Goldsmiths - University of London

Ivashkin, Alexander V., ed. 2013. Alfred Schnittke: collected works. St Petersburg: Compozitor. ISBN 979-0-66000-053-3 [Edited Book]

Parlopoulou, Argyro. 2012. Musical tradition and change on the island of Crete. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Baily, John S.. 2011. Across the Border: Afghan musicians exiled in Peshawar. [Film/Video]

Baily, John S.. 2011. "Music is in Our Blood": Gujarati Muslim Musicians in the UK. In: Lucy Green, ed. Learning, Teaching, and Musical Identity: Voices across Cultures. Bloomington, IN: Indiana University Press, pp. 109-127. ISBN 978-0-253-22293-0 [Book Section]

Baily, John S.. 2011. Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. In: Jason Toynbee and Byron Dueck, eds. Migrating Music. London: Routledge, pp. 180-194. ISBN 978-0-415-59448-6 [Book Section]

Baily, John S.. 2011. Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. Aldershot: Ashgate. ISBN 978-0-7546-5776-7 [Book]

Brafman, Ricardo. 2011. Portfolio of Compositions and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Bulley, James and Jones, Daniel. 2011. Variable 4: A Dynamical Composition for Weather Systems. Proceedings of International Computer Music Conference, (ICMC 2011), [Article]

Busby, Lisa and Harries , John. 2011. Lo!. [Audio]

Cline, David. 2011. Morton Feldman: Dimensions of Graph Music. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Ivashkin, Alexander V.. 2011. Alexander Raskatov's 'A Dog's Heart'. Tempo, 65(256), pp. 54-56. ISSN 0040-2982 [Article]

Ivashkin, Alexander V.. 2011. Shostakovich, old believers and new minimalists. In: Alexander V. Ivashkin and Andrew Kirkman, eds. Contemplating Shostakovich. Farnham: Ashgate, pp. 1-31. ISBN n/a [Book Section]

Ivashkin, Alexander V.. 2011. Songs my mother taught me. Crossover and double recycling in soviet and post-soviet music. Music&Letters, pp. 1-48. [Article]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2011. London Stage Music in Transition [Review]. Oxford University Press.

Joncus, Berta. 2011. Music Matters, Funding Cuts to HEI Music Teaching. [Broadcast]

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, 0-0. ISBN 9781611490329 [Book Section]

Keenan, Jeremy. 2011. The Aural and the Quotidian: Everyday Experience in Listening and Practice. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

Negus, Keith R.. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: out of print. [Book]

Perchard, Tom. 2011. Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. Jazz Perspectives, 5(1), pp. 61-94. ISSN 1749-4060 [Article]

Perchard, Tom. 2011. Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. Popular Music, 30(1), pp. 25-45. [Article]

Pyke, Cameron. 2011. Benjamin Britten's Creative Relationship with Russia. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Baily, John S.. 2010. Afghan Music in Australia. Migracoes: Journal of the Portuguese Immigration Observatory, 7, pp. 157-176. ISSN 1646-8104 [Article]

Baily, John S.. 2010. The Circulation of Music Between Afghanistan and the Afghan Diaspora. In: Angela Schlenkhoff and Ceri Oeppen, eds. Beyond the 'Wild Tribes': Understanding Modern Afghanistan and Its Diaspora. London: Hurst & Co., pp. 157-171. ISBN 9781849040556 [Book Section]

Baily, John S.. 2010. Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. Kabul: Ministry of Information and Culture. [Book]

Baily, John S.. 2010. Tools of the Trade: The Afghan Rubab. Songlines, 71, pp. 43-46. [Article]

Baily, John S.. 2010. Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. Ethnomusicology Forum, 19(1), pp. 69-88. ISSN 1741-1912 [Article]

Chrysakis, Thanos. 2010. The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Foulds, Rachel. 2010. Forging the 'Lady's Hammer': A Profile of Influence in the Life and Music of Galina Ustvolskaya. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Gardiner, Ian R.. 2010. spinning and weaving (1st version). [Composition]

Ivashkin, Alexander V.. 2010. Alfred Schnittke: discoveries. [Audio]

Ivashkin, Alexander V.. 2010. Concert in memory of Noelle Mann at Queen Elizabeth Hall, London. [Performance]

Ivashkin, Alexander V.. 2010. The Slava effect. The Strad, 121(1440), pp. 38-42. ISSN 0039-2049 [Article]

Ivashkin, Alexander V.. 2010. Such freedom, if only musical: unofficial Soviet music during the Thaw, by Peter Schmelz. Tempo, 64(253), pp. 62-63. ISSN 0040-2982 [Article]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Film/Video]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Broadcast]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. EMI.

Joncus, Berta. 2010. CD Review: Pergolesi, Missa S. Emidio et al.. [Broadcast]

Joncus, Berta. 2010. "Ich bin eine Engländerin, zur Freyheit geboren": Blonde and the Enlightened Female in Mozart’s 'Entführung aus dem Serail’. The Opera Quarterly, 26(4), 552-587 . ISSN 0736-0053 [Article]

Joncus, Berta. 2010. Join the Conversation Live! Handel’s 'Radamisto'. [Broadcast]

Joncus, Berta. 2010. Martha Feldman's 'Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy' (Chicago: University of Chicago Press, 2007) [Review]. Oxford University Press.

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom11-12 June 2010. [Conference or Workshop Item]

Minou, Andriana. 2010. Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Negus, Keith R.. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

Norton, Barley. 2010. Hanoi Eclipse: The Music of Dai Lam Linh. [Film/Video]

Potter, Keith S.. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Sarcich, Paul. 2010. Commentary on the Submitted Portfolio of Compositions. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Sarlo, Dario. 2010. Investigating Performer Uniqueness: The Case of Jascha Heifetz. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Sledmere, Adrian. 2010. Interrogating Talent: Struggles and Strategies in the Popular Music Industry. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20, p. 97. ISSN 0961-1215 [Article]

Young, Michael W. and Bown, Oliver. 2010. Clap-along: A negotiation strategy for creative musical interaction with computational systems. Proceedings of the International Conference on Computational Creativity 2010, pp. 215-222. [Article]

Baily, John S.. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, 18(1), pp. 55-64. ISSN 1741-1912 [Article]

Baily, John S.. 2009. Crossing the Boundary: From Experimental Psychology to Ethnomusicology. Empirical Musicology Review, 4(2), pp. 82-88. ISSN 1559-5749 [Article]

Baily, John S.. 2009. Music and censorship in Afghanistan, 1973-2003. In: Laudan Nooshin, ed. Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 143-163. ISBN 9780754634577 [Book Section]

Busby, Lisa. 2009. The incredible adventures of M.Courage, or What if you were already as important as the person you are trying to be. [Art Object]

Drever, John L.. 2009. Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. In: Ross Brown, ed. Sound: a reader in theatre practice. Hampshire: Palgrave Macmillan Ltd., pp. 188-205. ISBN 9780230551886 [Book Section]

Drever, John L.. 2009. Sound walking: creative listening beyond the concert hall. In: James Saunders, ed. The Ashgate Research Companion to Experimental Music. Surrey: Ashgate, pp. 163-192. ISBN 978-0-7546-6282-2 [Book Section]

Gardiner, Ian R.. 2009. listen . . . move . . . dance. [Composition]

Ivashkin, Alexander V.. 2009. Alfred Schnittke: cello concerto no 2 performed with London Philharmonic Orchestra. [Performance]

Ivashkin, Alexander V.. 2009. Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. Three Oranges: Journal of the Serge Prokofiev Foundation, 18, pp. 7-14. ISSN 1472-9946 [Article]

Ivashkin, Alexander V.. 2009. Symbols, Metaphors and Irrationalities in Twentieth-Century Music. In: Rafael Jimenez Catano and Ignacio Yarza, eds. Mimesi, Verità e Fiction. 3 Rome: Edusc, pp. 69-87. ISBN 88-8333-220-3 [Book Section]

Ivashkin, Alexander V., Barlow, Ora and Halliday, Kim. 2009. Pacific voyage. [Audio]

Joncus, Berta. 2009. Building a Library: Handel’s 'Messiah'. [Broadcast]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2009. "A Likeness where None was to be Found": Imagining Kitty Clive (1711–1785). Music in Art, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta. 2009. Liner notes, 'Handel in the playhouse'. Oppella Nova Records, London.

Joncus, Berta. 2009. 'The Monthly Mask of Vocal Music, 1702-1711: a Facsimile Edition', edited by Olive Baldwin and Thelma Wilson (Aldershot: Ashgate, 2007) [Review]. Cambridge University Press.

Joncus, Berta. 2009. Music Matters: Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2009. Music Matters: Handel’s 'Cantatas'. [Broadcast]

Joncus, Berta. 2009. Performance on Radio 3: Handel’s Italian cantatas. [Broadcast]

Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-540. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2009. Proms on Radio 3: Handel’s 'Samson'. [Broadcast]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Review]. Oxford University Press.

Joncus, Berta, Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

McVeigh, Simon. 2009. Concerto of the individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

Young, Michael W.. 2009. Creative Computers, Improvisation and Intimacy. Dagstuhl Seminar Proceedings(09291), pp. 1-7. [Article]

Young, Michael W.. 2009. piano_prosthesis: indicative score. [Composition]

Baily, John S.. 2008. Ethnomusicology, Intermusability, and Performance Practice. In: Henry Stobart, ed. The New (Ethno)musicologies. Chicago: Scarecrow Press, pp. 117-134. [Book Section]

Baily, John S.. 2008. Ustad Rahim. Heart’s Rubab Maestro. [Film/Video]

Busby, Lisa. 2008. Moths Wings. [Art Object]

Busby, Lisa and Harries , John. 2008. We kept the memories locked away in matchboxes like the beetles of our childhood, or How to appreciate someone who’s always around. [Audio]

Diabaté, Toumani and Gardiner, Ian R.. 2008. Manchester. [Composition]

Gardiner, Ian R. and Al Kawas, Hiba. 2008. Araftu Beirut. [Composition]

Gardiner, Ian R. and Al Kawas, Hiba. 2008. Li Anni Ahiya. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. 2008. Kaira. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Boutiquier. [Composition]

Joncus, Berta. 2008. Building a Library: Bach’s 'Partitas for Solo Violin'. [Broadcast]

Joncus, Berta. 2008. CD Review: Handel’s 'Riccardo Primo'. [Broadcast]

Joncus, Berta. 2008. CD Review: J.S Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2008. "Curse them all for a Parcel of Italian Bitches": The Prima Donna versus the English Singer-Actress. In: UNSPECIFIED, ed. Handel and the Divas [Exhibition catalogue]. London: Handel House. [Book Section]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom14-16 July 2008. [Conference or Workshop Item]

Joncus, Berta, Burden, Michael, Rogers, Vanessa L. and Lipinski, Thaddeus. 2008. Ballad Opera Online. [Project]

Negus, Keith R.. 2008. Bob Dylan. London: Indiana University Press. ISBN 978-0-253-22005-9 [Book]

Potter, Keith S.. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Redgate, Roger. 2008. Chamber Music by Brian Ferneyhough. [Audio]

Redgate, Roger. 2008. Roger Redgate: works for piano solo. [Audio]

Young, Michael W., Drever, John L., Grierson, Mick and Stonehouse, Ian. 2008. GOLDSMITHS ELECTRONIC MUSIC STUDIOS: 40 YEARS. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

Joncus, Berta and Bucciarelli, Melania, eds. 2007. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781843833178 [Edited Book]

Baily, John S.. 2007. Scenes of Afghan Music: London, Kabul, Hamburg, Dublin. [Film/Video]

Baily, John S.. 2007. 'The circulation of ‘New Music’ between Afghanistan and its transnational community'. In: Conference on Music in the world of Islam. Assilah, Morocco8-13 August 2007. [Conference or Workshop Item]

Busby, Lisa. 2007. Song for Nettie. [Art Object]

Cottrell, Stephen J.. 2007. Local bimusicality among London's freelance musicians. Ethnomusicology, 51(1), pp. 85-105. ISSN 0014-1836 [Article]

Crawford, Tim. 2007. Transcription of the Dresden Manuscript of the lute works of S. L. Weiss (1687-1750), Parts 1 and 2. Other. Baerenreiter.

Drever, John L.. 2007. audience : hearing. [Composition]

Drever, John L.. 2007. Nostophonics: approaches to grasping everyday sounds from a British perspective. In: Ros Bandt, Michelle Duffy and Dolly MacKinnon, eds. Hearing Places. Newcastle upon Tyne : Cambridge Scholars Press, pp. 161-173. ISBN 9781847182555 [Book Section]

Eichner, Barbara. 2007. Gottlieb Freiherr von Tuchers 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) und die Wiederentdeckung der Alten Musik [Gottlieb Freiherr von Tucher's 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) and the Rediscovery of Early Music]. Musicologica Austriaca, 23, pp. 57-80. ISSN 10161066 [Article]

Eichner, Barbara. 2007. In traeumerischer Entrueckung auf pfadlosen Wegen: Verwandlungsmusiken in Der Ring des Nibelungen und Parsifal [In dreamlike transport on pathless ways: transformation music in The Ring of the Nibelung and Parsifal]. In: A. Dorschel, ed. Verwandlungsmusik: Ueber komponierte Transfigurationen. Universal Edition, pp. 273-307. ISBN 9783702465537 [Book Section]

Eichner, Barbara and Houghton, Guy. 2007. Rose Oil and Pineapples: Julius Cyriax's Friendship with Wagner and the Early Years of the London Wagner Society. The Wagner Journal, 1(2), pp. 19-49. ISSN 17550173 [Article]

Gardiner, Ian R.. 2007. L'escalier en spirale. [Composition]

Gardiner, Ian R.. 2007. ROSE HOBART (score for the 1936 film by Joseph Cornell). [Composition]

Gardiner, Ian R.. 2007. VORMITTAGSSPUK. [Composition]

Grierson, Mick. 2007. 'NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT'. In: International Computer Music Conference 2007. UNDEFINED8/1/2007. [Conference or Workshop Item]

Ivashkin, Alexander V.. 2007. CD recording and other projects relating to Alfred Schnittke. Various.

Ivashkin, Alexander V.. 2007. Rostropovich. Tokyo: Shunjusha Publishing Company. ISBN 978-4-393-93518-7 [Book]

Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Berta Joncus and Melania Bucciarelli, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-293. ISBN 9781874833178 [Book Section]

Langley, Leanne. 2007. Agency and Change: Berlioz in Britain, 1870-1920. Journal of the Royal Musical Association, 132(2), pp. 306-347. ISSN 02690403 [Article] (In Press)

Langley, Leanne. 2007. Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. In: N. Kenyon, J. Doctor and D. Wright, eds. The Proms: A New History. Thames and Hudson, pp. 32-73. ISBN 9780500513521 [Book Section]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

Nielinger-Vakil, Carola. 2007. Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein. [Performance]

Potter, Keith S., Wiggins, Geraint and Pearce, Marcus T.. 2007. Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music. Musicae Scientiae, 11(2), pp. 295-324. ISSN 10298649 [Article]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Pryer, Anthony J.. 2007. Re-Reading Hanslick: Musical Performance and "The Music Itself". The Musical Quarterley, pp. 1-22. [Article] (Submitted)

Wilshere, Brian. 2007. Brian Wilshere: The Drummer as Composer. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Young, Michael W.. 2007. 'NN Music: Improvising with a 'Living' Computer'. In: International Computer Music Conference. San Francisco2007. [Conference or Workshop Item]

Young, Michael W. and Adderley, Paul. 2007. Here is Now and There the Sound of the Land: 'Ground-breaking'. MutaMorphosis: Challenging Arts and Sciences Conference Proceedings, p. 1. [Article]

Zolinsky, Andrew. 2007. Schoenberg: Complete Piano Music (also Organ Music). Mollterz.

Ayrey, Craig L.. 2006. Jankélévitch the obscure(d). Music Analysis, 25(iii), pp. 343-357. ISSN 0262-5245 [Article]

Cottrell, Stephen J.. 2006. Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. twentieth-century music, 3(1), pp. 73-96. ISSN 14785722 [Article]

Crawford, Tim, Pickens, J. and Wiggins, Geraint. 2006. Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. In: Richard Kronland-Martinet, Thierry Voinier and Sylvi Ystad, eds. Computer Music Modeling and Retrieval. Lecture Notes in Computer Science, pp. 233-248. ISBN 03029743 [Book Section]

Dobbins, Frank. 2006. Charles Tessier, Oeuvres completes/Complete Works: Chansons, Airs, Villanelles. Turnhout: Brepols. ISBN 9782503515946 [Book]

Dobbins, Frank. 2006. Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. Acta Musicologica, 78(2), pp. 197-234. ISSN 00016241 [Article]

Drever, John L.. 2006. -scape. [Composition]

Halstead, Jill. 2006. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Ashgate. ISBN 0754601781 [Book]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Kivy, Peter. 2006. Ars Perfecta: toward perfection in musical performance? The British Journal of Aesthetics, 46(2), pp. 111-132. ISSN 14682842 [Article]

Kivy, Peter. 2006. The Performance of Reading: an essay in the philosophy of literature. Blackwell. ISBN 1405146923 [Book]

Negus, Keith R.. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966'. In: International Conference 'Presenza storica di Luigi Nono'. UNDEFINED12/1/2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. Intolleranza 1960. In: UNSPECIFIED, ed. Intolleranza 1960. UNSPECIFIED, pp. 8-17. ISBN 00000000 [Book Section]

Nielinger-Vakil, Carola. 2006. 'The Song Unsung': Luigi Nono's Il canto sospeso. Journal of the Royal Musical Association, 131(1), pp. 83-150. ISSN 14716933 [Article]

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'. In: International Nono Conference. Padova2006. [Conference or Workshop Item] (In Press)

Young, Michael W.. 2006. Ebbs. [Composition]

Zolinsky, Andrew. 2006. Unsuk Chin: Piano Concerto. [Performance]

Ayrey, Craig L.. 2005. 'Pousseur’s Scambi (1957), and the new problematics of the open work '. In: The 'Scambi Project'. Goldsmiths18 Feb 2005. [Conference or Workshop Item]

Baily, John S.. 2005. So Near, So Far: Kabul's Music in Exile. Ethnomusicology Forum, 14(2), pp. 213-233. ISSN 17411912 [Article]

Dobbins, Frank. 2005. The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". In: E. Jas, ed. Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Turnhout: Brepols, p. 83. ISBN 2503518842 [Book Section]

Dobbins, Frank. 2005. Jacotin, Chansons. Turnhout: Brepols. ISBN 9782503515939 [Book]

Drever, John L.. 2005. Close to the Literal. [Composition]

Gardiner, Ian R.. 2005. Toccata, Canzona, Ricercare. [Composition]

Halstead, Jill. 2005. The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. Women a Cultural Review, 16(2), pp. 222-235. ISSN 14701367 [Article]

Halstead, Jill. 2005. She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. In: Christa Brustle, ed. Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland, 1920-1950. Olms Verlag, pp. 1-9. ISBN 3487129620 [Book Section]

Ivashkin, Alexander V.. 2005. Giya Kancheli: Simi and Mourned by the Wind (for cello and orchestra). [Audio]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2005. "His Spirit is in Action Seen": Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

Silkstone, Francis. 2005. Duo for Violin and Bass Clarinet. [Composition]

Silkstone, Francis. 2005. Is this Raag? and Is this Raag too?. [Composition]

Smirnov, Dmitri. 2005. String Quartet No. 7. [Composition]

Blackwell, Tim M. and Young, Michael W.. 2004. Self-Organised Music. Organised sound, 9(2), pp. 123-136. ISSN 1355-7718 [Article]

Cottrell, Stephen J.. 2004. Professional Music-Making in London. Ashgate. ISBN 0754608891 [Book]

Grierson, Mick. 2004. Third World Warhol. Noisefilm.

Ivashkin, Alexander V.. 2004. Rachmaninov - Complete Works for Cello and Piano. [Audio]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom12-14 November 2004. [Conference or Workshop Item]

Kivy, Peter. 2004. Music, Language and Cognition: which doesn't belong? In: K. Korta and J. Larrazabal J, eds. Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science. Kluwer, pp. 157-174. ISBN 1402019122 [Book Section]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

Negus, Keith R. and Pickering, M.. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan2-4 November, 2002. [Conference or Workshop Item]

Silkstone, Francis. 2004. Double Raaga, Double Taala for String Quartet and Tabla. [Composition]

Silkstone, Francis. 2004. Sharing The Cooking Times: Alap-Jor-Jhala Concerto for Large Ensemble in Raga Chameleon. [Composition]

Smirnov, Dmitri. 2004. Tri-o-Tri (Piano Trio No 3). [Composition]

Young, Michael W.. 2004. Argrophylax. [Composition]

Baily, John S.. 2003. A Kabul Music Diary. [Film/Video]

Cottrell, Stephen J.. 2003. The Future of the Symphony Orchestra. In: C. Lawson, ed. The Cambridge Companion to the Orchestra. Cambridge University Press, pp. 251-264. ISBN 0521001323 [Book Section]

Drever, John L.. 2003. Phonographies of Exeter. [Composition]

Eichner, Barbara. 2003. Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. In: Horton and B. Zon, eds. Nineteenth-Century British Music Studies. Ashgate, pp. 171-191. ISBN 0754636143 [Book Section]

Grierson, Mick. 2003. Structure Interne. Noisefilm.

Ivashkin, Alexander V. and Lazareva, T.. 2003. Prokofiev: Complete Cello/piano Music. [Audio]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]

Langley, Leanne. 2003. Roots of a Tradition: The First Dictionary of Music and Musicians. In: M. Musgrave, ed. George Grove, Music and Victorian Culture. Palgrove, pp. 168-215. ISBN 0004707729 [Book Section]

Pickens, Jeremy, Bello, Juan Pablo, Monti, Giuliano, Sandler, Mark, Crawford, Tim and Dovey, Matthew. 2003. Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. Journal of New Music Research, 32(2), pp. 223-236. ISSN 09298215 [Article]

Potter, Keith S.. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Smirnov, Dmitri. 2003. A Geometer of Sound Crystals: a book on Philip Herschkowitz. Verlag Ernst Kuhn. ISBN 3928864998 [Book]

Smirnov, Dmitri. 2003. Triple Concerto No. 2 for violin, harp, double bass and orchestra, op.139. [Composition]

Ivashkin, Alexander V., ed. 2002. A Schnittke Reader. Bloomington and Indianapolis: Indiana University Press. ISBN 0-253-33818-2 [Edited Book]

Ayrey, Craig L.. 2002. Nomos/Nomos: Law, Melody and the Deconstructive in Webern's 'Leichteste Bürden der Bäume' Cantata II Op. 31. Music Analysis, 21(3), pp. 259-305. ISSN 02625245 [Article]

Ayrey, Craig L.. 2002. Stravinsky in analysis: the anglophone traditions. In: J. Cross, ed. The Cambridge Companion to Stravinsky. Cambridge University Press, pp. 203-229. ISBN 9780521663779 [Book Section]

Crawford, Tim. 2002. Facsimile and introductory study of the Dresden Manuscript of lute works by S. L. Weiss, Parts 1 and 2. Other. Baerenreiter.

Dobbins, Frank. 2002. Claudio Montiverdi, Scherzi musicali a tre voci (1607). Cremona: Fondazione Claudio Monteverdi. ISBN 8886288275 [Book]

Dobbins, Frank and Vacchelli, A.. 2002. Claudio Monteverdi, Scherzi musicali a una e due voci (1632). Cremona: Fondazione Claudio Monteverdi. ISBN 978-88-86288-28-6 [Book]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

Negus, Keith R.. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30, pp. 133-145. ISSN 00484571 [Article]

Negus, Keith R.. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Pryer, Anthony J.. 2002. Seventeen new articles (and eight revised articles) in music dictionary. Please see further information below. In: A. Latham, ed. The Oxford Companion to Music. Oxford University Press, p. 159. ISBN 0198662122 [Book Section]

Pryer, Anthony J.. 2002. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: Proceedings of the International Congress in Shizuoka, 2002. UNDEFINED8/1/2002. [Conference or Workshop Item]

Young, Michael W. and Goto, J.. 2002. 1. Loss of Face and 2. New World Circus. In: "1. Loss of Face and 2. New World Circus", 1. Loss of Face. Norwich Gallery, Wolsey Art Gallery, Hartlepool Art Gallery 2002. 2. New World Circus Mercer Art Gallery, Harrogate. Focal Point Gallery, Southend on Sea. Stephen Lawrence Gallery, London. 4U of Brighton Gallery. Ovada Gallery, Oxford. , 6/30/2006 - 11/3/2007. [Show/Exhibition]

Baily, John S.. 2001. Can You Stop the Birds Singing? The Censorship of Music in Afghanistan. Copenhagen: Freemuse. ISBN 0004707729 [Book]

Ivashkin, Alexander V.. 2001. Sofia Gubaidulina and Cello: In croce, Quaternion, Ten Preludes. [Audio]

Ivashkin, Alexander V.. 2001. The Unknown Prokofiev. [Audio]

Ivashkin, Alexander V., Kopachinskaya, P., Raiskin, D. and Sokolov, I.. 2001. Nikolai Korndorf: IN HONOUR OF ALFRED SCHNITTKE, PASSACAGLIA, ARE YOU READY, BROTHER. [Audio]

Ivashkin, Alexander V. and Lazareva, T.. 2001. Roslavets: Complete Music for Cello and Piano. [Audio]

Ivashkin, Alexander V. and Vesmas, T.. 2001. Sergei Prokofiev: Complete Music for Cello and Piano. [Audio]

Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven: Yale University Press. ISBN 0300087586 [Book]

Langley, Leanne. 2001. Dictionary entries on English music critics and criticism. In: Sadie Stanley, ed. The New Grove Dictionary of Music and Musicians. Macmillan, p. 57. ISBN 0333608003 [Book Section]

Zolinsky, Andrew. 2001. Old, new, borrowed, blue: a series of three solo piano recitals. [Performance]

Redgate, Roger. 1998. Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. In: Henrietta Brougham, Christopher Fox and Ian Pace, eds. Uncommon Ground: The Music of Michael Finnissy. Aldershot: Ashgate, pp. 135-168. ISBN ISBN 1 85928365 X [Book Section]

Ivashkin, Alexander V. and Oerhlein, Josef. 1997. Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich. Frankfurt-Schweinfurth: Reimund Maier Verlag. ISBN 3-926300-30-2 [Book]

Ivashkin, Alexander V. and Vesmas, T.. 1995. Alfred Schnittke, Music for Cello and Piano. [Audio]