Items where Division is "Visual Cultures"
Number of items at this level: 178.
2012 Turner, Lynn. 2012. UnHoming Pigeons: the postal principle in Lynn Hershmann & Hussein Chalayan. Derrida Today, 5(1), pp. 92-110. [Article]
2011![[img]](/style/images/fileicons/application_pdf.png)
Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]
Chatziyannaki, Zoe. 2011. Fleeting Island: The Production of Space in Santorini. Doctoral thesis, Goldsmiths, University of London. [Thesis]
Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682 [Article]
García Düttmann, Alexander. 2011. Consciousness of Semblance: Participation in Art and Politics. Germany: Konstanz: Konstanz University Press. ISBN 978-3-86253-019-9 [Book]
Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]
Grant, Catherine. 2011. ‘A narrative of what wishes what it wishes it to be’: An Introduction to ‘Creative Writing and Art History’. Art History, 34(2), pp. 230-243. ISSN 01416790 [Article]
Martinon, Jean-Paul. 2011. Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. Mono Kurgusuz Labirent(10-11), ISSN 1306-715X [Article]
O'Sullivan, Simon D.. 2011. Lacan’s Ethics and Foucault’s 'Care of the Self': Two Diagrams of the Production of Subjectivity (and of the Subject’s Relation to Truth). Parrhesia(10), pp. 51-73. [Article]
O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique TV. In: "Plastique Fantastique TV", xero, Coma and Kline, United Kingdom, April 2011. [Show/Exhibition]
O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine. In: "Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine", Arkeshus Kunstsenter, Lillestrom., Norway, September 2011. [Show/Exhibition]
O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Impossible Objects. In: "Plastique Fantastique: Impossible Objects", Grey Area, Brighton, United Kingdom, May 2011. [Show/Exhibition]
Schmetterling, Astrid. 2011. ‘Das Flüstern der Stoffe / The Whispering of Fabric’. Ulrike Grossarth. Stoffe aus Lublin, pp. 77-92. [Article]
Tubridy, Derval U.. 2011. The Dolmen Press: “A Hazardous Venture”. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book Vol. 5: The Irish Book in English, 1891-2000. 5 Oxford: Oxford University Press, pp. 576-591. ISBN 978-0-19-924911-4 [Book Section]
![[img]](/style/images/fileicons/application_msword.png) Turner, Lynn. 2011. 'Two genetically modified films'. In: Life Itself. Goldsmiths, London, United Kingdom28 January 2011. [Conference or Workshop Item]
2010 Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]
Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]
Cavallini, Roberto. 2010. Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. Doctoral thesis, Goldsmiths, University of London. [Thesis]
Düttmann , Alexander García. 2010. Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. In: Alfons Hug, ed. Menos tiempo que lugar. El arte de la independencia. Buenos Aries[?]: Goethe Institut, pp. 87-98. [Book Section]
García Düttmann, Alexander. 2010. Contemporary German Philosophy. Answers to Questions From Professor Gerard Vilar. Enrahonar. Quaderns de Filosofia(145), [Article]
García Düttmann, Alexander. 2010. I Shall Never Grow Old. In: UNSPECIFIED, ed. Dark Rooms. Warsaw: Nowy Teatr & Krytyka Polityczna & Kodoji Press , pp. 7-12. ISBN 9783037470367 [Book Section]
García Düttmann, Alexander, Nancy, Jean-Luc and Richon, Olivier. 2010. Picking Up / Bouncing Back. [Exhibition Catalogue]
García Düttmann , Alexander. 2010. Ein Verdienst der Künstlerin [To The Artist's Credit]. In: UNSPECIFIED, ed. Claire-Lise Holy: Szenenbilder - Figurinen - Details. Monschau: KUK. Kunst- und Kulturzentrum der Städteregion Aachen, pp. 65-66. ISBN 9783000311758 [Book Section]
García Düttmann , Alexander. 2010. El hombre y la tierra / Man and Earth. In: UNSPECIFIED, ed. Greta Alfaro. Centro de Arte Huarte, Spain, unpag.. [Book Section]
García Düttmann , Alexander. 2010. Elizabeth and the Peacock. In: UNSPECIFIED, ed. Elizabeth Presa with Greg Burgess: interior castle. Melbourne: Linden Arts Centre, pp. 4-6. [Book Section]
García Düttmann , Alexander. 2010. "Extravaganza". In: UNSPECIFIED, ed. Fine Art and History of Art, catalogue of the end of the year show, 2010. London: Goldsmiths College, p. 13. ISBN 9781906897048 [Book Section]
García Düttmann , Alexander. 2010. Kafka i zivot slova [Kafka and the life of the letter]. Frakcija(53/54), pp. 52-58. ISSN 1331-0100 [Article]
García Düttmann , Alexander. 2010. La vida y la belleza: en el medio, en el extremo [Life And Beauty. On Schiller's 'Letters On The Aesthetic Education Of Mankind']. Humboldt(154), [Article]
García Düttmann , Alexander. 2010. Language Without Soil. In: Gerhard Richter, ed. Language Without Soil. New York: Fordham University Press, pp. 10-16. ISBN 978-0-8232-3127-0 [Book Section]
García Düttmann , Alexander. 2010. 'The Love of Proper Names'. In: Workshop on pedagogy and disaster. ICA, London, United Kingdom. [Conference or Workshop Item]
García Düttmann , Alexander. 2010. Ohne Politik [Without Politics]. In: Thomas Bedorf and Kurt Roettgers, eds. Das Politische und die Politik. Berlin: Suhrkamp Verlag, pp. 364-381. ISBN 9783518295571 [Book Section]
Grant, Catherine. 2010. Bellmer’s Legs: adolescent pornography and uncanny eroticism in the photographs of Hans Bellmer and Anna Gaskell. Papers of Surrealism, 8, pp. 1-20. [Article]
Grant, Catherine. 2010. The Performance Space of the Photograph: From the Anti-Photographers to the Directorial Mode. rebus, 5, pp. 1-29. [Article]
Martinon, Jean-Paul. 2010. Bearers and Proper Names. In: Suzana Milevska, ed. The Renaming Machine. Ljubljana: PARASITE Institute Slovenia, pp. 60-71. ISBN 9789616807029 [Book Section]
O'Sullivan, Simon D.. 2010. Deleuze and Contemporary Art. Edinburgh: Edingburgh University Press. ISBN 978 0 7486 3838 3 [Book]
O'Sullivan, Simon D.. 2010. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 189-207. ISBN 0748638385 [Book Section]
O'Sullivan, Simon D.. 2010. Guattari's Aesthetic Paradigm: From the Folding of the Finite/Infinite Relation to Schizoanalytic Metamodelisation. Deleuze Studies, 4(2), pp. 256-286. ISSN 17502241 [Article]
O'Sullivan, Simon D. and Burrows, David. 2010. The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections). Angelaki: Journal of Theoretical Humanities, 15(1), pp. 139-148. ISSN 0969-725X [Article]
O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!). In: "Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!)", Tatton Park, United Kingdom, July-September 2010. [Show/Exhibition]
Rogoff, Irit. 2010. Education Actualized. e-flux, 14(3), [Article]
Schmetterling, Astrid. 2010. "Das ist direkt ein Diebstahl an den Kunsthistorikern". Else Lasker-Schülers bildnerisches Werk im kunsthistorischen Kontext. In: Ricarda Dick, ed. Else Lasker-Schüler. Die Bilder. Berlin: Jüdischer Verlag im Suhrkamp Verlag, pp. 159-193. ISBN 9783633542468 [Book Section]
Tubridy, Derval U.. 2010. Beckett, Feldman, Salcedo… Neither. In: Daniela Caselli, ed. Beckett and Nothing. Manchester: Manchester University Press , pp. 143-159. ISBN 9780719080197 [Book Section]
Turner, Lynn. 2010. 'Homing pigeon: the postal principle and Lynn Hershmann's 'Conceiving Ada''. In: Derrida Today. London, United Kingdom19-21 July 2010. [Conference or Workshop Item]
Weizman, Eyal. 2010. The 1:1 Map. In: Mark Godfrey and Karl Biesenbach, eds. Francis Alys: A Story of Deception. Tate. ISBN 9781854378408 [Book Section]
Weizman, Eyal. 2010. The Destruction of Destruction. In: "antiphotojournalism", institute of the image, Spain. [Show/Exhibition]
Weizman, Eyal. 2010. Documentary Sculpture. In: "The Architecture Biennale of Venice 2010", Venice, Italy. [Show/Exhibition]
Weizman, Eyal. 2010. Forensic architecture: Only the Criminal Can Solve the Crime. Radical Philosophy, ISSN 1047-8302 [Article]
Wolf, Nicole and Heidenreich, N.. 2010. Conversations on locating conflict. In: Monica Narula, Shuddhaprata Sengupta and Jeebesh Bagchi, eds. sarai reader 08: Fear. 08 New Delhi: Centre for the Study of Developing Societies, pp. 91-98. ISBN 978-81-905853-2-3 [Book Section]
Wolf, Nicole and Wenner, Dorothee. 2010. Moving Politics. Cinemas from India. In: "Moving Politics. Cinemas from India", Arsenal. Institut for film and video art, Germany, June to October 2010. [Show/Exhibition]
2009 Butt, Gavin. 2009. How I Died For Kiki and Herb. In: UNSPECIFIED, ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]
Butt, Gavin. 2009. Should we take Performance Seriously? In: UNSPECIFIED, ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]
Düttmann , Alexander García. 2009. Adorno's American Dream. Telos(149), [Article]
Fisher, Andrew. 2009. The Involution of Photography. Radical Philosophy(157), ISSN 0300 211X [Article]
García Düttmann, Alexander. 2009. Die Reise nach Montreux [A Trip to Montreux]. In: Joachim Leisegang, ed. In Begleitung: Claire Lise Holy and Dieter Leisegang. Monschau: KUK. Kunst- und Kulturzentrum, pp. 86-89. [Book Section]
García Düttmann, Alexander. 2009. El filósofo salvaje y el mal artista [The Wild Philosopher And The Bad Artist]. Brecha, Montevideo (Uraguay).
García Düttmann, Alexander. 2009. 'Kafka and the Life of the Letter'. In: Process / Music. 25th Music Biennale Zagreb, CroatiaApril 2009 - January 2010. [Conference or Workshop Item]
García Düttmann , Alexander. 2009. Das Hin und Her der Freundschaft [The To and Fro of Friendship]. Humboldt(151), pp. 52-53. [Article]
García Düttmann , Alexander. 2009. El año académico. Cali (Colombia): Archivos del Indice. ISBN 9789584456274 [Book]
García Düttmann , Alexander. 2009. Idiosyncrasy And Film. Senses of Cinema, [Article]
García Düttmann , Alexander. 2009. "Improvising on Intuition". In: UNSPECIFIED, ed. Fine Art and History of Art BA, catalogue of the end of the year exhibition 2009. London: Goldsmiths College, pp. 150-152. ISBN 9781904158967 [Book Section]
García Düttmann , Alexander. 2009. Letteratura per esempio. In: Clemens Carl Haerle, ed. Confini del racconto. Macerata: Quodlibet, pp. 53-62. ISBN 9788874623037 [Book Section]
García Düttmann , Alexander. 2009. A Man For All Seasons: Derrida-Cum-‘Queer Theory’ Or The Limits Of Performativity. Postcolonial Studies, 12(3), pp. 277-287. ISSN 1368-8790 [Article]
García Düttmann , Alexander. 2009. The Memory of Thought. An Essay on Heidegger and Adorno (translation into Japanese). Tokyo: Getsuyosha Limited. ISBN 9784901477475 [Book]
García Düttmann , Alexander. 2009. A Note On Philosophy And Photography. In: UNSPECIFIED, ed. Commonsensual: The Works of Rut Blees Luxemburg. London: Black Dog Publishing, pp. 163-164. ISBN 9781906155575 [Book Section]
García Düttmann , Alexander. 2009. Quasi. Antonioni und die Teilhabe an der Kunst [Quasi. Antonioni and Participation in Art]. Neue Rundschau, 2009(4), pp. 151-166. [Article]
García Düttmann , Alexander and Savage, Robert. 2009. Visconti: Insights into Flesh and Blood (translated by Robert Savage). Stanford: Stanford University Press. ISBN 9780804757409 [Book]
Kelly, Susan. 2009. Micropolitics and Transversality: Language, Subjectivity, Organisation and Contemporary Arts Practice. Doctoral thesis, Goldsmiths, University of London. [Thesis]
Mörtenböck, Peter. 2009. Networked Cultures. [Project] (Forthcoming)
O'Sullivan, Simon D.. 2009. From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice. Deleuze Studies, 3(2), pp. 247-259. ISSN 1750-2241 [Article]
O'Sullivan, Simon D.. 2009. The Strange Temporality of the Subject: Badiou and Deleuze Between the Finite and the Infinite. Subjectivity, 27, pp. 155-171. ISSN 17556341 [Article]
O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!. In: "Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!", Aspex Gallery, Portsmouth, United Kingdom, June 2009. [Show/Exhibition]
O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!. In: "Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!", Danielle arnaud Gallery, London, United Kingdom, June 2009. [Show/Exhibition]
O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Inversion Ritual (against the Plague that is Capital). [Performance]
Rogoff, Irit. 2009. De-regulation: With the work of Kutlug Ataman. Third Text, 23(2), pp. 165-179. [Article]
Rogoff, Irit. 2009. Geo-cultures. In: Seijdel Jorinde and Gielen Pascal, eds. The Art Biennial as a Global Phenomenon Strategies in Neo-Political Times. Rotterdam: NAi Publishers, pp. 120-128. ISBN 978-90-5662-667-9 [Book Section]
Rogoff, Irit. 2009. Neither police, nor pirates. In: UNSPECIFIED, ed. Fiona Tan: Rise and Fall. Vancouver & Aarau: Vancouver Art Gallery and Aargauer Kunsthaus, pp. 142-156. ISBN 978-1-895442-79-3 [Book Section]
Rogoff, Irit. 2009. Regional Imaginaries. In: Hossein Amirsadeghi, ed. Unleashed: Contemporary Art from Turkey. London: TransGlobe publishing and Thames and Hudson, pp. 101-114. ISBN 9780500977026 [Book Section]
Turner, Lynn. 2009. 'Telecommunications: the undoing of DNA'. In: 7th European Feminist Research Conference. Utrecht, Netherlands4-7 June 2009. [Conference or Workshop Item]
Turner, Lynn. 2009. The course of a general displacement, or, The course of the choreographer. In: Martin McQuillan and Ika Willis, eds. The Origins of Deconstruction. Basingstoke: Palgrave, pp. 50-66. ISBN 9780230581906 [Book Section]
Wisniowska, Magdalena. 2009. Articulating Aesthetic Experience: Questions of Image. Doctoral thesis, Goldsmiths, University of London. [Thesis]
Wolf, Nicole. 2009. No man’s land/ Everybody’s Land – Glaring in Defiance. In: "No Man's Land/ Everybody’s Land – Glaring in Defiance", Karachi, Pakistan, 30 January 2009 - 1 February 2009. [Show/Exhibition]
2008 Butt, Gavin, ed. 2008. After Criticism: New Responses to Art and Performance (Chinese edition). Jiangsu, China: Jiangsu Fine Arts Publishing House. ISBN 9787534422409 [Edited Book]
Tubridy, Derval U., ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue. [Edited Journal]
Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]
Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X [Article]
García Düttmann, Alexander. 2008. Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. Bielefeld, Germany: Transcript Verlag. ISBN 3-89942-740-8 [Book]
García Düttmann , Alexander. 2008. Adorno's amerikanischer Traum. Frankfurter Allgemeine Zeitung, [Article]
García Düttmann , Alexander. 2008. Der Schein [Semblance]. Inaesthetik, pp. 149-157. [Article]
García Düttmann , Alexander. 2008. Kommen und Gehen. Über den Begriff des Spätstils [Coming and Going. On the Concept of a Late Style]. Neue Rundschau(2), pp. 109-125. [Article]
García Düttmann , Alexander. 2008. Making Poverty Visible: three theses. Parrhesia: a journal of critical philosophy(4), pp. 1-10. [Article]
García Düttmann , Alexander. 2008. Die Sichtbarmachung der Armut [Making Poverty Visible]. In: Eva Geulen, Kai Kauffmann and Georg Mein, eds. Hannah Arendt - Giorgio Agamben: Parallelen Perspektiven Kontroversen. Munich: Wilhelm Fink, pp. 119-129. ISBN 978377054529-2 [Book Section]
García Düttmann , Alexander. 2008. Integral Actuality. In: Justin Clemens, Nicholas Heron and Alex Murray, eds. The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, pp. 28-42. ISBN 9780748634620 [Book Section]
Hilal, Sandi, Petti, Alessandro and Weizman, Eyal. 2008. Decolonizing Architecture. In: "Decolonizing Architecture", Nottingham Contemporary , United Kingdom, 2008-2011. [Show/Exhibition]
Martinon, Jean-Paul. 2008. 33, 34, 35… The Life of The Limits. In: Jason T. Eberl, ed. Knowledge Here Begins Out There. Chicago: Open Court, pp. 249-260. ISBN 0812696433 [Book Section]
Martinon, Jean-Paul. 2008. Switzerland: Joanna Hodge’s Derrida on Time. Radical Philosophy(149), pp. 62-64. ISSN 0300-211X [Article]
O'Sullivan, Simon D.. 2008. The Chymical Wedding. [Performance]
O'Sullivan, Simon D.. 2008. Deleuze, Guattari and the Production of the New. London: Continuum. ISBN 9780826499530 [Book]
O'Sullivan, Simon D.. 2008. The Production of the New and the Care of the Self. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze, Guattari and the Production of the New. London: Continuum, pp. 91-103. ISBN 0826499538 [Book Section]
O'Sullivan, Simon D. and Burrows, David. 2008. Black Mass for Partial Objects. In: "Black Mass for Partial Objects", Royal Academy of Arts, London, United Kingdom, December 2008. [Show/Exhibition]
O'Sullivan, Simon D. and Burrows, David. 2008. Protocols for Deceleration: Night is also a Sun. In: "Protocols for Deceleration: Night is also a Sun", Outpost Gallery, Norwich, United Kingdom, November 2008. [Show/Exhibition]
Rogoff, Irit and Schneider, Florian. 2008. Productive anticipation. In: David Held and Henrietta Moore, eds. Cultural transformations/Cultural politics in a global age: uncertainty, solidarity and globalisation. Oxford: Oneworld Publications, pp. 346-357. ISBN 1851685502 [Book Section]
Rogoff, Irit and Stahre, Ulrike. 2008. Unfolding the critical. Paletten: journal of art, design and crafts, 272(2), [Article]
Schmetterling, Astrid. 2008. Vivienne Koorland: Reisemalheurs (Travel Woes). Textile The Journal of Cloth and Culture, 6(1), pp. 88-97. ISSN 14759756 [Article]
Tubridy, Derval U.. 2008. “In his secondmouth language”: Joyce and Irish Poetry. In: Richard Brown, ed. A Companion to James Joyce. Oxford: Blackwell, pp. 341-358. ISBN 978140511044 [Book Section]
Wolf, Nicole. 2008. “Away in Berlin – Really! Documentary-fictional Side Notes”. In: Stefanie Schulte Strathaus and Florian Wüst, eds. Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s. Berlin: b-books, pp. 50-61. ISBN 978-3-933557-90-2 [Book Section]
Wolf, Nicole. 2008. Lovers of Life for Heterogeneous Time. In: Jonathan Harris, ed. Identity Theft: Cultural Colonisation and contemporary Art. Liverpool: University of Liverpool and Critical Forum Tate Liverpool, pp. 159-174. ISBN 9781846311024 [Book Section]
2007 Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. : Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]
Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. : MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]
Eshun, Kodwo and Sagar, A.. 2007. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press. ISBN 9781846310140 [Book]
García Düttmann , Alexander. 2007. Philosophy of Exaggeration. Continuum Books. ISBN 0826495621 [Book]
Martinon, Jean-Paul. 2007. On Futurity / Malabou, Derrida and Nancy. Palgrave Macmillan. ISBN 9780230506848 [Book]
O'Sullivan, Simon D. and Burrows, David. 2007. Plastique Fantastique present Ribbon Ritual to Call Forth the Pre-Industrial Moderns!. [Performance]
O'Sullivan, Simon D. and Lynch, John. 2007. One Day in the Life of a City (July 21, 2006). Parallax, 13(1), pp. 28-37. ISSN 1353-4645 [Article]
Prendeville, Brendan. 2007. The Meanings of Acts: Agnes Martin and the Making of Americans. Oxford Art Journal, [Article]
Schmetterling, Astrid. 2007. Archival Obsessions: Arnold Dreyblatt's Memory Work. Art Journal, 66(4), pp. 70-83. ISSN 00043249 [Article] (In Press)
Tubridy, Derval U.. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]
Turner, Lynn. 2007. Wind Up: the Machine-Event of Tape. Camera Obscura Feminism Culture and Media Studies, 22(164), pp. 112-135. ISSN 02705346 [Article]
Weizman, Eyal. 2007. HOLLOW LAND: Israel's Architecture of Occupation. Verso Books. ISBN 9781844671250 [Book]
2006 Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert, Irit Rogoff, B. de Baere, Y. Dziewior, C. Esche, K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. : Revolver, pp. 178-186. ISBN 3865883036 [Book Section]
García Düttmann , Alexander. 2006. Visconti: Einsichten in Fleisch und Blut. Kulturverlag Kadmos. ISBN 3931659925 [Book]
Martinon, Jean-Paul. 2006. Museum and Restlessness. In: H. Genoways, ed. Museum Philosophy for the Twentieth-first Century. : Alta Mira Press, pp. 59-69. ISBN 9780759107540 [Book Section]
O'Sullivan, Simon D.. 2006. Art Encounters Deleuze and Guattari: Thought Beyond Representation. Palgrave Macmillan. ISBN 1403918090 [Book]
O'Sullivan, Simon D. and Burrows, David. 2006. We are Plastique Fantastique. In: "Various events", Alice Day Gallery, 01/12/2006 - 25/01/2007. [Show/Exhibition]
O'Sullivan, Simon D. and Stahl, O.. 2006. Contours and Case Studies for a Dissenting Subjectivity (or, How to Live Creatively in a Fearful World). Angelaki, 11(1), pp. 147-156. ISSN 0969725X [Article]
Rogoff, Irit, Esche, Charles and Niemann, Kerstin. 2006. A.C.A.D.E.M.Y. UNDEFINED 16/09/2006 - 16/12/2006. [Show/Exhibition]
Schmetterling, Astrid. 2006. Encounters at the Site of Trauma. Third Text, 20(5), pp. 561-570. ISSN 09528822 [Article]
Schmetterling, Astrid. 2006. Inscriptions of Difference in Charlotte Salomon's Work. In: Michael Steinberg and Monica Bohm-Duchen, eds. Reading Charlotte Salomon. New York: Cornell University Press, pp. 140-147. ISBN 9780801439711 [Book Section]
Tubridy, Derval U.. 2006. "The Absence of Origin”: Beckett and Contemporary French Philosophy. In: David Rudrum, ed. Contemporary Debates in Literature and Philosophy. London: Palgrave macmillan, pp. 24-36. [Book Section]
2005 Butt, Gavin, ed. 2005. After Criticism: New Responses to Art and Performance. Blackwell. ISBN 9780631232834 [Book]
Butt, Gavin. 2005. After Criticism: New Responses to Art and Performance. Blackwell. ISBN 9780631232834 [Book]
Butt, Gavin. 2005. Between You and Me: Queer Disclosures in the New York Art World 1948-1963. Duke University Press. ISBN 0822334984 [Book]
García Düttmann , Alexander. 2005. Verwisch die Spuren. Diaphanes. ISBN 3935300646 [Book]
Martinon, Jean-Paul. 2005. Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. In: Robert Robert, ed. Daniel Buren. : The Wordsworth Trust, pp. 29-44. ISBN 1905256019 [Book Section]
O'Sullivan, Simon D.. 2005. Pragmatics for the Production of Subjectivity: Time for Probe-heads. Journal for Cultural Research, 10(4), pp. 309-322. ISSN 14797585 [Article]
Prendeville, Brendan. 2005. Discernment. Oxford Art Journal, 28(1), pp. 213-226. ISSN 01426540 [Article]
Rogoff, Irit. 2005. Looking Away—Participations in Visual Culture. In: Gavin Butt, ed. After Criticism—New Responses to Art and Perfomance. : Blackwell, pp. 117-134. ISBN 0631232842 [Book Section]
Tubridy, Derval U.. 2005. National Identity and Urban Topography in Joyce’s and Kinsella’s Dublin. In: UNSPECIFIED, ed. Ireland: Space, Text, Time. Dublin: Liffey Press, pp. 34-44. [Book Section]
Turner, Lynn. 2005. Des Jeunes Nées : for a confusion of the tongue, the lip, and the rim. In: Johnny Golding, ed. The Issues: In Contemporary Culture and Aesthetics. (1) : Nerve Ltd, pp. 171-178. ISBN 0955003709 [Book Section]
2004 Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). : Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]
García Düttmann , Alexander. 2004. So ist es. Ein philosophischer Kommentär zu Adornos "Minima Moralia". Suhrkamp Verlag. ISBN 351829329X [Book]
Mörtenböck, Peter and Mooshammer, H.. 2004. Inventing S-E-X. Österreichische Zeitschrift für Geschichtswissenschaften, 15(3), pp. 168-177. ISSN 1016765X [Article]
Prendeville, Brendan. 2004. Seurat and the Act of Sensing: Perception as Artefact. In: T. Fischer-Seidel, S. Peters and A. Potts, eds. Perception and the Senses / Sinneswahrnehmung. : A. Francke Verlag, pp. 165-187. ISBN 3772080405 [Book Section]
Prendeville, Brendan. 2004. Varying the Self: Bacon's Versions of van Gogh. Oxford Art Journal, 27(1), pp. 23-42. ISSN 01426540 [Article]
Rogoff, Irit. 2004. The Where of Now. In: G. Muir and J. Morgan, eds. Time Zones—Recent Film and Video. : Tate, pp. 84-99. ISBN 1854375490 [Book Section]
Tubridy, Derval U.. 2004. Thomas Kinsella and the Peppercanister Poems. In: Hutton Clare, ed. The Irish Book in the Twentieth Century. Dublin and Portland Or: Irish Academic Press, pp. 102-115. ISBN ISBN 0716527804, 0716533359 [Book Section]
2003 Eshun, Kodwo. 2003. Further Considerations on Afrofuturism. CR The New Centennial Review, 3(2), pp. 287-302. ISSN 15396630 [Article]
Eshun, Kodwo. 2003. OTOLITH 1. [Film/Video]
Martinon, Jean-Paul. 2003. Fact or Fiction? In: A. George, ed. Art, Lies and Videotape: Exposing Performance. : Tate Publishing, pp. 40-51. ISBN 1854375377 [Book Section]
Mörtenböck, Peter and Mooshammer, H.. 2003. Visuelle Kultur: Körper, Räume, Medien. Boehlau. ISBN 3205770404 [Book]
Rogoff, Irit. 2003. Engendering Terror. In: Ursula Biemann, ed. Geography and the Politics of mobility. Vienna and Cologne: Generali Foundation and Walter Koenig, pp. 48-64. ISBN 390110738X [Book Section]
Turner, Lynn. 2003. Braiding Polyphony: Je tu il elle (& lui). Performance Research, 8(1), pp. 93-99. ISSN 13528165 [Article]
Weizman, Eyal. 2003. Territories. In: "Territories", Kunst Werke and Walter Koenig Press, 6/1/2003 - 9/7/2003. [Show/Exhibition]
2002 Turner, Lynn. 2002. Translation Reading Sex. Parallax, 8(4), pp. 57-70. ISSN 13534645 [Article]
2001 Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker, M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. : Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]
Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]
Mörtenböck, Peter. 2001. Die virtuelle Dimension: Architektur, Subjektivität und Cyberspace. Boehlau. ISBN 3205993489 [Book]
Schmetterling, Astrid. 2001. Bilder eines Lebens. Charlotte Salomon 1917-1943. Jüdischer Verlag im Suhrkamp Verlag. ISBN 3633541683 [Book]
Tubridy, Derval U.. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]
2000 Tubridy, Derval U.. 2000. "Words Pronouncing Me Alive”: Beckett and Incarnation. In: Mary Bryden, Lance St John Butler, Marius Buning and Matthijs Engelberts, eds. Samuel Beckett Today/Aujourd’hui: Beckett and Religion; Beckett/Aesthetics/Politics. (9) Amsterdam; Atlanta GA: Rodopi, pp. 93-104. ISBN 9042014040 [Book Section]
1994 Rogoff, Irit and Sherman, D, eds. 1994. Museum Culture: Histories, Theories, Spectacles. Minneapolis: Minnesota University Press. ISBN 978-0-8166-1953-5 [Edited Book]
NULL
|
![[img]](/style/images/fileicons/text_html.png)