

Weizman, Eyal. 2000. Yellow Rhythms. A Roundabout for London. Rotterdam: nai010. ISBN 978-90-6450-392-4 [Book]

Weizman, Eyal and Brauman, Rony. 2009. Humanitarian Support. In: Céline Condorelli, ed. Support Structures. Berlin: Sternberg. ISBN 978-1-933128-45-0 [Book Section]

Weizman, Eyal and Di Carlo, Tina. 2010. Dying to Speak: Forensic Spatiality (Interview). Log(20), [Article]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Morning After: Profaning colonial Architecture. In: Meg McLagan and Yates McKee, eds. Sensible Politics: The Visual Culture of Nongovernmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Return to the Common: DAAR: Decolonizing Architecture Art Residency. Manifesta, [Article]

Weizman, Eyal and Keenan, Thomas. 2010. The Third Strategic Threat. Opendemocracy, [Article]

Weizman, Eyal and Sheikh, Fazal. 2015. The Conflict Shoreline: Colonialism as Climate Change. Göttingen: Steidl. ISBN 9783958290358 [Book]

Weizman, Eyal and Varvia, Christina. 2015. Burden of Proof: The Construction of Visual Evidence. In: "Burden of Proof: The Construction of Visual Evidence", The Photographers' Gallery, London, United Kingdom, 2 October 2015 - 10 January 2016. [Show/Exhibition]

[img]
Preview
Weizman, Eyal; Varvia, Christina; Krämer, Elisabeth; Andritsou, Dimitra; Franke, Anselm and Kaleck, Wolfgang. 2021. Investigative Commons. In: "Investigative Commons Exhibition", Haus der Kulturen der Welt (HKW), Berlin, Germany, 28 May - 8 August 2021. [Show/Exhibition]

[img]
Preview
Weizman, Eyal; Varvia, Christina; Krämer, Elisabeth; Andritsou, Dimitra; Franke, Anselm and Kaleck, Wolfgang. 2021. 'Socializing Evidence'. In: Socializing Evidence. Haus der Kulturen der Welt (HKW), Berlin, Germany 9 October 2021. [Conference or Workshop Item]

Weizman, Eyal; Varvia, Christina; Rowat, Simone and Levidis, Stefanos. 2017. 77sqm_9:26min. In: "Documenta 14", Neue Neue Galerie, Kassel, Germany, 10 June - 19 September 2017. [Show/Exhibition]

Weizman, Ines and Weizman, Eyal. 2012. Mobilizing Dissent: The Possible Architecture of the Governed’. In: C. Greig Crysler; Stephen Cairns and Hilde Heynen, eds. The SAGE Handbook of Architectural Theory. London; Thousand Oaks, California: SAGE Publications. ISBN 9781446282632 [Book Section]

Wielander, Judith and Luccheti, Mateo. 2017. Visible Art Awards 2017. [Project]

Wisniowska, Magdalena. 2009. Articulating Aesthetic Experience: Questions of Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

Wolf, Nicole. 2008. “Away in Berlin – Really! Documentary-fictional Side Notes”. In: Stefanie Schulte Strathaus and Florian Wüst, eds. Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s. Berlin: b-books, pp. 50-61. ISBN 978-3-933557-90-2 [Book Section]

Wolf, Nicole. 2001. Documenta XI. Kassel, Germany [Other]

Wolf, Nicole. 2008. Experimentations from India. In: "Experimentations from India", Berlin Film Festival, Germany. [Show/Exhibition]

Wolf, Nicole. 2013. Foundations, Movements and Dissonant Images: documentary film and its ambivalent relations to the nation state. In: K Moti Gokulsing and Wimal Dissanayake, eds. Routledge Handbook on Indian Cinema. London: Routledge, pp. 360-374. ISBN 978-0415677745 [Book Section]

Wolf, Nicole. 2012. I am the very beautiful city. Conversations with Bombay, documented. In: Madhusree Dutta; Rohan Shivkumar and Bhaumik Kaushik, eds. Cinema City. Chennai: Tulika Publishers. ISBN 978-8189487997 [Book Section]

[img]
Preview
Wolf, Nicole. 2019. In the Wake of Gujarat: The Social Relations of Translation and Futurity. Critical Studies, 4, pp. 97-113. ISSN 2055-141X [Article]

[img]
Preview
Wolf, Nicole. 2018. Is this just a story? Friendships and fictions for speculative alliances. The Yugantar film collective (1980-83). Moving Image Review & Art Journal, 7(2), pp. 252-266. ISSN 2045-6298 [Article]

Wolf, Nicole. 2008. Lovers of Life for Heterogeneous Time. In: Jonathan Harris, ed. Identity Theft: Cultural Colonisation and contemporary Art. Liverpool: University of Liverpool and Critical Forum Tate Liverpool, pp. 159-174. ISBN 9781846311024 [Book Section]

Wolf, Nicole. 2018. Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–83). Documentary Now, edited by Ravi Vasudevan, 70(1), pp. 42-49. [Article]

Wolf, Nicole. 2009. No man’s land/ Everybody’s Land – Glaring in Defiance. In: "No Man's Land/ Everybody’s Land – Glaring in Defiance", Karachi, Pakistan, 30 January 2009 - 1 February 2009. [Show/Exhibition]

Wolf, Nicole. 2010. Of bird watchers and other incidental proceedings. Catalogue for 40th Forum, Berlin Film Festival, [Article]

Wolf, Nicole. 2011. Persistence Resistance. Documentary Practices in India.. In: "Persistence Resistance. Documentary Practices in India.", London, United Kingdom. [Show/Exhibition]

Wolf, Nicole. 2016. Porous Container and Time and relations. A House in Ninh Hoa, [Article]

Wolf, Nicole. 2013. “Projecting Tambaku Chaakilo Oob Ali. Reflections towards a versatile archive of political cinemas”. In: Shveta Sarda, ed. sarai Reader 09: Projections. New Delhi: Raqs Media Collective, pp. 284-290. [Book Section]

Wolf, Nicole. 2012. Resonance/ Nachhall. Catalogue for the 42nd Forum, Berlin Film Festival, [Article]

Wolf, Nicole. 2016. Sea Sight. Havarie, [Article]

[img]
Wolf, Nicole. 2021. Sich der Spaltung widersetzen. Von Geistern, Fiktionen und dokumentarischer Praxis bei Merle Kröger und Philip Scheffner. In: Nicole Wolf, ed. Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. 23 Berlin, Germany: Vorwerk 8, pp. 9-20. ISBN 9783947238354 [Book Section]

Wolf, Nicole. 2006. To be haunted. The Halfmoon Files. Catalogue for the 37th International Forum of New Cinema, Berlin Film Festival, pp. 161-164. [Article]

Wolf, Nicole. 2017. ‘To make a film means to take a position’ (Sarah Maldoror). In: "Experimenta India", Bangalore, India, 29.11.-3.12.2017. [Show/Exhibition]

Wolf, Nicole. 2003. Transitional Zones: Nicole Wolf Interviews Tejal Shah. n.paradoxa: International Feminist Art Journal, Issue: Out of Order, 12, pp. 59-67. [Article]

Wolf, Nicole. 2013. Versatile Archives and cinematic friendships. In: Stefanie Schulte Strathaus and Ulrich Ziemons, eds. Living Archive – Archival Work as a Contemporary Artistic and Curatorial Practice. Berlin: Bbooks Verlag. ISBN 978-3-942214-14-8 [Book Section]

Wolf, Nicole. 2007. Video Mumbai. Lentos Kunstmuseum/ Museum of Modern Art Linz. [Show/Exhibition]

Wolf, Nicole. 2005. The import and export of knowledge in conversations or: where is my subject? In: Angelika Fitz; Merle Kroger; Alexandra Schneider and Dorothee Wenner, eds. Import / Export. Austria: Parthas Verlag, pp. 216-224. ISBN 978-3866019102 [Book Section]

Wolf, Nicole. 2009. The promise of withholding. In: Anita Dawood, ed. Bani Abidi: Videos, Photographs and Drawings. London: Green Cardamom, pp. 36-38. ISBN 9780955177958 [Book Section]

Wolf, Nicole and Dutta, Madhusree. 2018. 'Speculative Feminist Ciné Geography'. In: found:erased:palimpsest. Akademie der Künst der Welt, Germany 22.06.2018. [Conference or Workshop Item]

Wolf, Nicole and Heidenreich, N.. 2010. Conversations on locating conflict. In: Monica Narula; Shuddhaprata Sengupta and Jeebesh Bagchi, eds. sarai reader 08: Fear. 08 New Delhi: Centre for the Study of Developing Societies, pp. 91-98. ISBN 978-81-905853-2-3 [Book Section]

Wolf, Nicole and Schulte Strathaus, Stefanie. 2018. 'Archival Constellations'. In: Archival Constellations. Forum Expanded/ Silent Green, Germany 22.02.2018. [Conference or Workshop Item]

Wolf, Nicole and Wenner, Dorothee. 2010. Moving Politics. Cinemas from India. In: "Moving Politics. Cinemas from India", Arsenal. Institut for film and video art, Germany, June to October 2010. [Show/Exhibition]

Z

[img]
Zhu, Bangjia Joni. 2021. Cyber-Proletariat and the New Subaltern Space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Zourgane, Philippe. 2013. The Architectural Free Zone - Reunion Island and the Politics of Vegetation. Doctoral thesis, Goldsmiths, University of London [Thesis]

This list was generated on Sat Jun 8 02:50:05 2024 BST.