Goldsmiths - University of London

Adderley, W. Paul and Young, Michael W.. 2009. Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. Leonardo, 42(5), p. 404. ISSN 0024-094X [Article]

Alvarez Munoz, Pedro. 2012. Portfolio of compositions. Masters thesis, Goldsmiths, University of London. [Thesis]

Artamonova, Elena. 2012. Unknown Sergey Vasilenko and his Viola compositions. Journal of American Viola Society, 28(1), pp. 33-47. [Article]

Ayrey, Craig L.. 2006. Jankélévitch the obscure(d). Music Analysis, 25(iii), pp. 343-357. ISSN 0262-5245 [Article]

Ayrey, Craig L.. 2002. Nomos/Nomos: Law, Melody and the Deconstructive in Webern's 'Leichteste Bürden der Bäume' Cantata II Op. 31. Music Analysis, 21(3), pp. 259-305. ISSN 02625245 [Article]

Ayrey, Craig L.. 2005. 'Pousseur’s Scambi (1957), and the new problematics of the open work '. In: The 'Scambi Project'. Goldsmiths 18 Feb 2005. [Conference or Workshop Item]

Ayrey, Craig L.. 2002. Stravinsky in analysis: the anglophone traditions. In: J. Cross, ed. The Cambridge Companion to Stravinsky. Cambridge University Press, pp. 203-229. ISBN 9780521663779 [Book Section]

Baily, John S.. 2011. Across the Border: Afghan musicians exiled in Peshawar. [Film/Video]

Baily, John S.. 2010. Afghan Music in Australia. Migracoes: Journal of the Portuguese Immigration Observatory, 7, pp. 157-176. ISSN 1646-8104 [Article]

Baily, John S.. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, 18(1), pp. 55-64. ISSN 1741-1912 [Article]

Baily, John S.. 2001. Can You Stop the Birds Singing? The Censorship of Music in Afghanistan. Copenhagen: Freemuse. ISBN 0004707729 [Book]

Baily, John S.. 2010. The Circulation of Music Between Afghanistan and the Afghan Diaspora. In: Angela Schlenkhoff and Ceri Oeppen, eds. Beyond the 'Wild Tribes': Understanding Modern Afghanistan and Its Diaspora. London: Hurst & Co., pp. 157-171. ISBN 9781849040556 [Book Section]

Baily, John S.. 2009. Crossing the Boundary: From Experimental Psychology to Ethnomusicology. Empirical Musicology Review, 4(2), pp. 82-88. ISSN 1559-5749 [Article]

Baily, John S.. 2008. Ethnomusicology, Intermusability, and Performance Practice. In: Henry Stobart, ed. The New (Ethno)musicologies. Chicago: Scarecrow Press, pp. 117-134. [Book Section]

Baily, John S.. 2003. A Kabul Music Diary. [Film/Video]

Baily, John S.. 2010. Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. Kabul: Ministry of Information and Culture. [Book]

Baily, John S.. 2009. Music and censorship in Afghanistan, 1973-2003. In: Laudan Nooshin, ed. Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 143-163. ISBN 9780754634577 [Book Section]

Baily, John S.. 2011. "Music is in Our Blood": Gujarati Muslim Musicians in the UK. In: Lucy Green, ed. Learning, Teaching, and Musical Identity: Voices across Cultures. Bloomington, IN: Indiana University Press, pp. 109-127. ISBN 978-0-253-22293-0 [Book Section]

Baily, John S.. 2011. Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. In: Jason Toynbee and Byron Dueck, eds. Migrating Music. London: Routledge, pp. 180-194. ISBN 978-0-415-59448-6 [Book Section]

Baily, John S.. 2007. Scenes of Afghan Music: London, Kabul, Hamburg, Dublin . [Film/Video]

Baily, John S.. 2005. So Near, So Far: Kabul's Music in Exile. Ethnomusicology Forum, 14(2), pp. 213-233. ISSN 17411912 [Article]

Baily, John S.. 2011. Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. Aldershot: Ashgate. ISBN 978-0-7546-5776-7 [Book]

Baily, John S.. 2010. Tools of the Trade: The Afghan Rubab. Songlines, 71, pp. 43-46. [Article]

Baily, John S.. 2010. Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. Ethnomusicology Forum, 19(1), pp. 69-88. ISSN 1741-1912 [Article]

Baily, John S.. 2008. Ustad Rahim. Heart’s Rubab Maestro . [Film/Video]

Baily, John S.. 2007. 'The circulation of ‘New Music’ between Afghanistan and its transnational community'. In: Conference on Music in the world of Islam. Assilah, Morocco 8-13 August 2007. [Conference or Workshop Item]

Blackwell, Tim M. and Young, Michael W.. 2004. Self-Organised Music. Organised sound, 9(2), pp. 123-136. ISSN 1355-7718 [Article]

Brafman, Ricardo. 2011. Portfolio of Compositions and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Brinkhurst, Emma. 2012. Music, Memory and Belonging: Oral Tradition and Archival Engagement Among the Somali Community of London’s King’s Cross. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Bulley, James and Jones, Daniel. 2012. Maelstrom Documentation Video: Museum of Science and Industry, Manchester. [Film/Video]

Bulley, James and Jones, Daniel. 2011. Variable 4. [Project]

Bulley, James and Jones, Daniel. 2011. Variable 4: A Dynamical Composition for Weather Systems. Proceedings of International Computer Music Conference, (ICMC 2011), [Article]

Bulley, James and Jones, Daniel. 2012. Variable 4: Snape Maltings Installation Documentation Film. [Film/Video]

Busby, Lisa. 2008. Moths Wings. [Performance]

Busby, Lisa. 2007. Song for Nettie. [Art Object]

Busby, Lisa. 2009. The incredible adventures of M.Courage, or What if you were already as important as the person you are trying to be. [Art Object]

Busby, Lisa and Harries , John. 2011. Lo! . [Audio]

Busby, Lisa and Harries , John. 2008. We kept the memories locked away in matchboxes like the beetles of our childhood, or How to appreciate someone who’s always around. [Audio]

Chrysakis, Thanos. 2010. The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Chung, Yu-Chiao . 2012. Schools at Home: Parental Support for Learning Mandarin as a Second or Foreign Language. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Cline, David. 2011. Morton Feldman: Dimensions of Graph Music. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Cottrell, Stephen J.. 2003. The Future of the Symphony Orchestra. In: C. Lawson, ed. The Cambridge Companion to the Orchestra. Cambridge University Press, pp. 251-264. ISBN 0521001323 [Book Section]

Cottrell, Stephen J.. 2006. Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. twentieth-century music, 3(1), pp. 73-96. ISSN 14785722 [Article]

Cottrell, Stephen J.. 2004. Professional Music-Making in London. Ashgate. ISBN 0754608891 [Book]

Cottrell, Stephen J. . 2007. Local bimusicality among London's freelance musicians. Ethnomusicology, 51(1), pp. 85-105. ISSN 0014-1836 [Article]

Crawford, Tim. 2002. Facsimile and introductory study of the Dresden Manuscript of lute works by S. L. Weiss, Parts 1 and 2. Other. Baerenreiter.

Crawford, Tim. 2007. Transcription of the Dresden Manuscript of the lute works of S. L. Weiss (1687-1750), Parts 1 and 2. Other. Baerenreiter.

Crawford, Tim, Pickens, J. and Wiggins, Geraint. 2006. Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. In: Richard Kronland-Martinet, Thierry Voinier and Sylvi Ystad, eds. Computer Music Modeling and Retrieval. Lecture Notes in Computer Science, pp. 233-248. ISBN 03029743 [Book Section]

Diabaté, Toumani and Gardiner, Ian R.. 2008. Manchester. [Performance]

Dobbins, Frank. 2005. The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". In: E. Jas, ed. Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Turnhout: Brepols, p. 83. ISBN 2503518842 [Book Section]

Dobbins, Frank. 2006. Charles Tessier, Oeuvres completes/Complete Works: Chansons, Airs, Villanelles. Turnhout: Brepols. ISBN 9782503515946 [Book]

Dobbins, Frank. 2002. Claudio Montiverdi, Scherzi musicali a tre voci (1607). Cremona: Fondazione Claudio Monteverdi. ISBN 8886288275 [Book]

Dobbins, Frank. 2005. Jacotin, Chansons. Turnhout: Brepols. ISBN 9782503515939 [Book]

Dobbins, Frank. 2006. Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. Acta Musicologica, 78(2), pp. 197-234. ISSN 00016241 [Article]

Dobbins, Frank and Vacchelli, A.. 2002. Claudio Monteverdi, Scherzi musicali a una e due voci (1632). Cremona: Fondazione Claudio Monteverdi. ISBN 978-88-86288-28-6 [Book]

Drever, John L.. 2005. Close to the Literal. [Composition]

Drever, John L.. 2007. Nostophonics: approaches to grasping everyday sounds from a British perspective. In: Ros Bandt, Michelle Duffy and Dolly MacKinnon, eds. Hearing Places. Newcastle upon Tyne : Cambridge Scholars Press, pp. 161-173. ISBN 9781847182555 [Book Section]

Drever, John L.. 2003. Phonographies of Exeter. [Composition]

Drever, John L.. 2009. Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. In: Ross Brown , ed. Sound: a reader in theatre practice. Hampshire: Palgrave Macmillan Ltd., pp. 188-205. ISBN 9780230551886 [Book Section]

Drever, John L.. 2009. Sound walking: creative listening beyond the concert hall. In: James Saunders, ed. The Ashgate Research Companion to Experimental Music. Surrey: Ashgate, pp. 163-192. ISBN 978-0-7546-6282-2 [Book Section]

Drever, John L.. 2007. audience : hearing. [Composition]

Drever, John L.. 2006. -scape. [Composition]

Eichner, Barbara. 2007. Gottlieb Freiherr von Tuchers 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) und die Wiederentdeckung der Alten Musik [Gottlieb Freiherr von Tucher's 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) and the Rediscovery of Early Music]. Musicologica Austriaca, 23, pp. 57-80. ISSN 10161066 [Article]

Eichner, Barbara. 2007. In traeumerischer Entrueckung auf pfadlosen Wegen: Verwandlungsmusiken in Der Ring des Nibelungen und Parsifal [In dreamlike transport on pathless ways: transformation music in The Ring of the Nibelung and Parsifal]. In: A. Dorschel, ed. Verwandlungsmusik: Ueber komponierte Transfigurationen. Universal Edition, pp. 273-307. ISBN 9783702465537 [Book Section]

Eichner, Barbara. 2003. Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. In: Horton and B. Zon, eds. Nineteenth-Century British Music Studies. Ashgate, pp. 171-191. ISBN 0754636143 [Book Section]

Eichner, Barbara and Houghton, Guy. 2007. Rose Oil and Pineapples: Julius Cyriax's Friendship with Wagner and the Early Years of the London Wagner Society. The Wagner Journal, 1(2), pp. 19-49. ISSN 17550173 [Article]

Foulds, Rachel. 2010. Forging the 'Lady's Hammer': A Profile of Influence in the Life and Music of Galina Ustvolskaya. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Gardiner, Ian R.. 2007. L'escalier en spirale. [Composition]

Gardiner, Ian R.. 2007. ROSE HOBART (score for the 1936 film by Joseph Cornell). [Composition]

Gardiner, Ian R.. 2005. Toccata, Canzona, Ricercare. [Composition]

Gardiner, Ian R.. 2007. VORMITTAGSSPUK . [Composition]

Gardiner, Ian R.. 2009. listen . . . move . . . dance. [Composition]

Gardiner, Ian R.. 2012. spinning and weaving (1st version). [Composition]

Gardiner, Ian R.. spinning and weaving (final version). [Composition]

Gardiner, Ian R.. spinning and weaving (recording). [Audio]

Gardiner, Ian R. and Al Kawas, Hiba. 2008. Araftu Beirut. [Composition]

Gardiner, Ian R. and Al Kawas, Hiba. 2008. Li Anni Ahiya. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. 2008. Kaira. [Performance]

Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Boutiquier. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. Mamadou Boutiquier. [Performance]

Gerber, Anzél . 2008. Critical success factors in cello training – a comparative study. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Gisler, Priska, Guggenheim, Michael, Maranta, Alessandro, Nowotny, Helga and Pohl, Christian. 2004. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. ISBN 978-3934730793 [Book]

Graham, Stephen. 2012. Notes from the underground: a cultural, political, and aesthetic mapping of underground music. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Grierson, Mick. 2007. 'NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT'. In: International Computer Music Conference 2007. UNDEFINED 8/1/2007. [Conference or Workshop Item]

Grierson, Mick. 2003. Structure Interne. Noisefilm.

Grierson, Mick. 2004. Third World Warhol. Noisefilm.

Guggenheim, Michael. 2004. Von Nah und Fern. Wie sich Umweltdienstleistungsfirmen Laien vorstellen. In: Priska Gisler, Michael Guggenheim, Alessandro Maranta, Helga Nowotny and Christian Pohl, eds. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. [Book Section]

Guggenheim, Michael and Heller, Florian. 2002. Über Parallelen zwischen Kochen und Denken oder weshalb schlechte Symposien gute Esser zeitigen. In: Anja Eichelberg and Helga Nowotny, eds. Jahrbuch 2002 des Collgeium Helveticum der ETH Zürich. Zurich: vdf Hochschulverlag AG, 2003, pp. 337-347. ISBN 9783728128669 [Book Section]

Halstead, Jill. 2005. The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. Women a Cultural Review, 16(2), pp. 222-235. ISSN 14701367 [Article]

Halstead, Jill. 2006. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Ashgate. ISBN 0754601781 [Book]

Halstead, Jill. 2005. She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. In: Christa Brustle, ed. Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland, 1920-1950. Olms Verlag, pp. 1-9. ISBN 3487129620 [Book Section]

Harris, Rachel and Norton, Barley. 2002. Introduction: Ritual Music and Communism. British Journal of Ethnomusicology, 11(1), pp. 1-8. ISSN 1741-1912 [Article]

Ivashkin, Alexander V.. 2011. Alexander Raskatov's 'A Dog's Heart'. Tempo, 65(256), pp. 54-56. ISSN 0040-2982 [Article]

Ivashkin, Alexander V.. 1996. Alfred Schnittke. London: Phaidon. ISBN 0714831697 [Book]

Ivashkin, Alexander V.. 2009. Alfred Schnittke: cello concerto no 2 performed with London Philharmonic Orchestra. [Performance]

Ivashkin, Alexander V.. 2010. Alfred Schnittke: discoveries. [Audio]

Ivashkin, Alexander V.. 2011. Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music]. Muzykal'naia Zhizn' [Musical Life], 2011(1), pp. 56-57. [Article]

Ivashkin, Alexander V.. 2007. CD recording and other projects relating to Alfred Schnittke. Various.

Ivashkin, Alexander V.. 2010. Concert in memory of Noelle Mann at Queen Elizabeth Hall, London . [Performance]

Ivashkin, Alexander V.. 2009. Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. Three Oranges: Journal of the Serge Prokofiev Foundation, 18, pp. 7-14. ISSN 1472-9946 [Article]

Ivashkin, Alexander V.. 2011. Dmitrii Shostakovich. Cello Concerto N0. 1 . The New Collected Works Edition of Dmitrii Shostakovich Works. Critical Edition., 46, pp. 63-113. ISSN 979-0-706364-29-2 [Article]

Ivashkin, Alexander V.. 2005. Giya Kancheli: Simi and Mourned by the Wind (for cello and orchestra). [Audio]

Ivashkin, Alexander V.. 2012. 'Italiani in Russia: Presenza fisica e influenza virtuale sulla Musica' [ Italians in Russia: Physical Presence and Virtual Influence on Music], in Rinascimento e Antirinascimento, Gabinetto Scientifico Letterario G.P. Vieusseux. Studi, vol. 22, ed. Lucia Tonini. Firenze: Casa Editrice Leo S.Olschki, 2012, 209-218. Rinascimento e Antirinascimento. Firenze nella cultura russa fra Otto e Novecento, pp. 209-218. [Article]

Ivashkin, Alexander V.. 2011. 'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011, 8, pp. 13-24. ISSN 978-5-4254-0037-6 [Article]

Ivashkin, Alexander V.. 2012. Live Performance . [Performance]

Ivashkin, Alexander V.. Nikolai Korndorf: Complete Music for Cello, including world premiere recordings. Compact Disc (with own liner notes). [Audio]

Ivashkin, Alexander V.. Nikolai Korndorf: Complete Music for Cello, including world premiere recordings. Compact Disc (with own liner notes). [Audio]

Ivashkin, Alexander V.. 2004. Rachmaninov - Complete Works for Cello and Piano. [Audio]

Ivashkin, Alexander V.. 2012. Radio Broadcast. [Broadcast]

Ivashkin, Alexander V.. 2007. Rostropovich. Tokyo: Shunjusha Publishing Company. ISBN 978-4-393-93518-7 [Book]

Ivashkin, Alexander V.. 2012. Shostakovich, old believers and new minimalists. In: Alexander V. Ivashkin and Andrew Kirkman, eds. Contemplating Shostakovich. Farnham: Ashgate, pp. 19-45. ISBN 978-1-4094-3937-0 [Book Section]

Ivashkin, Alexander V.. 2012. ‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124. D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49, pp. 83-124. [Article]

Ivashkin, Alexander V.. 2001. Sofia Gubaidulina and Cello: In croce, Quaternion, Ten Preludes. [Audio]

Ivashkin, Alexander V.. 2013. Stravinsky and Khrennikov: An Unlikely Alliance. Mittelungen der Paul Sacher Stiftung, 26, April 2013, 12- 16(26), pp. 12-16. ISSN 1015-0536 [Article]

Ivashkin, Alexander V.. 2010. Such freedom, if only musical: unofficial Soviet music during the Thaw, by Peter Schmelz. Tempo, 64(253), pp. 62-63. ISSN 0040-2982 [Article]

Ivashkin, Alexander V.. 2009. Symbols, Metaphors and Irrationalities in Twentieth-Century Music. In: Rafael Jimenez Catano and Ignacio Yarza, eds. Mimesi, Verità e Fiction. 3 Rome: Edusc, pp. 69-88. ISBN 88-8333-220-3 [Book Section]

Ivashkin, Alexander V.. 2001. The Unknown Prokofiev. [Audio]

Ivashkin, Alexander V., Barlow, Ora and Halliday, Kim. 2009. Pacific voyage. [Audio]

Ivashkin, Alexander V., Kopachinskaya, P., Raiskin, D. and Sokolov, I.. 2001. Nikolai Korndorf: IN HONOUR OF ALFRED SCHNITTKE, PASSACAGLIA, ARE YOU READY, BROTHER. [Audio]

Ivashkin, Alexander V. and Lazareva, T.. 2003. Prokofiev: Complete Cello/piano Music. [Audio]

Ivashkin, Alexander V. and Lazareva, T.. 2001. Roslavets: Complete Music for Cello and Piano. [Audio]

Ivashkin, Alexander V. and Oerhlein, Josef. 1997. Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich. Frankfurt-Schweinfurth: Reimund Maier Verlag. ISBN 3-926300-30-2 [Book]

Ivashkin, Alexander V. and Vesmas, T.. 1995. Alfred Schnittke, Music for Cello and Piano. [Audio]

Ivashkin, Alexander V. and Vesmas, T.. 2001. Sergei Prokofiev: Complete Music for Cello and Piano. [Audio]

Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2012. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. In: Tiffany Potter, ed. Women of Fashion: Popular Culture in the Eighteenth Century and the eighteenth century in popular culture. Toronto: University of Toronto Press, pp. 25-51. ISBN 9781442641815 [Book Section]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Film/Video]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Broadcast]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. EMI.

Joncus, Berta. 2008. Building a Library: Bach’s 'Partitas for Solo Violin'. [Broadcast]

Joncus, Berta. 2009. Building a Library: Handel’s 'Messiah'. [Broadcast]

Joncus, Berta. 2008. CD Review: Handel’s 'Riccardo Primo'. [Broadcast]

Joncus, Berta. 2008. CD Review: J.S Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2010. CD Review: Pergolesi, Missa S. Emidio et al.. [Broadcast]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2008. "Curse them all for a Parcel of Italian Bitches": The Prima Donna versus the English Singer-Actress. In: UNSPECIFIED, ed. Handel and the Divas [Exhibition catalogue]. London: Handel House. [Book Section]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom 12-14 November 2004. [Conference or Workshop Item]

Joncus, Berta. 2012. Editorial. Eighteenth-Century Music, 9(1), pp. 5-8. ISSN 1478-5706 [Article]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2005. "His Spirit is in Action Seen": Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2005. ‘His Spirit is in Action seen’: Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2010. "Ich bin eine Engländerin, zur Freyheit geboren": Blonde and the Enlightened Female in Mozart’s 'Entführung aus dem Serail’. The Opera Quarterly, 26(4), 552-587 . ISSN 0736-0053 [Article]

Joncus, Berta. 2010. ‘“Ich bin eine Engländerin, zur Freyheit geboren”: Blonde and the Enlightened Female in Mozart’s Entführung aus dem Serail’. The Opera Quarterly , 26(4), pp. 552-587. ISSN 00187895 [Article]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

Joncus, Berta. 2010. Join the Conversation Live! Handel’s 'Radamisto'. [Broadcast]

Joncus, Berta. 2009. "A Likeness where None was to be Found": Imagining Kitty Clive (1711–1785). Music in Art, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta. 2009. Liner notes, 'Handel in the playhouse'. Oppella Nova Records, London.

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2011. London Stage Music in Transition [Review]. Early Music, 39(1), pp. 100-102. ISSN 0306-1078 [Article]

Joncus, Berta. 2010. Martha Feldman's 'Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy' (Chicago: University of Chicago Press, 2007) [Review]. Oxford University Press.

Joncus, Berta. 2009. 'The Monthly Mask of Vocal Music, 1702-1711: a Facsimile Edition', edited by Olive Baldwin and Thelma Wilson (Aldershot: Ashgate, 2007) [Review]. Eighteenth-Century Music, 6(1), pp. 133-135. ISSN 1478-5706 [Article]

Joncus, Berta. 2011. Music Matters, Funding Cuts to HEI Music Teaching. [Broadcast]

Joncus, Berta. 2009. Music Matters: Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2009. Music Matters: Handel’s 'Cantatas'. [Broadcast]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta. 2012. 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). In: Marina Warner and Philip F. Kennedy, eds. The Arabian Nights: Encounters and Translations in Literature and the Arts. New York: New York University Press. [Book Section]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

Joncus, Berta. 2009. Performance on Radio 3: Handel’s Italian cantatas. [Broadcast]

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom 11-12 June 2010. [Conference or Workshop Item]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-540. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Berta Joncus and Melania Bucciarelli, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-293. ISBN 9781874833178 [Book Section]

Joncus, Berta. 2009. Proms on Radio 3: Handel’s 'Samson'. [Broadcast]

Joncus, Berta. 2013. Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Eighteenth-Century Music, 10(1), pp. 136-139. ISSN 1478-5706 [Article]

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom 20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta. 2013. ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. The London Journal, 38(1), pp. 34-66. ISSN 0305-8034 [Article]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom 14-16 July 2008. [Conference or Workshop Item]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Review]. Early Music, 37(3), pp. 479-481. ISSN 0306-1078 [Article]

Joncus, Berta, Burden, Michael, Rogers, Vanessa L. and Lipinski, Thaddeus. 2008. Ballad Opera Online. [Project]

Joncus, Berta, Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

Joncus, Berta and Rogers, Vanessa . 2013. 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c1758-1821). In: Baerbel Czennia, ed. Celebrity: the idiom of a modern era. 70 New York: AMS Press. ISBN 978-0-404-64870-1 [Book Section] (Forthcoming)

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, pp. 184-204. ISBN 9781611490329 [Book Section]

Keenan, Jeremy. 2011. The Aural and the Quotidian: Everyday Experience in Listening and Practice. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Kivy, Peter. 2006. Ars Perfecta: toward perfection in musical performance? The British Journal of Aesthetics, 46(2), pp. 111-132. ISSN 14682842 [Article]

Kivy, Peter. 2004. Music, Language and Cognition: which doesn't belong? In: K. Korta and J. Larrazabal J, eds. Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science. Kluwer, pp. 157-174. ISBN 1402019122 [Book Section]

Kivy, Peter. 2006. The Performance of Reading: an essay in the philosophy of literature. Blackwell. ISBN 1405146923 [Book]

Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven: Yale University Press. ISBN 0300087586 [Book]

Langley, Leanne. 2007. Agency and Change: Berlioz in Britain, 1870-1920. Journal of the Royal Musical Association, 132(2), pp. 306-347. ISSN 02690403 [Article] (In Press)

Langley, Leanne. 2007. Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. In: N. Kenyon, J. Doctor and D. Wright, eds. The Proms: A New History. Thames and Hudson, pp. 32-73. ISBN 9780500513521 [Book Section]

Langley, Leanne. 2001. Dictionary entries on English music critics and criticism. In: Sadie Stanley, ed. The New Grove Dictionary of Music and Musicians. Macmillan, p. 57. ISBN 0333608003 [Book Section]

Langley, Leanne. 2003. Roots of a Tradition: The First Dictionary of Music and Musicians. In: M. Musgrave, ed. George Grove, Music and Victorian Culture. Palgrove, pp. 168-215. ISBN 0004707729 [Book Section]

Lexer, Sebastian. 2012. Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation.. Doctoral thesis, Goldsmiths, University of London. [Thesis]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

McVeigh, Simon. 2009. Concerto of the Individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

Minou, Andriana. 2010. Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Nalimova, Elena. 2012. Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation.. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

Negus, Keith. 2008. Bob Dylan. London: Indiana University Press. ISBN 978-0-253-22005-9 [Book]

Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

Negus, Keith. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: out of print. [Book]

Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Negus, Keith, Du Gay, Paul, Hall, Stuart, Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'. In: International Nono Conference. Padova 2006. [Conference or Workshop Item] (In Press)

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966'. In: International Conference 'Presenza storica di Luigi Nono'. UNDEFINED 12/1/2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. Intolleranza 1960. In: UNSPECIFIED, ed. Intolleranza 1960. UNSPECIFIED, pp. 8-17. ISBN 00000000 [Book Section]

Nielinger-Vakil, Carola. 2007. Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein. [Performance]

Nielinger-Vakil, Carola. 2006. 'The Song Unsung': Luigi Nono's Il canto sospeso. Journal of the Royal Musical Association, 131(1), pp. 83-150. ISSN 14716933 [Article]

Norton, Barley. 2008. Book review of P’ungmul: South Korean Drumming and Dance by Nathan Hesselink, University of Chicago Press. World of Music, 50(1), pp. 120-121. [Article]

Norton, Barley. 2008. CD Review: Huong Thanh, Cai Luong Music. Songlines: The World Music Magazine., 53, p. 77. [Article]

Norton, Barley. 2007. CD Review: Que Huong (Homeland). Songlines: The World Music Magazine., 44, p. 75. [Article]

Norton, Barley. 2007. CD Review: The Rough Guide to the Music of Vietnam. Songlines: The World Music Magazine, 46, p. 67. [Article]

Norton, Barley. 2007. CD Review: Vietnam: Vocal music from the Northern Plains. Songlines: The World Music Magazine, 41, p. 75. [Article]

Norton, Barley. 2008. Ca Tru Restoration: Issues and Challenges. In: . Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2008. The Ca Tru Singing of the Vietnamese People. In: Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2001. Ca tru: the music of north Vietnam. Nimbus Records NI5626, Wyastone.

Norton, Barley. Committee Member for the Society for Ethnomusicology's 2013 Alan Merriam Prize for the most distinguished, published English-language monograph in the field of ethnomusicology. [Professional Activity]

Norton, Barley. 2006. Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. In: Karen Fjelstad and Hien Thi Nguyen, eds. Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities. Ithaca, NY: Cornell University Press, pp. 55-75. ISBN 0877271410 [Book Section]

Norton, Barley. 2013. Engendering Emotion and the Environment in Vietnamese Music and Ritual. In: Fiona Magowan and Louise Wrazen, eds. Performing Gender, Place and Emotion. Rochester, New York: Rochester University Press, pp. 29-59. [Book Section] (Forthcoming)

Norton, Barley. External Examiner for Music programmes at K.M. Music Conservatory in Chennai, India, validated by Middlesex University (20012-16). [Professional Activity]

Norton, Barley. External Examiner for UNESCO for the nomination file "Ca tru singing of the Viet people". [Professional Activity]

Norton, Barley. 2007. Feature article "Postcard from Hanoi, Vietnam". Songlines: The World Music Magazine., 45, p. 51. [Article]

Norton, Barley. 2010. Hanoi Eclipse: The Music of Dai Lam Linh. [Film/Video]

Norton, Barley. 2011. Huong Thanh - Vietnam's Song Bird. Songlines, 80, p. 27. [Article]

Norton, Barley. 2004. Lên Đồng Việt Nam: Cấu Tạo Âm Nhạc của Thần Thánh” (Vietnamese Mediumship Rituals: The Musical Construction of the Spirits). In: Ngo Duc Thinh, ed. Đạo Mẫu và Các Hình Thức Shaman Trong Các Tộc Người ở Việt Nam và Châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. ISBN No ISBN [Book Section]

Norton, Barley. 2004. Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). In: Đức Thịnh Ngô , ed. Đạo Mẫu và các hình thức Shaman trong các tộc người ở Việt Nam và châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. [Book Section]

Norton, Barley. 2002. The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. British Journal of Ethnomusicology, 11(1), pp. 71-100. ISSN 1741-1912 [Article]

Norton, Barley. 2013. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. In: Caroline Bithell and Juniper Hill, eds. The Oxford Handbook of Music Revivals. New York: Oxford University Press. [Book Section] (Forthcoming)

Norton, Barley. 2010. “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). In: Hy Van Luong, ed. Hiện Đậi và Động Thái của Truyền Thống Ở Việt Nam: Những Cách Tiếp Cận Nhân Học (Modernities and the Dynamics of Tradition in Vietnam: Anthropological Approaches). 2 Ho Chi Minh City: National University of Ho Chi Minh Press, pp. 623-636. [Book Section]

Norton, Barley. 2007. A Review Essay on Recordings of Music from Vietnam. World of Music, 49(1), pp. 215-222. [Article]

Norton, Barley. 2005. Review of 6 CD Box Set , “Vietnam – Mother Mountain and Father Sea, an Introduction to the Traditional Music of Vietnam”. White Cliffs Media WCM 9991. Ethnomusicology Forum, 14(1), pp. 121-123. [Article]

Norton, Barley. 2010. Review of Music, National Identity and the Politics of Location: Between the Global and the Local, edited by Ian Biddle and Vanessa Knights. Ethnomusicology Forum, 19(2), pp. 268-269. [Article]

Norton, Barley. 2011. Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. Songlines: The World Music Magazine, 74, p. 78. [Article]

Norton, Barley. 2008. Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. Songlines: The World Music Magazine., 50, p. 101. [Article]

Norton, Barley. 2012. Review of the CD 'Saigon Rock and Soul: Vietnamese Classic Tracks 1968-1974'. SF060. Songlines: The World Music Magazine, 85, p. 81. [Article]

Norton, Barley. 2009. Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. Songlines: The World Music Magazine, 64, p. 97. [Article]

Norton, Barley. 2012. Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. Songlines: The World Music Magazine. , 84, p. 94. [Article]

Norton, Barley. 2012. Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. Songlines: The World Music Magazine. , 83, p. 88. [Article]

Norton, Barley. 2005. Singing the Past: Vietnamese Ca Tru, Memory and Mode. Asian Music, 36(2), pp. 27-56. [Article]

Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

Norton, Barley. 2000. Vietnamese Mediumship Rituals: The Musical Construction of the Spirits. The World of Music, 42(2), pp. 75-97. [Article]

Norton, Barley. 2013. Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. In: Beate Kutschke and Barley Norton, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, pp. 97-118. ISBN 9781107007321 [Book Section] (Forthcoming)

Norton, Barley. 2005. Website on Vietnamese Ca Tru. [Digital]

Norton, Barley and Blackburn, Philip. 2009. Vietnam: Music on the Move. In: Simon Broughton, ed. The Rough Guide to World Music: Europe and Asia. 2 London: Rough Guides, pp. 778-797. ISBN 1843538660 [Book Section]

Pavlopoulou, Argyro. 2012. Musical tradition and change on the island of Crete. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Perchard, Tom. AHRB/C PhD award (2002-5). [Project]

Perchard, Tom. 2012. AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. [Project]

Perchard, Tom. Advisory Council member, Institute of Musical Research. [Professional Activity]

Perchard, Tom. Contributor, 'The Wire', 2001-2007 . [Professional Activity]

Perchard, Tom. Editorial Board member, 'Jazz Research Journal'. [Professional Activity]

Perchard, Tom. 2005. Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ [review]. Popular Music, 24(3), pp. 459-462. [Article]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’ '. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s '. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s '. In: Invited research seminar, ‘Directions in Musical Research’ series. . Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2011. Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. American Music, 29(3), pp. 277-307. ISSN 0734-4392 [Article]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

Perchard, Tom. 2012. Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. Popular Music and Society, 35(3), pp. 375-398. ISSN 0300-7766 [Article]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Perchard, Tom. 2011. Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen' . [Broadcast]

Perchard, Tom. 2009. Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. [Broadcast]

Perchard, Tom. 2010. Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. [Broadcast]

Perchard, Tom. 2008. Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. [Broadcast]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz '. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. Regular referee, 'Popular Music'. [Professional Activity]

Perchard, Tom. 2009. Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ [review]. Jazz Research Journal, 3(2), pp. 212-219. ISSN 1753-8637 [Article]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2011. Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. Jazz Perspectives, 5(1), pp. 61-94. ISSN 1749-4060 [Article]

Perchard, Tom. 2011. Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. Popular Music, 30(1), pp. 25-45. [Article]

Perchard, Tom. 2012. '“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art'. In: Invited research seminar. University of Edinburgh. [Conference or Workshop Item]

Perchard, Tom. 2006. Writer and presenter, Resonance FM series, 'Memoir City' . [Broadcast]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

Pickens, Jeremy, Bello, Juan Pablo, Monti, Giuliano, Sandler, Mark, Crawford, Tim and Dovey, Matthew. 2003. Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. Journal of New Music Research, 32(2), pp. 223-236. ISSN 09298215 [Article]

Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Potter, Keith S.. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Potter, Keith S.. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Potter, Keith S.. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Potter, Keith S., Wiggins, Geraint and Pearce, Marcus T.. 2007. Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music. Musicae Scientiae, 11(2), pp. 295-324. ISSN 10298649 [Article]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

Pryer, Anthony J.. 2007. Re-Reading Hanslick: Musical Performance and "The Music Itself". The Musical Quarterley, pp. 1-22. [Article] (Submitted)

Pryer, Anthony J.. 2002. Seventeen new articles (and eight revised articles) in music dictionary. Please see further information below. In: A. Latham, ed. The Oxford Companion to Music. Oxford University Press, p. 159. ISBN 0198662122 [Book Section]

Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

Pryer, Anthony J.. 2002. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: Proceedings of the International Congress in Shizuoka, 2002. UNDEFINED 8/1/2002. [Conference or Workshop Item]

Pyke, Cameron. 2011. Benjamin Britten's Creative Relationship with Russia. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Redgate, Roger. 2008. Chamber Music by Brian Ferneyhough. [Audio]

Redgate, Roger. 1998. Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. In: Henrietta Brougham, Christopher Fox and Ian Pace, eds. Uncommon Ground: The Music of Michael Finnissy. Aldershot: Ashgate, pp. 135-168. ISBN ISBN 1 85928365 X [Book Section]

Redgate, Roger. 2008. Roger Redgate: works for piano solo. [Audio]

Sarcich, Paul. 2010. Commentary on the Submitted Portfolio of Compositions. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Sarlo, Dario. 2010. Investigating Performer Uniqueness: The Case of Jascha Heifetz. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Scarfe, Dawn. 2011. Resonating bodies: an artist's enquiry into sympathies between the audible and the material. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Silkstone, Francis. 2004. Double Raaga, Double Taala for String Quartet and Tabla. [Composition]

Silkstone, Francis. 2005. Duo for Violin and Bass Clarinet. [Composition]

Silkstone, Francis. 2005. Is this Raag? and Is this Raag too?. [Composition]

Silkstone, Francis. 2004. Sharing The Cooking Times: Alap-Jor-Jhala Concerto for Large Ensemble in Raga Chameleon. [Composition]

Sledmere, Adrian. 2010. Interrogating Talent: Struggles and Strategies in the Popular Music Industry. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Smirnov, Dmitri. 2003. A Geometer of Sound Crystals: a book on Philip Herschkowitz. Verlag Ernst Kuhn. ISBN 3928864998 [Book]

Smirnov, Dmitri. 2005. String Quartet No. 7. [Composition]

Smirnov, Dmitri. 2004. Tri-o-Tri (Piano Trio No 3). [Composition]

Smirnov, Dmitri. 2003. Triple Concerto No. 2 for violin, harp, double bass and orchestra, op.139. [Composition]

Stavlas, Nikolaos. 2012. Reconstructing Beethoven: Mauricio Kagel’s Ludwig van. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Wilshere, Brian. 2007. Brian Wilshere: The Drummer as Composer. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Young, Michael W.. 2004. Argrophylax. [Composition]

Young, Michael W.. 2009. Creative Computers, Improvisation and Intimacy. Dagstuhl Seminar Proceedings(09291), pp. 1-7. [Article]

Young, Michael W.. 2006. Ebbs. [Composition]

Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20, p. 97. ISSN 0961-1215 [Article]

Young, Michael W.. 2007. 'NN Music: Improvising with a 'Living' Computer'. In: International Computer Music Conference. San Francisco 2007. [Conference or Workshop Item]

Young, Michael W.. flute_prosthesis (two studio recordings). [Audio]

Young, Michael W.. 2008. oboe_prosthesis (live performance). [Performance]

Young, Michael W.. 2008. piano_prosthesis (live performance). [Performance]

Young, Michael W.. 2010. piano_prosthesis2 (live performance). [Performance]

Young, Michael W.. 2009. piano_prosthesis: indicative score. [Composition]

Young, Michael W. and Adderley, Paul. 2012. Exposure: Living in Extreme Environments: Video. [Film/Video]

Young, Michael W. and Adderley, Paul. 2007. Here is Now and There the Sound of the Land: 'Ground-breaking'. MutaMorphosis: Challenging Arts and Sciences Conference Proceedings, p. 1. [Article]

Young, Michael W. and Bown, Oliver. 2010. Clap-along: A negotiation strategy for creative musical interaction with computational systems. Proceedings of the International Conference on Computational Creativity 2010, pp. 215-222. [Article]

Young, Michael W., Drever, John L., Grierson, Mick and Stonehouse, Ian. 2008. Goldsmiths Electronic Music Studios: 40 Years. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

Young, Michael W. and Goto, J.. 2002. 1. Loss of Face and 2. New World Circus. In: "1. Loss of Face and 2. New World Circus", 1. Loss of Face. Norwich Gallery, Wolsey Art Gallery, Hartlepool Art Gallery 2002. 2. New World Circus Mercer Art Gallery, Harrogate. Focal Point Gallery, Southend on Sea. Stephen Lawrence Gallery, London. 4U of Brighton Gallery. Ovada Gallery, Oxford. , 6/30/2006 - 11/3/2007. [Show/Exhibition]

Zolinsky, Andrew. 2001. Old, new, borrowed, blue: a series of three solo piano recitals. [Performance]

Zolinsky, Andrew. 2007. Schoenberg: Complete Piano Music (also Organ Music). Mollterz.

Zolinsky, Andrew. 2006. Unsuk Chin: Piano Concerto. [Performance]